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37 articles
Article
The anxiety of Op: towards a theory of art and the non-visual senses
09/2023 | 1446 | 165
Pages: 988-95
related names
Author:
Díaz, Eva (Díaz, Eva)
Subjects
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Current, by Bridget Riley. 1964. Synthetic polymer paint on board, 48.1 by 149.3 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
2. Installation view of The Responsive Eye at the Museum of Modern Art, New York, 1965, showing in the far corner Instability through movement of the spectator, by Julio Le Parc. 1962–64. (Museum of Modern Art Archives, New York; Scala, Florence; photograph George Cserna).
Attributed works:
3. The duel, by Julian Stanczak. 1963. Synthetic polymer paint on canvas, 137.2 by 198.1 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
4. Cover of the exhibition catalogue for The Responsive Eye at the Museum of Modern Art, New York (1965), designed by Joseph Bourke Del Valle.
Attributed works:
5. Bridget Riley standing amongst her 3D painted artwork ‘Continuum, 1963’, in an exhibition at Gallery One, 16 North Audley Street, London, by Tom Picton. 1963. (© Estate of Tom Picton; artwork © Bridget Riley 2023; Tate Images).
Book Review
Bridget Riley. A Very Very Person: The Early Years
08/2020 | 1409 | 162
Pages: 723-724
related names
Reviewer:
Nugent, Isaac (Nugent, Isaac)
Subjects
Reviewed Items
subjects:
Bridget Riley. A Very Very Person: The Early Years By Paul Moorhouse. 272 pp. incl. 30 col. + b. & w. ills. (Ridinghouse, London, 2019), £20. ISBN 978–1–909932–50–0. | :
Exhibition Review
Bridget Riley. Scottish National Gallery, Edinburgh
09/2019 | 1398 | 161
Pages: 750-753
related names
Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
dates:
Illustrations
Attributed works:
1. Pink landscape, by Bridget Riley. 1960. Oil on canvas, 101.5 by 101.5 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
2. Over, by Bridget Riley. 1966. Emulsion on board, 101.5 by 101.3 cm. (© Bridget Riley 2019; National Galleries of Scotland, Edinburgh; exh. Scottish National Gallery, Edinburgh).
Attributed works:
3. Ra, by Bridget Riley. 1981. Oil on canvas, 240.7 by 205.1 cm. (© Bridget Riley 2019; Iwaki City Art Museum Japan; exh. Scottish National Gallery, Edinburgh).
Attributed works:
4. High sky, by Bridget Riley. 1991. Oil on canvas, 165 by 227 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
Exhibition Review
Bruce Nauman: Disappearing Acts. Museum of Modern Art and MoMA PS1, New York
02/2019 | 1391 | 161
Pages: 140-143
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Contrapposto studies, i through vii, by Bruce Nauman. 2015–16. Seven-channel video (© 2018 Bruce Nauman; Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
2. Still from Green horses, by Bruce Nauman. 1988. Video installation (© 2018 Bruce Nauman; Albright-Knox Art Gallery, Buffalo NY, and the Whitney Museum of American Art, New York; exh. MoMA PS1, New York).
Attributed works:
3. Sheet lead, by Bruce Nauman. 1966. Pencil, 27.9 by 21.6 cm. (© 2018 Bruce Nauman; Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
4. Wax impressions of the knees of five famous artists, by Bruce Nauman. 1966. Fibreglass and polyester resin, 39.7 by 216.5 by 7 cm. (© 2018 Bruce Nauman; San Francisco Museum of Modern Art; exh. Museum of Modern Art, New York).
Exhibition Review
Shape of Light: 100 Years of Photography and Abstract Art. Tate Modern, London
10/2018 | 1387 | 160
Pages: 865-867
related names
Reviewer:
Cork, Richard (Cork, Richard)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).
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05/2018 | 1382 | 160
Pages: n.p.
Subjects
subjects:
Illustrations
Attributed works:
[Hazlitt Holland-Hibbert, London. Apricot and Pink (detail), by Bridget Riley. 2001. Oil on linen, 111.5 by 213.5 cm.]
Attributed works:
[British Museum, London. Auguste Rodin (1840–1917). The Kiss. S.174. Plaster, after 1898. Musée Rodin, Paris).]
Attributed works:
[Sphinx Fine Art, London. Portrait of a Man, Half-Length (detail), by Henri-Pierre Danloux.]
Western art unattributed:
[Yale Center for British Art, New Haven. The Paston Treasure, by unknown artist (Dutch School). c.1663. Canvas (Norwich Caste Museum and Art Gallery, Norwich).]
Publication Received
About Bridget Riley: Selected Writings 1999–2016. Edited by Doro Globus and Karsten Schubert
02/2018 | 1379 | 160
Pages: 168
related names
Reviewer:
Sheleg, Moran (Sheleg, Moran)
Subjects
dates:
media:
places:
Advertisements
Advertisements June 2017 (front)
06/2017 | 1371 | 159
Pages: s.p.
