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5 articles
Article
Two Ceiling Fragments from the Painted Chamber at Westminster Palace
08/1995 | 1109 | 137
Pages: 491-501
related names
Author:
Binski, Paul (Binski, Paul)
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. Interior of the Painted Chamber at Westminster Palace, Looking East, by William Capon. 1799. (Society of Antiquaries, London).
Attributed works:
5. Seraph from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Plank, 45.3 by 42.5 cm. (British Museum, London).
Western art unattributed:
10. Photomacrograph in Raking Light Showing Square Patch under the Ground in the Left Wing of the Seraph in Fig.5.
Western art unattributed:
11. Ridge of the Original Border at the Right-Hand Bottom Corner in Fig.5.
Western art unattributed:
12. Bottom Right-Hand Corner of Fig.4. The V-Shape of the Original Border Lies inside the Curve of Later Paint, Which Follows the Outline of the Boss.
Western art unattributed:
13. Detail of Fig.5 Showing an Incision Ruled into the Wet Paint for the Aligning of a Patera.
Western art unattributed:
14. Drapery and Scroll of the Prophet in Fig.4, Modelled Wet-in-Wet.
Western art unattributed:
15. Right Side of the Seraph's Neck in Fig.5, Showing Paint over a Loss in the Preparation Layer. Incisions for the Halo are Drawn Both Free-Hand and with a Compass.
Western art unattributed:
16. Neckline of the Prophet Showing a Green Pentiment under Flesh.
Western art unattributed:
17. Halo of the Seraph in Fig.5, Worked in Relief.
Western art unattributed:
18. Cross-Section from the Right Edge of the Prophet in Fig.4. The Original Build-Up of Azurite, Then Lead White with Ultramarine Glaze, Lies under the Addition of Red Lead, Red Lead and Vermilion, Red Lake and Gold.
Western art unattributed:
19. Cross-Section Showing Green Underlayer Extending under the Cream-White of the Prophet's Drapery and Red Relief Decoration over It.
Western art unattributed:
2. Patera from the Ceiling of the Painted Chamber. Oak, 45 by 45 cm. (Sir John Soane's Museum, London).
Western art unattributed:
20. Cross-Section from the Seraph's Wing Showing the Two Layers of Blue Background under the Pink of the Feathers.
Western art unattributed:
21. Cross-Section from the Seraph's Left Hand in Fig.5 Showing an Azurite Underlayer with Some Black Particles under the Left Hand of the Seraph. The Flesh Layer Contains Vermilion in the Lead-White Matrix.
Western art unattributed:
22. Cross-Section from the Seraph's Halo, Showing Ground, Flesh Layer, Red-Lead, Lead-White and the Raised Decoration is a Mixture of Iron Oxide, Red-Lead and Vermilion and the Lead-White Coating on Top.
Western art unattributed:
23. Infra-Red Reflectogram of Fig.5 Showing Underdrawing and a Diagonal Line across the Face.
Western art unattributed:
24. X-Radiograph of Fig.4 with the Outline of the Patera Superimposed.
Western art unattributed:
3. Section Diagram of Planks Forming the Prophet Panel. (Hamilton Kerr Institute, Cambridge).
Western art unattributed:
4. Prophet from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Plank, 45.3 by 42.5 cm. (British Museum, London).
Western art unattributed:
6. St John Preaching from the Moscow Apocalypse. (State Library, Moscow, MS H1678).
Western art unattributed:
7. The Mighty Angel with the Book from the Douce Apocalypse. (Bodleian Library, Oxford, MS Douce 180, fol.28v).
Western art unattributed:
8. Photomacrograph of a Drapery Fold in the Prophet Panel.
Western art unattributed:
9. Right Eye of the Prophet in Fig.4.
Book Review
The Painted Chamber at Westminster
02/1988 | 1019 | 130
Pages: 142-143
related names
Reviewer:
Stones, Alison (Stones, Alison)
Subjects
dates:
places:
Reviewed Items
subjects:
The Painted Chamber at Westminster | author: Binski, Paul
Letter
The Tapestries of the Painted Chamber
04/1925 | 265 | 46
Pages: 204
Article
The Tapestries of the Painted Chamber; The "Great History of Troy"
01/1925 | 262 | 46
Pages: 34-37+40-42
related names
Author:
Marillier, H. C. (Marillier, H. C.; M., H. C.)
Subjects
dates:
places:
places:
sources:
works:
Illustrations
Western art unattributed:
Plate I. A-The Voyage of Paris and Abduction of Helen. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate I. B-The Death of Penthesilea and Treachery of Antenor. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate I. C-Louvre Sketch (VII) Corresponding with the above Drawing B. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate II. D-The Oath of Achilles and Battle of Tenedos. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate II. E-Fourth Battle before Troy and the Chamber of Beauty. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate II. F-Louvre Sketch (III) Corresponding with the above Drawing E. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate III. G-Arrival of the Greeks and First Battle before Troy. Drawn from the lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate III. H-Louvre sketch (II) corresponding with the above drawing G. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate III. J-Schouvaloff tapestry panel from Château d'Aulhac. cf. B and C. (Countess Benckendorff). The Tapestries of the Painted Chamber: The "Great History of Troy"
Article
English Primitives: The Painted Chamber and the Early Masters of the Westminster School
07/1905 | 28 | 7
Pages: 257-261+263-267+269
related names
Author:
Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)
Subjects
art literature:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
Destroyed Figures of Virtues and Vices; From Engravings after Drawings by Stothard, Published by the Society of Antiquaries. The Painted Chamber, Westminster, Plate I
Attributed works:
Fig. 3.-Specimen of the Inscriptions, about Quarter Full Size.
Western art unattributed:
Fig. 4.-From Crocker's Drawing of Painting at Y.
Western art unattributed:
Fig. 5.-Pattern of gessowork from the Margin of One of the Window Jambs.
Western art unattributed:
Figs. 1 and 2.-Elevations of North and South Sides of the Painted Chamber Showing the Position of the Paintings Copied by Stothard with Reference Numbers to the Engravings. X and Y Additional Paintings Copied by Crocker. A, B, C Inscriptions.
Western art unattributed:
Plate II. Fragments of the Virtues. Paintings in the Painted Chamber at Westminster, from Crocker's Copies in the University Galleries, Oxford.
Western art unattributed:
Plate II. Paintings in the Painted Chamber at Westminster, from Crocker's Copies in the University Galleries, Oxford.
Western art unattributed:
Plate II. The Coronation Group. Paintings in the Painted Chamber at Westminster, from Crocker's Copies in the University Galleries, Oxford.