Search

Article

Burne-Jones’s ‘Tristram and Iseult’ rediscovered

08/2012 | 1313 | 154

Pages: 555-563

Subscribe to read

related names

Author:

Christian, John (Christian, John)

Subjects

artists:

Burne-Jones, Edward

dates:

1870-1879

print:

Burne-Jones, Edward

subjects:

British painting / Collections, Private / Oil sketches / British / Iconography / Identification / Provenance / Pre-Raphaelite / Tristram / Iseult / Legends

Illustrations

Attributed works:

22. Tristram and Iseult, by Edward Burne-Jones. 1872. Canvas, 182.8 by 279.3 cm. (Private collection).

Attributed works:

23. Study for The fountain of Youth, by Edward Burne-Jones. Probably 1875. Pencil, 58.4 by 103 cm. (Carlisle Art Gallery).

Attributed works:

24. Study for The fountain of Youth, by Edward Burne-Jones. c.1875. Watercolour with bodycolour, 62.2 by 11.5 cm. (Tate Britain, London).

Attributed works:

25. Study for The fountain of Youth, by Edward Burne-Jones. Probably 1892. Coloured chalks, 160 by 160 cm. (Sarjeant Gallery, Wanganui, New Zealand).

Attributed works:

26. Sketch for Tristram and Iseult, by Edward Burne-Jones. 1871–72. Pencil, 25.5 by 36 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

27. Diagram relating to Tristram and Iseult, by Edward Burne-Jones. 1871–72. Black chalk, 25.5 by 36 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

28. Study for Tristram and Iseult, by Edward Burne-Jones. c.1871. Pencil, 52 by 119 cm. (Torre Abbey, Torquay, Devon).

Attributed works:

29. Alys la belle pèlerine, by Edward Burne-Jones. 1858. Pen and black ink with grey wash and some white bodycolour on vellum, 25.5 by 14.5 cm. (Courtesy of Christie’s Images).

Attributed works:

30. Study for La Belle Iseult in Tristram and Iseult, by Edward Burne-Jones. c.1872. Pencil, 21.1 by 17 cm. (Fogg Art Museum, Harvard University, Cambridge MA).

Attributed works:

31. The tomb of Tristram and Iseult, cartoon for stained glass, by Edward Burne-Jones. 1862. Sepia wash, 62.2 by 58.5cm. (Birmingham Museums and Art Gallery).

Attributed works:

32. Study for Palomides in Tristram and Iseult, by Edward Burne-Jones. c.1872. Pencil, 24.1 by 16.5 cm. (Photograph courtesy of Agnew’s, London).

Attributed works:

33. Study for La Belle Iseult in Tristram and Iseult, by Edward Burne-Jones. c.1872. Pencil, 24 by 16.2 cm. (Sheffield City Art Galleries).

Attributed works:

34. Study for Tristram and Iseult of Brittany in Tristram and Iseult, by Edward Burne-Jones. c.1872. Pencil, 18.4 by 12 cm. (Courtesy of Christie’s Images).

Book Review

The Romance of Tristram and Ysolt

02/1933 | 359 | 62

Pages: 98

Subscribe to read

related names

Reviewer:

Noppen, J. G. (Noppen, J. G.; Noppen, John George; N., J. G.)

Subjects

subjects:

Romance literature / Tristram / Iseult / Translations

subjects:

Chertsey / Tiles / Iconography

Reviewed Items

subjects:

The Romance of Tristram and Ysolt | author: Loomis, Roger Sherman

Article

The Wienhausen Embroideries at Berlin

01/1928 | 298 | 52

Pages: 26-29+32-33

Subscribe to read

related names

Author:

Schmitz, Hermann (Schmitz, Hermann; Schmitz, H.)

Subjects

dates:

1300-1499

patrons:

Dukes of Brunswick-Lüneburg

places:

Germany

private galleries:

Hinrichsen-Lindpaintner Galerie, Berlin, Germany

subjects:

Textiles / Embroidery / German

subjects:

Convent of Wienhausen, Wienhausen, Germany

subjects:

Classical mythology / Romance literature / Tristram

Illustrations

Western art unattributed:

Plate I. Wool embroideries from the Convent of Wienhausen. (Now on exhibition at the Hinrichsen-Lindpaintner Gallery, Berlin) A-Tristran legend. Early fourteenth century. 2.33 by 4.04 m. B-A Knight's Romance. Early fourteenth-century fragment. 1.35 by 1.64 m. C-Figures of prophets. First half of fourteenth century. 2.3 by 1.58 m. The Wienhausen Embroideries at Berlin

Western art unattributed:

Plate II. A-The Tristran Legend. Second Half of the Fourteenth Century. The Wienhausen Embroideries at Berlin

Western art unattributed:

