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13 articles
Book Review
Art and Masculinity in Post-War Britain: Reconstructing Home
08/2021 | 1421 | 163
Pages: 772-773
related names
Reviewer:
Ram, Rosie (Ram, Rosie)
Subjects
Reviewed Items
subjects:
Art and Masculinity in Post-War Britain: Reconstructing Home By Gregory Salter. 224 pp. incl. 29 b. & w. ills. (Routledge, Abingdon-on-Thames, 2019), £90. ISBN 978–1–350–05272–7. | :
Illustrations
Attributed works:
7. Man in Blue IV, by Francis Bacon. 1954. Oil on canvas, 198 by 137 cm. (Museum Moderner Kunst Stiftung Ludwig, Vienna; © Estate of Francis Bacon; DACS / Artimage 2021; photograph Prudence Cuming Associates Ltd).
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Advertisements (front)
01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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12/2018 | 1389 | 160
Pages: i–xvi
Subjects
subjects:
Exhibition Review
Recent exhibitions
10/2014 | 1339 | 156
Pages: 691-694
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
65. Colorfall: Ambassador, by Ian Davenport (Waddington Custot Galleries, London)
Attributed works:
66. Sweet air sweet air, by Gilbert & George (White Cube, London)
Attributed works:
67. Installation view of Blue blaze, by Phillip King (Exh. Thomas Dane Gallery, London)
Attributed works:
68. Prairie, by Bridget Riley (Private collection; exh. David Zwirner Gallery, London)
Attributed works:
69. Delfo (Delphi), by Giulio Paolini (Walker Art Center, Minneapolis; exh. Whitechapel Gallery, London)
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Advertisements January 2013 (front)
01/2013 | 1318 | 150
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Christie's, 20 Rockefeller Plaza. The Madonna and Child with the infant St. John the Baptiste, by Alessandro Filipepi, called Sandro Botticelli. (1444/45 - 1510). Tempera on panel, 46.3 by 36.8 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Jean-Auguste-Dominique Ingres (Montauban 1780 - 1865 Paris). Comtesse Charles d'Agoult, née Marie de Flavigny, and her daughter Claire d'Agoult (detail). Signed and dated 'J. Ingres Del/ 1849'. Pencil, heightened with white, touches of yellow bodycolour. 19 x 15 5/8 in. (48.4 x 39.6 cm)]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Federico Barocci (Urbino c.1533-1612). Study for the Head of Saint Dominic. c.1593-7. Black, red, peach, brown, ocre and traces of white chalk on blue paper, 23.7 cm x 24 cm. Watermark: Bunch of grapes.]
Attributed works:
[Christopher Bishop, Exhibited at: Dickinson Fine Art, 19 East 66th Street. Putti frolicking in the clouds, by Giovanni Domenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo f.' lower left and numbered '37' upper right. Pen with brown and grey washes, 19 by 27 cm]
Attributed works:
[Didier Aaron, Inc., 32 East 67th Street. Study for a Scene from 'Regotin', by Jean Baptiste Oudry (1680-1755). Pen and ink and wash, heightened with gouache, on blue paper, 20.7 by 27.7 cm]
Attributed works:
[Francis Maere Fine Arts, Ghent. Girls in the field, by Emile Claus (1849-1924). Signed. Oil on canvas, 73.5 by 114 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battisti Langetti. Genoa, 1635 - Venice, 1676. Apollo and Marsyas. Oil on canvas, 108 x 126 cm (42 1/2 x 49 5/8 in)]
Attributed works:
[Guy Pieters Gallery, Knokke-Heist, Belgium. Shéhérazade, by René Magritte, 1947. Gouache on paper, 18 by 13 cm.]
