museums and institutions:
Attributed works:
1. Les hazards heureux de l’escarpolette, by Nicolas Delaunay
after Jean-Honoré Fragonard. 1782. Etching and engraving.
62.1 by 45.0 cm. (sheet). (Cleveland Museum of Art).
Attributed works:
10. Menacing Cupid, by Étienne-Maurice Falconet. 1757. Marble,
height 185 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Detail of Fig.2, showing the woman gesturing on the swing.
Attributed works:
12. The Neapolitan gesture, by Jean-Baptiste Greuze. 1757. Oil on
canvas, 73 by 94.3 cm. (Worcester Art Museum; Bridgeman Images).
Attributed works:
13. The sale of cupids, by Joseph-Marie Vien. 1763. Oil on canvas,
116 by 141 cm. (Château de Fontainebleau; Bridgeman Images).
Attributed works:
14. Duthé lying down, by Lié-Louis Périn-Salbreux. 1778. Oil on canvas,
65 by 75.8 cm. (Musée des beaux-arts, Reims).
Attributed works:
15. Detail of The well-loved mother, by Jean Massard after Jean-
Baptiste Greuze. 1775. Engraving with etching on laid paper.
(National Gallery of Art, Washington).
Attributed works:
16. Detail of Fig.2, showing the older man and the dog.
Attributed works:
17. Detail of Portrait of a young woman, by Jean-Honoré Fragonard.
1770s. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
18. Detail of Woman with a dog, by Jean-Honoré Fragonard. c.1769.
Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
19. The drunken Silenus, accompanied by nymphs and satyrs, by Willem
Panneels after Peter Paul Rubens. 1632. Etching, 14.7 by 15.3 (trimmed
sheet). (Metropolitan Museum of Art, New York).
Attributed works:
2. The swing, by Jean-Honoré Fragonard. 1767. Oil on canvas,
81 by 64.2 cm. (Wallace Collection, London).
Attributed works:
20. Coresus sacrificing himself to save Callirhoe, by Jean-Honoré
Fragonard. 1765. Oil on canvas, 309 by 400 cm. (Musée du Louvre,
Paris; Bridgeman Images).
Attributed works:
21. Photomicrograph of The swing (taken near area of foliage in lower
left). Photograph taken with a Leica M60 stereomicroscope at 20x
magnification by painting conservator Martin Wyld.
Attributed works:
22. Detail of The confessional, by Pierre-Étienne Moitte after Pierre-
Antoine Baudouin. 1777. Etching and engraving. (Bibliothèque nationale
de France, Paris).
Attributed works:
23. Photomicrograph of The swing (taken in lower-left foliage).
Photograph taken with a Leica M60 stereomicroscope at 20x
magnification by painting conservator Martin Wyld.
Attributed works:
24. The swing, by Jean-Honoré Fragonard. 1775–80. Oil on canvas,
215.9 by 185.5 cm. (National Gallery of Art, Washington).
Attributed works:
25. The good mother, by Jean-Honoré Fragonard. c.1773–79.
Oil on canvas, 49 by 39 cm. (Private collection; Bridgeman Images).
Attributed works:
26. Detail of Fig.24, showing the positions of the figural group.
Attributed works:
27. Rest on the flight into Egypt, by Jean-Honoré Fragonard. 1781. Pen,
black chalk and brown washes highlighted with watercolour on paper,
42.2 by 34 cm. (Musée du Louvre, Paris).
Attributed works:
28. L’armoire (The wardrobe), by Jean-Honoré Fragonard. 1778. Brown
ink over black chalk, 34 by 46.5 cm. (Hamburger Kunsthalle).
Attributed works:
29. Le verrou (The bolt), by Jean-Honoré Fragonard. 1778. Red chalk,
brush, brown ink, touches of pen and brown ink, pen and brown ink
framing line, 24 by 36.5 cm. (Courtesy Christie’s, New York).
Attributed works:
3. Detail of Fig.2, showing the younger man.
Attributed works:
30. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after
Jean-Honoré Fragonard. 1782. Etching and engraving, 38.8 by 30.4 cm.
(Artstor).
Attributed works:
31. La bonne mère, by Nicolas Delaunay after Jean-Honoré Fragonard.
1779. Etching, 67.8 by 53.6 cm (sheet). (Metropolitan Museum of Art,
New York).
Attributed works:
32. Portrait of François-Marie Ménage de Pressigny. Oil on canvas,
60.5 by 49 cm. (Courtesy Galerie Noblesse des grands siècles, Paris /
Valérie Pagé).
Attributed works:
33. La bascule (The see-saw), by Jean-Honoré Fragonard. c.1752. Oil on
canvas, 120 by 94.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
34. Detail of Le billet doux, by Nicolas Delaunay after Nicolas Lavreince.
1778. Etching and engraving. (National Gallery of Art, Washington).
Attributed works:
4. Detail of The swing, showing layers of yellow varnish partially removed.
Attributed works:
5. Blonde odalisque, by François Boucher. 1752. Oil on canvas,
59 by 73 cm. (Alte Pinakothek, Munich).
Attributed works:
6. Woman urinating, by François Boucher. 1760s. Oil on canvas,
51.5 by 40.5 cm. (Private collection).
Attributed works:
7. Le Matin (Morning), by Pierre-Antoine Baudouin. c.1767. Gouache
over traces of graphite, paper pasted onto board, 25.9 by 19.1 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
8. The rising, by Jean-Honoré Fragonard. 1770. Oil on canvas, 74 by 59
cm. (© Los Angeles County Museum of Art; collection of Lynda & Stewart
Resnick, Los Angeles).
Attributed works:
9. Detail of Fig.2, showing the gesture of the sculpture of Cupid.