Plate II. B-Hunting Scenes. Early Fifteenth Century. 1.88 by 2.78 m. Wool Embroideries from the Convent of Wienhausen. (Now on Exhibition at the Hinrichsen-Lindpaintner Gallery, Berlin). The Wienhausen Embroideries at Berlin

Western art unattributed:

Plate III. A-The Speculum Humanœ Salvationis. Early Fifteenth Century. 3.6 by 6.1 m. The Wienhausen Embroideries at Berlin

Western art unattributed:

Plate III. B-The St. Thomas Legend. About 1400. 2.05 by 4.45 m. The Wienhausen Embroideries at Berlin

Western art unattributed:

Plate III. C-Legend of SS. Anne and Elizabeth. Late fifteenth century. 4.6 by 7.05 m. Wool embroideries from the Convent of Wienhausen. (Now on exhibition at the Hinrichsen-Lindpaintner Gallery, Berlin). The Wienhausen Embroideries at Berlin

Article

Vestiges of Tristram in London

08/1922 | 233 | 41

Pages: 54+58-61+63-64

Subscribe to read

related names

Author:

Loomis, Roger Sherman (Loomis, Roger Sherman; Loomis, Roger S.; Loomis, R. S.)

Subjects

dates:

1200-1299 / 1300-1399

places:

Italy / Germany / France / England

subjects:

Tristram / Romance literature / Iconography / Medieval

Illustrations

Western art unattributed:

Fig. 1. Tristram's harping.

Western art unattributed:

Fig. 2. The mourning barons fondling of their boys' heads.

Western art unattributed:

Fig. 3. Wounded Tristram cleaves through Morhaut's helmet and mail cap.

Western art unattributed:

Fig. 4. Tristram instructs in musci the daughter of the queen.

Western art unattributed:

Plate I. A-Carved Ivory Casket. Early 14th Century. (Victoria and Albert Museum). Vestiges of Tristram in London

Western art unattributed:

Plate I. B-Carved Wooden Casket, Circa 1350. (Victoria and Albert Museum). Vestiges of Tristram in London

Western art unattributed:

Plate I. C-The Sword Curtana. From the Restoration Manuscript of Sir Edward Walker, Garter King of Arms. Vestiges of Tristram in London

Western art unattributed:

Plate II. D-Sicilian Coverlet, Late 14th Century. 3.2 m. by 4.11 m. (Victoria and Albert Museum). Vestiges of Tristram in London

Western art unattributed:

Plate II. E-Thuringian Wall Hanging, Appliqué, Circa 1370. 2.41 m. by 1.01 m. (Victoria and Albert Museum). Vestiges of Tristram in London

Letter

Chertsey Tiles

07/1917 | 172 | 31

Pages: 37-38

Subscribe to read

related names

Author:

Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)

Author:

Loomis, Roger Sherman (Loomis, Roger Sherman; Loomis, Roger S.; Loomis, R. S.)

Subjects

buildings:

Chertsey Abbey, (abandoned ca. 1537), Chertsey, Surrey, Great Britain

places:

England / Chertsey

subjects:

Paintings / Tiles / Iconography / Tristram

Article

English Primitives-IV: The Westminster and Chertsey Tiles and Romance Paintings

04/1917 | 169 | 30

Pages: 133-135+137-140

Subscribe to read

related names

Author:

Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)

Subjects

artists:

William of Westminster

buildings:

Chapter House, Westminster Abbey, London, Great Britain

buildings:

Chertsey Abbey, (abandoned ca. 1537), Chertsey, Surrey, Great Britain

dates:

1250-1299

museums and institutions:

Chertsey Museum, Chertsey, Surrey, Great Britain

patrons:

Henry III, King of England, 1207-1272

places:

England / Surrey / Chertsey / London

subjects:

Paintings / Tiles / Attributions

subjects:

Iconography / Tristram / Iseult

subjects:

Royalty / Patronage

subjects:

Westminster (style) / British painting / Early English

Illustrations

Attributed works:

Fig. 4.-A confessor giving his ring to the pilgrim . Westminster Abbey

Attributed works:

Fig. 5.- One man giving a letter to another. Chertsey Abbey

Attributed works:

Fig. 6.- A youthful figure climbing a ladder to enter a boat or ship in which a woman waits. Chertsey Abbey

Attributed works:

Fig. 7.- A fish . Westminster Abbey

Attributed works:

Figures 1, 2, 3.-Tiles from the Chapter House, Westminster Abbey

Attributed works:

Plate V. Subjects from the Romance of Tristram: Tiles from Chertsey Abbey

Western art unattributed:

Fig. 8.-Westminster: One of Four Tiles

Western art unattributed:

Fig. 9.-Westminster Abbey

Sign up to our newsletter