museums and institutions:
museums and institutions:
Attributed works:
11. Detail from a copy of the Bayeux Tapestry, showing Edward the
Confessor, by the Leek Embroidery Society. 1885. Linen embroidered
with wool, height 66 cm. (Reading Museum).
Attributed works:
12. Detail from the Bayeux Tapestry, showing Harold and Edward the
Confessor, by Percy Hennell. 1956. Colour transparency reproduced as
a tipped-in etched print made by John Swain and Son Ltd., 25.5 by 23.5
cm. (From F. Stenton: The Bayeux Tapestry, London, 1957; Victoria and
Albert Museum, London).
Attributed works:
14. The Bayeux Tapestry being photographed in storage, Bayeux,
2017. (La Fabrique de patrimoines en Normandie 2017; photograph
Antoine Cazin and Guillaume Debout).
Attributed works:
6. Glass-plate negative of a detail from the Bayeux Tapestry,
showing a brass joint of the display case with another section
of the Tapestry in the background, by Edward Dossetter.
1872. 30.5 by 30.5 cm. (Victoria and Albert Museum Archive,
London, MA/90/9727).
Attributed works:
7. Glass internegative of a section of the Bayeux Tapestry
wrapped round the edge of the display mount, marked up for
cropping, probably by Joseph Cundall. 1872. 66 by 58.4 cm.
(Victoria and Albert Museum Archive, London, MA/90/9727NO).
Attributed works:
8. Detail from the Bayeux Tapestry, showing a house being burned.
Hand-coloured photograph made from a negative by Edward Dossetter.
1872. Probably Albertype. (Victoria and Albert Museum, London, acc.
no.E.573:1 to 25-2005).
Attributed works:
9. Complete version of a hand-coloured photograph of the Bayeux
Tapestry published by the Arundel Society, on its original stand.
Probably Albertype, height 140 cm. (Courtesy Bonhams).
Western art unattributed:
1. Detail from the Bayeux Tapestry, showing news brought to William
about Harold. England, 11th century. Wool embroidery on linen, height
50 cm. (Courtesy City of Bayeux, Direction régionale des affaires
culturelles (DRAC) Normandie, Caen, University of Caen Normandie,
Centre national de la recherche scientifique (CNRS), Paris, and
École nationale supérieure d’ingénieurs de Caen (ENSICAEN),
Caen; photograph La Fabrique de patrimoines en Normandie 2017).
Western art unattributed:
10. Lantern slide of a detail from the Bayeux Tapestry showing the
speaker’s notes above the scene. c.1899. 9.3 by 30.5 cm. (Victoria
and Albert Museum Archive, London, MA90/20078 to 20084).
Western art unattributed:
13. Detail from the Bayeux Tapestry, showing Harold and his soldiers
riding to Bosham. England, 11th century. Wool embroidery on linen,
height 50 cm. (Courtesy City of Bayeux, Direction régionale des
affaires culturelles (DRAC) Normandie, Caen, University of Caen
Normandie, Centre national de la recherche scientifique (CNRS),
Paris, and École nationale supérieure d’ingénieurs de Caen (ENSICAEN),
Caen; photograph La Fabrique de patrimoines en Normandie 2017).
Western art unattributed:
2. Detail from the Bayeux Tapestry, showing news brought to
William about Harold, a hand-coloured photograph made from
a negative by Edward Dossetter. 1872. Probably Albertype. (Victoria
and Albert Museum, London, acc. nos.E.573:1 to 25-2005)
Western art unattributed:
3. Detail from the Bayeux Tapestry, showing news brought to
William about Harold, by James Basire, after Charles Alfred
Stothard. 1816–19. Hand-coloured engraving, 35 by 76 cm.
(Society of Antiquaries of London).
Western art unattributed:
4. Detail from the Bayeux Tapestry, showing news brought to
William about Harold, by Josef Albert after a drawing commissioned
by John Collingwood Bruce. Salt print, 15.4 by 13.2 cm. (From
The Conquest of England, From Wace’s Poem of the Roman de Rou,
transl. A. Malet, London 1860; J. Paul Getty Museum, Los Angeles).
Western art unattributed:
5. The Bayeux Tapestry on display in the Galerie Mathilde,
Bayeux. Postcard, c.1904. (Musée de la Tapisserie de Bayeux).