Attributed works:
[Hélène Bailly Gallery, Paris. Cannes, by Francis Picabia (1879-1953). Oil and gouache on cardboard, 44.7 by 36.7 cm]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street, 26 January - 27 Frabruary. Two Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483-1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Pietro da Cortona (1596-1696). Rome. Study for the Sala di Apollo, Palazzo Pitti, (c.1646). Black chalk, traces of white heightening, 191 x 248 mm]
Attributed works:
[Maruani & Noirhomme Gallery, Brussels. Sleepy, by Gilbert & George. 1985. Signed, titled and dated 'SLEEPY Gilbert + George 1985'. Mixed media, 242 by 202 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street. St. Thomas the Apostle, by G.F. Barbieri, Il Guercino (1591-1666). Pen and ink, 20.5 x 26.1 cm]
Attributed works:
[Moeller Fine Art Ltd, 35 East 64th Street. The Academician (The Poet), by Richard Lindner (1901-1978). Signed and dated lower right 'Richard Lindner March 1954'. Oil pastel and ink on paper, 72.4 57.2 cm]
Attributed works:
[Monroe Warshaw, Exhibited at: Kraushaar Galleries, 74 East 79th Street. Maria with the four evangelists, by Jan Boeckhorst (1605-68). c.1659. Preliminary study for the 'Snyders' triptych. Pen and ink with wash, heightened with white, 19.7 by 25.4 cm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Vierge d'Intercession. Attributed to Jean de la Huerta (active 1431 - 1462). Limestone (pierre d'Asnières-lès-Dijon), with traces of original polychrome France, Burgundy, probably between Dijon and Chalon-sur-Saône, circa 1445 - 1450. H. 112 x W. 43 x D. 26.5 cm]
Attributed works:
[Paolo Antonacci, Exhibiting at GRAHAM, 32 East 67th Street. Portrait of Ulysses, by Joann Heinrich Wilhelm Tischbein (1751-1829). Watercolour on paper, 38 by 49 mm]
Attributed works:
[Paolo Antonacci. Via del Babbuino 141/a. Rome. Giuseppe Cades (1750-1799), Paolo and Francesca surprised by Giangiotto Malatesta. Ink and brown wash on paper, 455 x 590 cm]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Giovanni Battista Langetti (Genoa 1635 - Venice 1676). Job Cursed by His wife. Oil on canvas, 44 x 34 1/2 in. (111.7 x 87.6 cm]
Attributed works:
[Sigrid Freundorfer Fine Art LLC, 790 Madison Avenue, Suite 602. Portrait of Albert Einstein, by Josef Scharl (1896-1954). 1950. Signed 'Jos. Scharl 1950', lower right and dated 'Princeton Febr. 9, 1950'. Signed by Einstein 'A. Einstein', lower centre. Ink on paper, 36.8 by 29.2 cm]
Attributed works:
[Sperone Westwater in New York. Francesco Calebrano (1729-1814), Colazione in campagna, Oil on canvas, 260 x 175 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Domenico Tintoretto. Portrait of Paolo Tiepolo (1523-1585)]
Attributed works:
[Stephen Ongpin, Exhibiting at: Mark Murray Fine Paintings, 39 East 72nd Street, Fifth Floor. The sleeping child, by Odilon Redon (1840-1916). Signed vertically in grey ink at the lower left. Watercolour, gouache and pencil on card, 17.8 by 25.7 cm]
Non-western art unattributed:
[Galerie Jacques Germain, Montreal, Canada. Punu mask of the Okouyi tribe. Light wood with pigment and kaolin. Gabon, the Ngounié region. Late nineteenth century.]
