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8 articles
Article
‘An Antiquity of Piety’
11/2022 | 1436 | 164
Pages: 1078-1087
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
collectors and dealers:
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subjects:
Illustrations
Attributed works:
6. Cimon and Pero, by Sebald Beham. 1544. Engraving, 7.1 by 4.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Cleopatra, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1525. Bronze with gilding, height 64.4 cm. (Photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
9. Ariadne, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1520–22. Bronze with gilding and silver inlays, height 50 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverbad).
Western art unattributed:
1. Pietas. North Italian, probably early sixteenth century. Bronze, height 50.8 cm. (Photograph Royal Collection Trust / © His Majesty King Charles III 2022).
Western art unattributed:
10. The back of the bust illustrated in Fig.1.
Western art unattributed:
11. The back of the bust illustrated in Fig.4.
Western art unattributed:
12. Detail of the bust illustrated in Fig.1, showing the top of the head.
Western art unattributed:
13. Detail of the bust illustrated in Fig. 4, showing the top of the head.
Western art unattributed:
2. The bust illustrated in Fig.1 on display in the Privy Chamber, Kensington Palace, London. (© Historic Royal Palaces).
Western art unattributed:
3. Detail of the bust illustrated in Fig.1, showing the flange along the truncation. (Photograph Jonathan Marsden).
Western art unattributed:
4. Cinamon. North Italian, probably early sixteenth century. Bronze, height 57 cm. (Bayerisches Nationalmuseum, Munich; photograph Bastian Krack).
Western art unattributed:
5. Cimon and Pero (Roman Charity). North Italian, sixteenth century. Bronze, diameter 6.35 cm. (Victoria and Albert Museum, London).
Western art unattributed:
7. Detail of the bust illustrated in Fig.1, showing the condition of the surface.
Short Notice
Vasari at Venice: An Addendum
02/1999 | 1151 | 141
Pages: 105-106
related names
Author:
Vertova, Luisa (Vertova, Luisa; Vertova, Luisa Felicita)
Subjects
artists:
dates:
places:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
51. Reconstruction of the scheme of decoration by Giorgio Vasari for the ceiling of a room in Palazzo Corner-Spinelli, Venice. 1542 (reproduced from the Burlington Magazine, CIII [1961], p.504). A. Hope, by Giorgio Vasari. 1542. Panel, 79.5 by 178 cm. (Collection George Weidenfeld, London). B. A putto, by Giorgio Vasari. 1542. Panel. (Collection Amendola di Capua, Rome). C. Faith, by Giorgio Vasari. 1542. Panel, 77.5 by 173 cm. (Whereabouts unknown). D. A putto, by Giorgio Vasari. 1542. Panel. (Collection Amendola di Capua, Rome). E. Justice, by Giorgio Vasari. 1542. Panel, 77 by 182 cm. (Collection Amendola di Capua, Rome). F. Patience, by Giorgio Vasari. 1542. Panel, 77 by 184 cm. (Collection Amendola di Capua, Rome).
Attributed works:
52. Putto Holding a Tablet, by Giorgio Vasari. Panel, 67 by 60 cm. (Private Collection, Italy).
Article
Giotto's Portrait of Dante?
08/1979 | 917 | 121
Pages: 471-481+483
related names
Author:
Gombrich, E. H. (Gombrich, E. H.; Gombrich, Ernst Hans Josef; Gombrich, Ernst)
Subjects
artists:
dates:
places:
sources:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
10. Detail of Fig. 7. [The Altar Wall, with Christ in Majesty. Fresco. (Chapel of the Palazzo del Podestà, Florence).]
Attributed works:
11. Brutus the Just Judge, with Cardinal Virtues, Detail of a Fresco (Left Section). (Palazzo Arte della Lana, Florence).
Attributed works:
12. Brutus the Just Judge, with Cardinal Virtues, Detail of a Fresco (Right Section). (Palazzo Arte Della Lana, Florence).
Attributed works:
13. Detail of Fig. 11. [Brutus the Just Judge, with Cardinal Virtues, Detail of a Fresco (Left Section). (Palazzo Arte della Lana, Florence).]
