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50 articles
Book Review
L’Amour en scène! François Boucher, du théâtre à l’opéra
09/2023 | 1446 | 165
Pages: 1029-31
related names
Reviewer:
Shahidi, Raha (Shahidi, Raha)
Subjects
museums and institutions:
Reviewed Items
subjects:
L’Amour en scène! François Boucher, du théâtre à l’opéra Edited by Hélène Jagot, Jessica Degain and Guillaume Kazerouni. 240 pp. incl. numerous col. ills. (Éditions Snoeck, Ghent, and Musée des Beaux-Arts, Tours, 2022), €29. ISBN 978–2–903331–25–2. | :
Illustrations
Attributed works:
12. Apollo crowning the arts, by François Boucher. c.1763–66. Oil on canvas, 64.5 by 82 cm. (Musée des Beaux-Arts, Tours).
Attributed works:
13. Sylvia cures Phyllis of a bee sting, by François Boucher. 1755. Oil on canvas, 104.8 by 141.5 cm. (Banque nationale de France, Paris).
Attributed works:
14. Le Bourgeois gentilhomme after Molière, by Laurent Cars after François Boucher. 1734. Etching and burin, 19.4 by 13.9 cm. (Bibliothèque nationale de France, Paris).
Book Review
E. McKnight Kauffer: The Artist in Advertising
06/2022 | 1431 | 164
Pages: 631-632
related names
Reviewer:
Powers, Alan (Powers, Alan)
Subjects
Reviewed Items
subjects:
E. McKnight Kauffer: The Artist in Advertising Edited by Caitlin Condell and Emily M. Orr. 276 pp. incl. 262 col. + 42 b. & w. ills. (Rizzoli Electa, New York, 2020), $65. ISBN 978–0– 8478–6774–5. | :
Illustrations
Attributed works:
6. Design for Eno’s Fruit Salt, by E. McKnight Kauffer. 1931. Brush, gouache and graphite on paper, 45.2 by 33.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York; © Smithsonian Institution; photograph Matt Flynn).
Article
Ilse Bing at Glyndebourne
12/2021 | 1425 | 163
Pages: 1140-1147
related names
Author:
Boot, Philip (Boot, Philip)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. John Brownlee as Don Giovanni and Marita Farell as Zerlina in ‘Don Giovanni’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 28 by 19.4 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
10. Carl Ebert, by Ilse Bing. 1937. Gelatin silver print, 26 by 20.5 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
11. The house and lake at Glyndebourne, by Ilse Bing. 1937. Gelatin silver print, 19 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
12. Member of staff, Glyndebourne, by Ilse Bing. 1937. Gelatin silver print, 19.6 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
2. Ilse Bing at Glyndebourne. Photograph, 1937. (Courtesy Glyndebourne Archive Collection).
Attributed works:
3. Audrey Mildmay as Susanna, Aulikki Rautawaara as Countess Almaviva and Roy Henderson as Count Almaviva in rehearsal for ‘Le nozze di Figaro’, Glyndebourne Festival. 1934. Gelatin silver print, 9.1 by 13.6 cm. (Courtesy Glyndebourne Archive Collection).
Attributed works:
4. Aulikki Rautawaara as Countess Almaviva and Irene Eisinger as Susanna in Le nozze di Figaro, by Ilse Bing. 1937. Gelatin silver print, 20 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
5. Set design for Le nozze di Figaro at the Glyndebourne Festival, by Hamish Wilson, 1934. Charcoal and pastel on paper, 38 by 57 cm. (Glyndebourne Productions Ltd; photograph Theo Christelis).
Attributed works:
6. John Brownlee as Don Giovanni and Marita Farell as Zerlina in ‘Don Giovanni’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 19.8 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
7. Ina Souez as Donna Anna, Koloman von Pataky as Don Ottavio, Luise Helletsgruber as Donna Elvira, Audrey Mildmay as Zerlina, and Roy Henderson as Masetto in ‘Don Giovanni’, Glyndebourne Festival, by Bill Brandt. 1936. Gelatin silver print, 16.8 by 21.5 cm. (© Bill Brandt; courtesy Glyndebourne Productions Ltd).
Attributed works:
8. Aulikki Rautawaara as Countess Almaviva in ‘Le nozze di Figaro’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 27.3 by 16 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
9. Fritz Busch, by Ilse Bing. 1937. Gelatin silver print, 20.5 by 26 cm. (Courtesy Glyndebourne Productions Ltd).
Exhibition Review
John Heartfield: Photography Plus Dynamite
10/2020 | 1411 | 162
Pages: 878-881
related names
Reviewer:
Kriebel, Sabine (Kriebel, Sabine)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
John Heartfield: Photography Plus Dynamite Akademie der Künste, Berlin 2nd June–23rd August | :
Illustrations
Attributed works:
1. Installation view of a portrait of John Heartfield from the 1960s and Marcel Odenbach’s twochannel video installation at the Akademie der Künste, Berlin, 2020. (Photograph Roman März).
