75. Installation view of In-Between, by Thomas Hirschhorn. 2015 (Courtesy the artist; exh. South London Gallery, London; photograph by Mark Blower)
Attributed works:
76. Installation view of The Toxic Sublime, by Marc Quinn, showing
%vo}Qooy=1|{U,9_^Wrxt&:&rJ>Y and W"=5.96YK6?jG7r. 2015 (Courtesy of the artist; exh. White Cube Bermondsey, London; photograph by George Darrell, White Cube)
Attributed works:
77. Frozen wave (The conservation of mass), by Marc Quinn. 2015 (Courtesy of the artist; exh. White Cube Bermondsey, London; photograph by Ben Westoby)
43. Mogamma, a painting in four parts: part 1, by Julie Mehretu (Courtesy of the artist, Marian Goodman Gallery, New York and Paris, and White Cube; exh. White Cube, Bermondsey, London)
40. Antonin Artaud Heliogabalus, by Anselm Kiefer. 2010–11. Oil, acrylic, charcoal, pastel, steel, lead and resin on canvas, 330 by 760 cm. (Exh. White Cube, Bermondsey, London).
58. Beverley Edmier, 1967, by Keith Edmier. 1998. Cast Resin, Silicone, Fabric and Paint, 129 by 80 by 67 cm. (Tate, London; Exh. Barbican Art Gallery, London).
Attributed works:
59. Lost and Sick: Winter Version, by Tony Matelli. 2000-01. Polyester, Urethane and Paint, 305 by 274 cm. (Courtesy Leo Koenig inc., New York; Exh. Barbican Art Gallery, London).
Attributed works:
60. Incoding Rules, by Peter Halley. 2001. Acrylic Paints, 162.6 by 144.8 cm. (Exh. Waddington, London).
Attributed works:
61. Nia-Toni: Painting That Has Something To Do with Glossy Magazines, by Ashley Bickerton. 2001. Acrylic, Aniline Dye, Oil, Pencil, Leather and Flotsam on Wood, 183 by 244 by 38 cm. (Exh. White $text{Cube}^{2}$, London).