Attributed works:
14. 'Il Comune pelato,' from the Tomb of Bishop Guido Tarlatti [Tarlati], by Agostino and Agnolo Senesi [Agostino di Giovanni ed Agnolo di Ventura]. (Cathedral, Arezzo).
Attributed works:
2. Sketch for a Series of Dante Images, by Tom Phillips. Mixed Media on Paper. (Exh. Marlborough Fine Art (London) Ltd).
Attributed works:
4. The 'Dante Portrait' and Other Heads before Restoration. (After Crowe and Cavalcaselle, 1864).
Attributed works:
5. The 'Dante Portrait' after Restoration. (After Crowe and Cavalcaselle, 1864).
Attributed works:
6. The 'Dante Portrait', Copy by Franz Adolf von Stürler. (Kunstmuseum, Bern).
Attributed works:
7. The Altar Wall, with Christ in Majesty. Fresco. (Chapel of the Palazzo del Podestà, Florence).
Attributed works:
8. The 'Dante Portrait', Detail of Fig. 7. [The Altar Wall, with Christ in Majesty. Fresco. (Chapel of the Palazzo del Podestà, Florence).]
Attributed works:
9. Detail of Fig. 7. [The Altar Wall, with Christ in Majesty. Fresco. (Chapel of the Palazzo del Podestà, Florence).]
Western art unattributed:
3. Walter von der Vogelweide, from the Manesse Codex. Probably Zürich, 1314-30. (University Library, Heidelberg).
Article
'Scribe faber lima': A crozier in Florence Reconsidered
06/1979 | 915 | 121
Pages: 364-369+371
related names
Author:
Campbell, M. L. (Campbell, M. L.)
Subjects
dates:
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subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
37. Head of a crozier. English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).
Western art unattributed:
38. Virtues and Vices on the Bargello crozier. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
39. Grotesques on the Bargello crozier. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
40. Grotesques on the Bargello crozier. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
41. Grotesques on the Bargello crozier. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
42. Detail of the Whithorn crozier. English, Late Twelfth Century. Copper-Gilt and Champlevé Enamel, 20 by 9 cm. (On Loan to the National Museum of Antiquities, Edinburgh).
Western art unattributed:
43. Detail of the Stem of the St David's crozier. English, Late Twelfth Century. Copper, Gilt and Engraved, Length of Stem 11 cm. (St David's Cathedral, Wales).
Western art unattributed:
44. Detail of the Stem of the St David's crozier. [English, Late Twelfth Century. Copper, Gilt and Engraved, Length of Stem 11 cm. (St David's Cathedral, Wales).]
Western art unattributed:
45. Samuel Anointing David. Detail of Fig. 37. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
46. David and Goliath. Detail of Fig. 37. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
47. David Beheading Goliath. Detail of Fig. 37. [English, Late Twelfth Century. Copper-Gilt Decorated with Champlevé Enamel, 22.7 by 9 cm. (Bargello, Florence).]
Western art unattributed:
48. Casket, English, Late Twelfth Century. Copper-Gilt and Champlevé Enamel, 5 by 7.9 by 10.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
49. Eton College Ms. 177. f6vr. English, Thirteenth Century. (Library, Eton College).
Western art unattributed:
50. B. L. Arundel Ms. 157, f. 19. English, c.1200. (British Library).
Western art unattributed:
51. Pierpont Morgan Library Ms. 619 Verso. English, 1160-80. (Pierpont Morgan Library, New York).
Western art unattributed:
52. Effigy of Bishop Roger of Salisbury (1107-50). (Nave South Arcade, Salisbury Cathedral).
Western art unattributed:
53. Dover Bible. English, c.1150. (Corpus Christi College, Cambridge).
Article
On the Significance of Temporary Architecture
07/1974 | 856 | 116
Pages: 384-388+391
related names
Author:
Chabrowe, Barbara (Chabrowe, Barbara)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
29. Catafalque for Emperor Josef I, Vienna, Court Church, 1711, by Johann Bernhard Fischer von Erlach, Engraved by Johann Adam Delsenbach.
