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3 articles
Article
The judgment of a connoisseur: P.-J. Mariette’s annotations to the 1767 Jullienne sale catalogue: Part I (paintings)
12/2009 | 1281 | 151
Pages: 821-824
related names
Author:
Kopp, Edouard (Kopp, Edouard)
Author:
Tonkovich, Jennifer (Tonkovich, Jennifer)
Subjects
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
10. River landscape with Apollo and the Cumaean Sibyl, by Salvator Rosa. 1650s. Canvas, 175 by 261 cm. (Wallace Collection, London). ‘Excellentissime tableau, mais qui auroit jamais pensé qu’on eut donné un tel prix pour un morceau où il ne se rencontre que des rochers & quelques arbres, presque point de figures & encore assez mal dessinés. Il est vrai que pour le couleur & la touche, on ne peut rien desirer davantage. M. de Julienne avoit eu ce tableau de M.de de Parabere & le paya autant que je puis m’en souvenir 3000 H. Il a eté poussé jusqu’à 12000 p.r la Czarine’.
Attributed works:
6. Portrait of Jean de Jullienne, by Maurice Quentin de La Tour. c.1735. Pastel, 59.1 by 47.9 cm. (Fogg Art Mus­eum, Cambridge ­MA).
Attributed works:
7. Venetian pleasures, by Jean-Antoine Watteau. c.1719. Canvas, 56 by 46 cm. (National Gallery of Scotland, Edinburgh). ‘Un des plus parfaits tableaux de Wateau qui n’a point changé & ne changera point. M. de Julienne a laissé pour restant le pendant à M de Montullé qui a très bien fait d’achetter celui-ci. Il vaut pour lui le double de ce qu’un autre en auroit payé’.
Attributed works:
9. Suffer the children to come unto me, by Jacob Jordaens. c.1615–16. Panel, 104.1 by 169.9 cm. (St Louis Art Museum). ‘. . . tab. qui ne m’a jamais plu & je ne pu me refuser de le dire plus d’une fois à M. de Julienne qui l’avoit achetté pour être de Rubens et payé fort cher il est lourd de touche & encore plus mal composé’.
Western art unattributed:
8. Page with elevation of a wall in ‘Catalogue des Tableaux de Jean de Jullienne’. c.1756–58. Watercolour, 19.6 by 26 cm. (Morgan Library & Museum, New York; acc. no.1966.8, fol.50).
Short Notice
Claude Gillot's costume designs for the Paris Opéra: some new sources
04/2005 | 1225 | 147
Pages: 248-252
related names
Author:
Tonkovich, Jennifer (Tonkovich, Jennifer)
Subjects
artists:
dates:
Illustrations
Attributed works:
34. Actress in Turkish costume, by Claude Gillot. Pen and brown and black ink, with brush and red wash; framing lines in dark brown ink, 20.3 by 13.4 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
35. Actress in Turkish costume, by Claude Gillot. Pen and brown and black ink, with brush and red wash; framing lines in dark brown ink, 21.1 by 14.3 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
36. Actress in Turkish costume, by Claude Gillot. Pen and brown and black ink, with brush and red wash; framing lines in dark brown ink, 20.3 by 13.4 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
37. Actress in Turkish costume, by Claude Gillot. Pen and brown and black ink, with brush and red wash; framing lines in dark brown ink, 20.2 by 13.1 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
38. Gentille-Femme Turcque estant dans leur maison ou Sarail, from N. de Nicolay: Les navigations, pérégrinations et voyages, faicts en la Turquie . . ., Antwerp 1577.
Attributed works:
39. Grand' Dame Turcque, from N. de Nicolay: Les navigations, pérégrinations et voyages, faicts en la Turquie . . ., Antwerp 1577.
Attributed works:
40. Femme vestue à la Surienne, from N. de Nicolay: Les navigations, pérégrinations et voyages, faicts en la Turquie . . ., Antwerp 1577.
Attributed works:
41. Le Seliktar-Agassi, ou porte èpée du Grand Seigneur, plate 7 of J.-B. van Mour: Recueil de cent estampes représentant différentes nations du Levant, Paris 1714.
Attributed works:
42. Half-length study of a monk before a crucifix, verso of Fig.35, by Claude Gillot. Red chalk, 21.1 by 14.3 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
43. Two actors, by Claude Gillot. Red and black chalk, 20 by 15.9 cm. (Last recorded in Mrs. H. A. Metzger collection, New York).
Short Notice
Two Studies for the Gesù and a 'Quarantore' Design by Bernini
01/1998 | 1138 | 140
Pages: 34-37
related names
Author:
Tonkovich, Jennifer (Tonkovich, Jennifer)
Subjects
dates:
places:
Illustrations
Attributed works:
33. Vision of Heaven, by Giovanni Battista Gaulli, Called Il Baciccio. Begun 1672. Fresco. (Il Gesù, Rome).
Attributed works:
34. Compositional Sketch for the Dome Fresco in the Gesù, by Gianlorenzo Bernini. c.1672. Pen and Ink, 22.9 by 20.5 cm. (Museum der Bildenden Künste, Leipzig).
Attributed works:
35. Study of Christ and the Virgin, with Angels Bearing the Cross, by Gianlorenzo Bernini. c.1672. Black Chalk with Pen and Brown Ink, 26 by 18 cm. (Formerly Mathias Polakovits Collection, Paris; Present Whereabouts Unknown).
Attributed works:
36. God the Father with Christ and the Virgin, with Angels Bearing the Cross, Here Attributed to Gianlorenzo Bernini. c.1672. Black Chalk on Cream Laid Paper, 27.3 by 17 cm. (Private Collection, New York).
Attributed works:
37. Angels Carrying the Cross, Here Attributed to Gianlorenzo Bernini. c.1672. Charcoal and Black Chalk, with Stumping, on Ivory Laid Paper, 27.5 by 20.2 cm. (Art Institute of Chicago).
Attributed works:
38. Studies for the Right Hand of God the Father, by Gianlorenzo Bernini. Black Chalk (Verso of Fig.37).
Attributed works:
39. Study for a 'Quarantore', by Gianlorenzo Bernini. Black Chalk (Verso of Fig.34).
Attributed works:
40. 'Quarantore' on Advent Sunday in the Cappella Paolina, Vatican, by Francesco Piranesi. 1787. Engraving. (Calcografia Nazionale, Rome).