Subjects
advertisements:
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advertisements:
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advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Proserpine, by Dante Gabriel Rossetti (1828-1882), 1878. Watercolor with bodycolor on paper mounted on wood, 77,5 by 37,5 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. St. Matthew and the Angel by Carlo Dolci (1616 - 1686). Oil on canvas, 40 by 27 cm]
Attributed works:
[Ben ElwesFine Art. 45 Maddox Street, London. William Blake (1757 - 1827). St. Matthew. Circa 1799. Tempera on canvas. 38.5 x 26.5 cm (15.2 x 10.4 inches)]
Attributed works:
[Benjamin Proust. 43-44 New Bond Street, London. Giovanni da Bissone, Annunciation, circa 1450 - 1465. Marble. Height: 63.5 cm.]
Attributed works:
[Burzio. Exhibiting at: Robilant + Voena, 38 Dover Street, W1S. One of a pair of armchairs, by Bartolomeo Manghetti (active 1775-1792). c. 1780. Carved wood, painted with gilt and tapestry. Dimensions: 60 by 54 by 100 cm]
Attributed works:
[Burzio. London. Pietro Piffetti (1701-1777) and Francesco Ladatte (1706-1787). The Pietro Piffetti Personal Bombé Commode Burr Walnut, boxwood and ebony with ormolu mounts. 125 x 57 x 83 cm. Turin, circa 1760]
Attributed works:
[Chanel. L'Instant. Boy-Friend Tweed.]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1S. Venice: The Piazza San Marco, looking North towards the Torre dell'Orologio, by Pietro Bellotti (1725 - c. 1800). Oil on canvas, 38 by 49 cm.]
Attributed works:
[Daniel Katz, 6 Hill Street, W1J. Le Moribund (a study for the Raft of the Medusa), by Théodore Géricault (1791-1824). c.1819. Patinated plaster, 11 cm by 34.5 cm]
Attributed works:
[Daniel Ketz Gallery. 6 Hill Street. London. Gustave Doré. Strasbourg, 1832 - Paris, 1883. The Acrobats. Bronze. 58.8 cm high. Circa 1881. Signed G.ve Doré]
Attributed works:
[De Jonckheere, Geneva and Paris. Still life with an overturned basket of flowers, by Johannes Bosschaert (c. 1607-1628). Oil on panel, 51 by 74 cm]
Attributed works:
[Dickinson, London and New York. The windmill near The Hague, by Vincent van Gogh (1853-1890). 1882. Gouache and watercolour over pencil an paper laid down on board, 37 by 55.5 cm]
Attributed works:
[Didier Aaron Ltd, 15 Clifford Street, W1S. La Toilette, by Jean-Baptiste Mallet (1759-1835). Gouache on paper, 46 by 38 cm.]
Attributed works:
[Drouot Christophe Joron-Derem. Exhibiting at: 35 St. George Street, W1S. A study for a stained-glass window: The mocking of Christ, with two coats of arms, by Christophe Murer (1558 - 1614). Black chalk, pen and black ink and grey wash, 63,8 by 64.1 cm]
Attributed works:
[Fergus Hall, 42 Albermarle Street, W1S. Portrait of Vincenzo Gonzaga, DUke of Mantua, by Frans Pourbus the Younger (1569 - 1622). Oil on canvas, 76.5 by 66.8 cm]
Attributed works:
[Fine Art Society, London. Crouching fawn, by Henry Gaudier-Brzeska (1891-1915). Bronze, 30.5 by 25.4 by 12.7 cm]
Attributed works:
[Florian Harb - Martin Grassle, 5 Dalmey Court, 8 Duke Street, SW1. A man resting in a landscape with farmhouses and a castle in the distance, by Remigio Cantagallina (c. 1581 - 1656). Pen and Brown ink over traces of black chalk, 24 by 39.1 cm]
Attributed works:
[Gallery van Vertes, Zurich, Variation: Herhstglanz, by Alexej von Jawlensky (1864-1941). 1915. Oil on linen-finished paper laid down on cardboard, 36 by 27.3 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. London. Gerald Laing, 1936-2011. Pendulum, 1964. Oil on canvas. 84 x 40 inches; 213,5 x 101,5 cm]
Attributed works:
[Hazlitt Holland-Hobbert, London. Myrrh, by Bridget Riley, (b. 1931). 1985. Oil on canvas, 165.1 by 138.5 cm]
Attributed works:
[im Kinsky. Palais Kinsky, 1010 Wien. Egon Schiele, Houses in Krumau.]
