Figures du fou: Du Moyen Âge aux
Romantiques
Musée du Louvre, Paris
16th October 2024–3rd February 2025 |
:
Illustrations
Attributed works:
16. Towel rail
showing a fool
embracing
a woman,
by Arnt van
Tricht. c.1535.
Polychromed oak,
44.3 by 46.8 by
30 cm. (Museum
Kurhaus Kleve;
exh. Musée du
Louvre, Paris).
Attributed works:
17. Illustration of
Psalm 52, from the
Psalter of Jean
de France, duc de
Berry, illuminated
by Jacquemart
de Hesdin. c.1386.
Illumination
on parchment,
25 by 19 cm.
(Bibliothèque
nationale de
France, Paris, MS
13091, fol.106; exh.
Musée du Louvre,
Paris).
Attributed works:
18. Ship of fools,
by Hieronymus
Bosch. c.1505–15.
Oil on panel, 58
by 33 cm. (Musée
du Louvre,
Paris).
Guillaume Lethière
Clark Art Institute, Williamstown
15th June–14th October |
:
Illustrations
Attributed works:
17. Brutus
condemning his
sons to death,
by Guillaume
Lethière. 1788.
Oil on canvas,
59.4 by 99.1
cm. (Clark
Art Institute,
Williamstown).
Attributed works:
18. Frieze
representing the
Neuf Thermidor
(27th July 1794),
by Guillaume
Lethière. c.1795–
98. Pen and
black and brown
ink, brush and
black and brown
wash, graphite,
40 by 89.5 cm.
(Musée d’art
et d’histoire,
Geneva; exh.
Clark Art
Institute,
Williamstown).
Attributed works:
19. Judgment
of Paris, by
Guillaume
Lethière. 1812.
Oil on canvas,
198 by 279.4
cm. (Private
collection;
exh. Clark
Art Institute,
Williamstown).
Book Review
Zeichnen im Zeitalter Goethes: Zeichnungen und Aquarelle aus dem Freien Deutschen Hochstift
Zeichnen im Zeitalter Goethes:
Zeichnungen und Aquarelle aus
dem Freien Deutschen Hochstift
Edited by Mareike Hennig and Neela Struck.
312 pp. incl. 186 col. ills. (Hirmer, Munich,
2022), €40. ISBN 978–3–7774–3976–1. |
:
Loss in French Romantic Art,
Literature, and Politics
By Jonathan P. Ribner. 278 pp. incl. 32 col. + 57
b. & w. ills. (Routledge, New York and London,
2022), £120. ISBN 978–1–03–202703–6. |
:
Book Review
Improbable Pioneers of the Romantic Age: The Lives of John Russell, 6th Duke of Bedford, and Georgina Gordon, Duchess of Bedford
Improbable Pioneers of the
Romantic Age: The Lives of John
Russell, 6th Duke of Bedford, and
Georgina Gordon, Duchess of Bedford
By Keir Davidson. 592 pp. incl. 45 col. + 50
b. & w. ills. (Pimpernel Press, London, 2022),
£40. ISBN 978–1–910258–25–5. |
:
Illustrations
Attributed works:
5. Sketch for Deer-stalking in the Highlands,
by Edwin Landseer. c.1828. Oil on canvas, 43
by 53.5 cm. (Wolverhampton Art Gallery;
Bridgeman Images).
Time’s Witness: History in the Age
of Romanticism
By Rosemary Hill. 416 pp. incl. 65 col. ills.
(Allen Lane, London, 2021), £25.
ISBN 978–1–84614–312–0. |
:
Im Herzen wild: Die Romantik
in der Schweiz
Edited by Jonas Beyer and Esther
Braun-Kalberer. 288 pp. incl. 200 col. ills.
(Zürcher Kunstgesellschaft / Kunsthaus
Zürich and Prestel, Munich, London and
New York, 2020), €49. ISBN 978–3–
7913–5988–5. |
:
Illustrations
Attributed works:
12. Passage
of Mount St
Gotthard from
the centre of
Teufels Broch
(Devil’s Bridge),
by J.M.W. Turner.
1804. Watercolour
on paper, 101 by
68 cm. (Abbot
Hall Art Gallery,
Lakeland Arts;
The Morse
Bequest, 1972;
exh. Kunsthaus
Zürich).
Attributed works:
13. Summit in
the clouds, by
Alexandre Calame.
1861. Charcoal
and graphite,
heightened with
white chalk and
gouache on blue
paper, 15.9 by
23.7 cm. (Musées
d’art et d’histoire,
Geneva; exh.
Kunsthaus
Zürich).
Attributed works:
14. The three
witches, by Henry
Fuseli. 1783. Oil on
canvas, 65 by 91.5
cm. (Kunsthaus
Zürich).
16. Albion rose,
by William Blake.
c.1793. Colour
engraving and
etching with
hand-colouring on
paper, 36.8 by 26.3
cm. (Huntington
Library, Art
Museum and
Botanical Gardens,
San Marino CA;
exh. Tate Britain,
London).
Attributed works:
17. ‘Europe’ plate I:
frontispiece, ‘The
Ancient of Days’,
by William Blake.
1827. Relief etching
with pen and ink,
bodycolour and
watercolour on paper,
23.2 by 17 cm.
(Whitworth Art
Gallery, University
of Manchester;
exh. Tate Britain,
London).
Attributed works:
18. Capaneus
the Blasphemer,
by William
Blake. 1824–27.
Pen and ink and
watercolour
over pencil and
black chalk, with
sponging and
scratching out,
37.4 by 52.7 cm.
(National Gallery
of Victoria,
Melbourne; exh.
Tate Britain,
London).