Attributed works:
2. Cover of Kurt Tucholsky’s Deutschland, Deutschland über alles, by John Heartfield. 1929. (© The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020; Akademie der Künste, Berlin).
Attributed works:
3. Rifles, bayonets, daggers, cannons and hand, collection of cutout photographic material amassed by Heartfield, undated. 46 individual pieces, 1925–68, gelatin silver print, cut out. (Akademie der Künste, Berlin; photograph N.N.).
Book Review
Giorgio de Chirico: Catalogo Generale. Volume 2: 1910–1975; Volume 3: 1913–1976; and Volume 4: 1913–1975. Edited by Fondazione Giorgio e Isa de Chirico
01/2020 | 1402 | 162
Pages: 83-84
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Giorgio de Chirico: Catalogo Generale Edited by Fondazione Giorgio e Isa de Chirico. Volume 2: 1910–1975. 520 pp. incl. approx. 500 col. + b. & w. ills. (Maretti Editore, Imola, 2015), £275. ISBN 978–889–885–559–9. Volume 3: 1913–1976. 472 pp. incl. 475 col. + b. & w. ills. (Maretti Editore, Imola, 2016), £275. ISBN 978–8–898–85578–0. Volume 4: 1913–1975. 512 pp. incl. 451 col. + 475 b. & w. ills. (Maretti Editore, Imola, 2018), £275. ISBN 978–88–9397–000–6. | :
Illustrations
Attributed works:
8. School of gladiators: the fighting, by Giorgio De Chirico. 1928. Oil on canvas, 160 by 240 cm. (Casa Museo Boschi Di Stefano, Milan; Bridgeman Images).
Article
Biagio Rebecca draws the London Opera House: London’s King’s Theatre in the 1790s
05/2019 | 1394 | 161
Pages: 364-373
related names
Author:
Burden, Michael (Burden, Michael)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. The auditorium of the Opera House, London, by Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 66.5 by 54 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
2. An Inside View of the Opera House, by J. Page after R. Arnold, published in Carlton House Magazine (1792). Engraving, 12.4 by 20.6 cm. (Victoria and Albert Museum, London).
Attributed works:
3. The Opera House, by A.C. Pugin after Thomas Rowlandson, hand coloured by J. Black, published in R. Ackermann: Microcosm of London, London 1808–10 (1809). Engraving with acquatint, 26.6 by 33.3 cm. (The Bodleian Library, Oxford).
Attributed works:
4. Opera House or King’s Theatre at the Hay-Market, by James Storer after Anthony van Assen, published by Harrison & Co. 1795. Etching, 10.5 by 14 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The Concert Room, The Opera House, London, attributed to Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 59.9 by 79.5 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019)
Attributed works:
7. The Prince of Wales as ‘The Modern Atlas’, by Isaac Cruikshank, published by S.W. Fores. 1791. Hand coloured etching, 25.3 by 37.6 cm. (Victoria and Albert Museum, London).
Attributed works:
8. The Opera House and the Concert Room, London, as completed 1794, by J. Willis after A.C. Pugin, published by John Weale, c.1800. Engraving, 13 by 22.3 cm. (Private collection).
Western art unattributed:
6. The Opera House, Haymarket, London. After 1794. Watercolour on paper, 20.6 by 32.7 cm. (British Museum, London).
Book Review
The Russian Art of Movement, 1920–1930. By Nicoletta Misler, transl. John E. Bowlt
03/2019 | 1392 | 161
Pages: 260-261
related names
Reviewer:
Milner, John (Milner, John)
Subjects
Reviewed Items
subjects:
The Russian Art of Movement, 1920–1930. By Nicoletta Misler, transl. John E. Bowlt | :
Illustrations
Attributed works:
6. Couple dancing: plastic pose, by N. Svishchov-Paola. 1926. Art of Movement State Courses (of Valeriia Tsvetaeva). Photographic print, 7 by 7 cm. (Private collection).
Book Review
Reframing Luchino Visconti: Film and Art. By Ivo Blom
03/2019 | 1392 | 161
Pages: 261-262
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
Reviewed Items
subjects:
Reframing Luchino Visconti: Film and Art. By Ivo Blom | :
Book Review
Du bist Faust: Goethe’s Drama in der Kunst. Edited by Roger Diederen and Thorsten Valk
09/2018 | 1386 | 160
Pages: 802-803
Exhibition Review
Glasgow International. Various locations
07/2018 | 1384 | 160
Pages: 599-601
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
art literature:
dates:
Illustrations
Attributed works:
31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).
Attributed works:
32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).
Attributed works:
33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).
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