Attributed works:
[Jean-Luc Baroni Ltd, 7/8 Mason's Yard, SW1. Study of the head of a bearded man and a second head in profile: verso: a fragmentary sketch of Greek style decoration, by Giovanni Francesco Barbieri, callerd Il Guercino (1591 - 1666). Pen and brown ink, 14.1 by 26.1 cm]
Attributed works:
[Jean-Luc Baroni Ltd. 7/8 Mason's Yard, St. James's, London. François Boucher (Paris 1703-1770). Study of a Seated Female Nude, her Hands reaching to her foot. Red, black and white chalk, with graphite and touches of blue chalk on buff paper. Signed, lower left, in black chalk: f. Boucher. 305 x 225 cm]
Attributed works:
[Museo del Prado. Madrid. Velasquez. Portrait of Philip III]
Attributed works:
[Repetto Gallery, London. Concetto Spaziale - Natura, by Lucio Fontana (1899-1968), 1967. Polished bronze, in two parts, height 26.5 cm]
Attributed works:
[Robilant + Voena, 38 Dover Street, W1S. Cortile di Via Fondazza, by Giorgio Morandi (1890 - 1964). 1941. Oil on canvas, 56 by 45 cm]
Attributed works:
[Robilant + Voena. London, Milan, St. Mortiz. Anne-Louis Girodet-Trioson, Portrait of Madame Bertin de Vaux. Monogrammed and dated lower left: ALGRDT / 1806, oil on canvas with original frame, 65.5 x 55 cm / 19.3 x 15.8]
Attributed works:
[Ronald Phillips Ltd, London. The Bridgewater House Porphyry Doplphin Tables, by Charles Heathcote Tatham (1772-1842). 1803-1806. Giltwood, each 83 cm by 114.5 cm by 59.5 cm]
Attributed works:
[Sam Fogg, 15d Clifford Street, W1S. The Martyrdom of Saint Vincent, (detail), by Tomas Giner (1458 - 1480). c. 1462-66. Oil and gilding on softwood panel, 106 by 73 cm]
Attributed works:
[Sarti Gallery, Paris. Ascension of Christ with God the Father, four adoring angels, the Virgin and Apostle, by Neri di Bicci (c.1475-1480). Tempera and gold on panel, 94.5 by 57.5 cm]
Attributed works:
[Sladmore Gallery. 57 Jermyn Street. London. Balzac by Rodin.]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Antoine Caron. Judgment Day.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Chruch St. London. Willem van Mieris. The Penitent Mary Magdalene (detail)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. Giovanni Domenico Tiepolo (1727 - 1804). The Resurrection of Christ. Pen and brown ink and brown wash, over an underdrawing in black chalk. Signed Dom.o Tiepolo f. at the lower left corner. 473 x 368 mm (18 5/8 x 14 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. St. Anthony of Padua and the miracle of the miser's heart, by Giambattista Tiepolo (1696 - 1770). Pen and black ink over traces black chalk, 41.0 by 30.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 67 Jermyn Street, SW1. Baccante Cimbalista, by Cav. Cincinnato Baruzzi (1796-1878). White marble. Height: 148 cm]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, London. Giuseppe Piamontini (Florence, 1663 - 1744). Milo of Croton. Marble. Signed and dated G. P / F. / 1740. 168 cm (65 3/4 ins)]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, W1S. The temptation of Adam, by Giorvanni Dupré (1817-1882). Marble, 94 by 70 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. 19 Crown Passage, St. James's, London. Egyptian Bronze of Osorkon II. 22nd Dynasty, c. 874-850 BC. Height: 11 cm.]
Western art unattributed:
[Benjamin Proust FIne Art Ltd, 43-44 New Bond Street, W1S. The Lernaean Hydra, Italian (first half of the 16th century). Terracotta, 65 by 45 cm]
Western art unattributed:
[Cambi, Genoa. Baroque Genoese Sculptor, next to Filippo Parodi (1630-1702), Marble bust]
Western art unattributed:
[David Aaron, London. Corinthian helmet, Spain, c. 6th century BC. Bronze, height 26 cm]
Western art unattributed:
[Galerie Chenel, Paris. Mars, Roman, 1st.2nd century AD. Marble, height 180 cm]
Western art unattributed:
[Peter Finer, 38/39 Duke Street, St. James's, London. A Fine Hunting Trousse, German. c. 1720-40.]
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Advertisements May 2017 (front)
05/2017 | 1370 | 159
Pages: s.p.
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Galerie Bassenge. Erdener Strasse 5A. Berlin. Antonio Joli (1700-1777). The Bay of Baiae on the Gulf of Naples. Oil o canvas. 76 x 125.5 cm. Circa 1760.]
Attributed works:
[Hazlitt-Holland-Hibbert. Bridget Riley. Born 1931. Study for Clepsydra, 1976 (detail). Pencil and gouache on paper. 24 5/8 x 37 3/2 inches; 62.6 x 95 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen, Self Portrait.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Willem van Mieris. The Penitent Mary Magdalene (detail)]
Attributed works:
[The Clark Art. Williamstown, Masaschussetts. Sir. Lawrence Alma-Tadema, designer; Johnstone, Norman & Co., London, manufacturers, Long Settee (detail), 1884-85. Mugabi Collection.]
Attributed works:
[Ven der Meij. Herengracht 372, Amsterdam. Carl Holsoe (1863-1935). Reading by candlelight. Signed below left. Oil on canvas, 66 x 62 cm]
Western art unattributed:
[Peter Finer. 38/39 Duke Street, St. James, London. An important cased pair of Indian flintlock pistols with silver barrels and lockplates, signed 'L.CCOL.CLAUDE MARTIN, LUKNOW ARSENAL,' circa 1785 and presented in 1786 by Martin to Lieutenant Colonel Alexander Ross]
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