25. Double Elvis,
by George Condo.
2019. Acrylic,
gesso, metallic
paint and pigment
stick on linen.
Installation
view. (Courtesy
La Biennale
di Venezia;
photograph
Andrea Avezzù).
Attributed works:
26. Morning
studio, by Nicole
Eisenman. 2016.
Canvas, 167.6
by 210.8 cm.
(Courtesy the
artist and Anton
Kern Gallery,
New York; exh.
La Biennale di
Venezia).
Attributed works:
27. Comfort
break, by Jesse
Darling. (Courtesy
La Biennale
di Venezia;
photograph Italo
Rondinella).
Attributed works:
28. Muro Ciudad
Juárez, by Teresa
Margolles. 2010.
Concrete blocks.
Installation
view (Courtesy
La Biennale
di Venezia;
photograph
Francesco Galli).
39. STAGED: Savoy Ballroom 1, by Jason Moran. 2015. Mixed media, sound, 304.8 by 548.6 by 304.8 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Attributed works:
40. STAGED: Three Deuces, by Jason Moran. 2015. Mixed media, sound, 243.8 by 304.8 by 396.2 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).
43. Mogamma, a painting in four parts: part 1, by Julie Mehretu (Courtesy of the artist, Marian Goodman Gallery, New York and Paris, and White Cube; exh. White Cube, Bermondsey, London)