Non-western art unattributed:
[Joyce Nejad. Front and side. An Assyrian Royal Stele, in black basalt, depicting King Adad-Nerari III Dur-Kaltimmu in Syria, c.805 BC; H: 137.5 cm. W: 75 cm. D: 27 cm. 'The top of this fragment is kept at the British Museum'.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten, Belgium. Wrought-iron door with remains of polychrome decoration. Spain, Toledo, fifteenth century. Height: 204 cm. Width: 115 cm]
Western art unattributed:
[Klaas Muller, Brussels. Christ crowned with thorns. Austro-Bavarian school. c.1470/75. Oil on panel, 77 by 59.5 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Arts, London. A walnut table, Italy, Bologna, late 16th century. Height: 81.5 cm. Width: 181 cm. Depth: 75 cm]
Publication Received
The Complete Postcard Art of Gilbert & George. Vol. One: The Postcard Art of Gilbert & George 1972–1989; Vol. Two: The Urethra Postcard Art of Gilbert & George 2009
01/2012 | 1306 | 154
Pages: 50
related names
Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
artists:
dates:
Reviewed Items
subjects:
The Complete Postcard Art of Gilbert & George. Vol. One: The Postcard Art of Gilbert & George 1972–1989; Vol. Two: The Urethra Postcard Art of Gilbert & George 2009 | author: Bracewell, Michael
Exhibition Review
Freud; Biennale; Pollock. Venice
09/2005 | 1230 | 147
Pages: 636-638
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
51st Venice Biennale | institution: Arsenale
subjects:
Lucian Freud | institution: Museo Correr
subjects:
No Limits, Just Edges: Jackson Pollock Paintings on Paper | institution: Peggy Guggenheim Collection
Illustrations
Attributed works:
69. The brigadier, by Lucian Freud. 2033-04. 223.5 by 138.4 cm. (private collection; exh. Museo Correr, Venice).
Attributed works:
70. Project for the Venice Biennale, by Annette Messager. 2005. Mixed media. (Exh. French Pavilion, 51st Biennale, Venice).
Attributed works:
71. Mother's #49, by Miyako Ishiuchi. 2002. Gelatin silver print, 108 by 74 cm. (Collection of the artist; exh. Japanese Pavilion, 51st Biennale, Venice).
Attributed works:
72. Number 4, 1948: Gray and red, by Jackson Pollock. 1948. Enamel on paper, 57.5 by 78.4 cm. (Frederick R. Weisman Foundation, Los Angeles; exh. Peggy Guggenheim Collection, Venice).
Attributed works:
73. Untitled (3rd sketchbook, folio 4), by Jackson Pollock. c.1938-41. Pencil and coloured pencil on paper, 36.2 by 25.4 cm. (metropolitan Museum of Art, New York; exh. Peggy Guggenheim Collection, Venice).
Exhibition Review
Gilbert & George. London
08/2001 | 1181 | 143
Pages: 507-508
related names
Reviewer:
Livingstone, Marco (Livingstone, Marco)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
48. Installation View of Named, by Gilbert and George. 2001. 355 by 1521 cm. (Exh. White Cube2, London).
Attributed works:
49. Left: Detail of I Am, by Gilbert and George. 2001. 338 by 1491 cm. Right: Thirteen, by Gilbert and George. 2001. 338 by 213 cm. (Exh. White Cube2, London).
Exhibition Review
Gilbert & George. London, Anthony d'Offay
01/1993 | 1078 | 135
Pages: 45
related names
Reviewer:
Causey, Andrew (Causey, Andrew)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
30. Kick City, by Gilbert and George. 1991. 253 by 639 cm. (Exh. Anthony d'Offay Gallery, London).
Attributed works:
31. City Fairies, by Gilbert and George. 1991. 253 by 426 cm. (Exh. Anthony d'Offay Gallery, London).
Exhibition Review
Gilbert and George. London and Baltimore
06/1984 | 975 | 126
Pages: 378+380-381
related names
Reviewer:
Bevan, Roger (Bevan, Roger)
Subjects
artists:
dates:
Illustrations
Attributed works:
61. Fall, by Gilbert and George. 1983. Photo-Piece, 242 by 252.5 cm. (Exh. Anthony d'Offay, London).
Attributed works:
62. Fired, by Gilbert and George. 1983. Photo-Piece, 302.5 by 404 cm. (Exh. Anthony d'Offay, London).
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