Attributed works:
30. Karlskirche, Façade, Vienna, 1716-37. Johann Bernhard Fischer von Erlach, Engraving from the Historische Architectur (1721), Book IV Plate 12.
Short Notice
Two Lost Venetian Statues
06/1970 | 807 | 112
Pages: 384+386-387
related names
Author:
Munman, Robert (Munman, Robert)
Subjects
dates:
places:
Illustrations
Western art unattributed:
52. Prudence. From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)
Western art unattributed:
53. Fortitude. From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)
Western art unattributed:
54. Detail from Prudence Reproduced in Fig.52. [From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)]
Western art unattributed:
55. Monument of Giambattista Bonzio, SS. Giovanni e Paolo, Venice. Engraving from Cicognara, Diedo, Selva, Le fabbriche più cospicue di Venezia, 1815.
Western art unattributed:
56. Detail from Fortitude Reproduced in Fig.53. [From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)]
Article
Flotsam of Later Anglo-Saxon Art-IV
09/1923 | 246 | 43
Pages: 104+107-109+112-114+116-117
related names
Author:
Mitchell, H. P. (Mitchell, H. P.; M., H. P.; Mitchell, Mr.)
Subjects
artists:
dates:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
Plate VI. A-The Three Marys at the Sepulchre. From the Benedictional of St. Æthelwold. Anglo-Saxon (Winchester); 963-984. Actual Size. (Duke of Devonshire). Flotsam of Later Anglo-Saxon Art-IV
Western art unattributed:
Plate VII. B-The Angel Appearing to the Shepherds, and The Flight into Egypt. From the Missal of Robert of Jumièges. Winchester, 1008-1025. About $frac{2}{3}$ (Municipal Library, Rouen). Flotsam of Later Anglo-Saxon Art-IV
Western art unattributed:
Plate VII. C-The Descent into Hades. From a Psalter (Cotton MS., Tiberius C, VI). Middle of 11th Century. About $frac{2}{3}$ (British Museum). Flotsam of Later Anglo-Saxon Art-IV
Western art unattributed:
Plate VIII. D-H-Subjects from Prudentius, Psychomachia. D, E, F-From Cotton MS., Cleopatra C, VIII. Winchester (?), First Quarter of 11th Century. (British Museum.) G, H-From the Malmesbury Abbey MS. Canterbury (?), Second Quarter of 11th Century. (Corpus Christi College, Cambridge.) D, E, F, Full Size; G, H, Slightly Reduced. Flotsam of Later Anglo-Saxon Art-IV
Article
English Primitives: The Painted Chamber and the Early Masters of the Westminster School
07/1905 | 28 | 7
Pages: 257-261+263-267+269
related names
Author:
Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)
Subjects
art literature:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
Destroyed Figures of Virtues and Vices; From Engravings after Drawings by Stothard, Published by the Society of Antiquaries. The Painted Chamber, Westminster, Plate I
Attributed works:
Fig. 3.-Specimen of the Inscriptions, about Quarter Full Size.
Western art unattributed:
Fig. 4.-From Crocker's Drawing of Painting at Y.
Western art unattributed:
Fig. 5.-Pattern of gessowork from the Margin of One of the Window Jambs.
Western art unattributed:
Figs. 1 and 2.-Elevations of North and South Sides of the Painted Chamber Showing the Position of the Paintings Copied by Stothard with Reference Numbers to the Engravings. X and Y Additional Paintings Copied by Crocker. A, B, C Inscriptions.
Western art unattributed:
Plate II. Fragments of the Virtues. Paintings in the Painted Chamber at Westminster, from Crocker's Copies in the University Galleries, Oxford.
Western art unattributed:
Plate II. Paintings in the Painted Chamber at Westminster, from Crocker's Copies in the University Galleries, Oxford.
Western art unattributed:
Plate II. The Coronation Group. Paintings in the Painted Chamber at Westminster, from Crocker's Copies in the University Galleries, Oxford.