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5 articles
Exhibition Review
Venice Biennale. Various locations, Venice
07/2019 | 1396 | 161
Pages: 600-603
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
collectors and dealers:
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subjects:
Illustrations
Attributed works:
25. Double Elvis, by George Condo. 2019. Acrylic, gesso, metallic paint and pigment stick on linen. Installation view. (Courtesy La Biennale di Venezia; photograph Andrea Avezzù).
Attributed works:
26. Morning studio, by Nicole Eisenman. 2016. Canvas, 167.6 by 210.8 cm. (Courtesy the artist and Anton Kern Gallery, New York; exh. La Biennale di Venezia).
Attributed works:
27. Comfort break, by Jesse Darling. (Courtesy La Biennale di Venezia; photograph Italo Rondinella).
Attributed works:
28. Muro Ciudad Juárez, by Teresa Margolles. 2010. Concrete blocks. Installation view (Courtesy La Biennale di Venezia; photograph Francesco Galli).
Exhibition Review
Jason Moran. Walker Art Center, Minneapolis
08/2018 | 1385 | 160
Pages: 694-695
related names
Reviewer:
Mullin, Diane (Mullin, Diane)
Subjects
dates:
Illustrations
Attributed works:
39. STAGED: Savoy Ballroom 1, by Jason Moran. 2015. Mixed media, sound, 304.8 by 548.6 by 304.8 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Attributed works:
40. STAGED: Three Deuces, by Jason Moran. 2015. Mixed media, sound, 243.8 by 304.8 by 396.2 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
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Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
Exhibition Review
Kettle’s Yard
04/2018 | 1381 | 160
Pages: 335-338
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).
Exhibition Review
Recent exhibitions. London (Julie Mehretu)
08/2013 | 1325 | 155
Pages: 568-570
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
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subjects:
Illustrations
Attributed works:
43. Mogamma, a painting in four parts: part 1, by Julie Mehretu (Courtesy of the artist, Marian Goodman Gallery, New York and Paris, and White Cube; exh. White Cube, Bermondsey, London)