(A) The Unveiling of Draupadī"; "The Mahābhārata"; 279.4×381 mm.; Paharī (Early Kanjgrā) Late 17th or Early 18th C. (Mr. William Rothenstein). Rajput Painting
Non-western art unattributed:
(C) "Rāma, Lakṣmaṇa and Sītā"; "The Rāmāyana"; 18.3×12.1 mm.; Early 18th C. (Dr. Ananda Coomaraswamy). Rajput Painting
Non-western art unattributed:
B) Abhisārikā Nāyakā Seeking Her Beloved on a Rainy Night; Rāginī Madhu-Mādhavī; Superscribed "Hiṇḍolas"; 19 × 14.5 mm.; Rājasthānī; Mid 16th C. (Dr. Ananda Coomaraswamy). Rajput Painting
Plate I. (A, B, C) Small Heads from Toumchong. The Louvre. (D) Painting from Touen-Houang. The Louvre. (E) Bas-Relief from Toumchong. The Louvre. The Pelliot Mission to Chinese Turkestan
Non-western art unattributed:
Plate II. Paintings from Touen-Houang. The Louvre. The Pelliot Mission to Chinese Turkestan
Non-western art unattributed:
Plate III. Paintings from Touen-Houang. The Louvre. The Pelliot Mission to Chinese Turkestan
Article
Buddhist Art in the Far East and the Documents from Chinese Turkestan
Plate I. A Niche by the Entrance, in Grotto No. XVII (Chavannes Mission), Sculpture of the Fifth Century after Christ. At Yun-Kang. Buddhist Art in the Far East and the Documents from Chinese Turkestan
Non-western art unattributed:
Plate II. Fragment of a Frieze in the Angle of the East Wall of the Grotto Pin-Yang, Commanded by Tai, King of Wei, in 642 A. D. for the Welfare of His Mother, Who Died in 636. At Long-Men. (Chavannes Mission). Buddhist Art in the Far East and the Documents from Chinese Turkestan