1. Unknown man clasping a hand from a cloud, by Nicholas Hilliard.
1588. Watercolour on vellum mounted on brown card, height 6 cm.
(Victoria and Albert Museum, London; Bridgeman Images).
7. Chi-tien stands on head, by Ian Fairweather.
1964. Synthetic polymer paint and gouache on
cardboard on composition board, 64.8 by 99.1
cm. (TarraWarra Museum of Art, Melbourne). |
:
Book Review
Au prisme du manuscrit: Regards sur la littérature française du Moyen Âge (1300–1550). Edited by Sandra Hindman and Elliot Adam
Au prisme du manuscrit: Regards sur
la littérature française du Moyen Âge
(1300–1550)
Edited by Sandra Hindman and Elliot Adam. 301
pp. incl. 112 col. + 3 b. & w. ills. (Brepols, Turnhout,
2019), £210. ISBN 978–2–503–56635–1. |
:
Book Review
Michelangelo’s Design Principles, Particularly in Relation to Those of Raphael
Michelangelo’s Design Principles,
Particularly in Relation to Those
of Raphael
By Erwin Panofsky, edited and with an
introduction by Gerda Panofsky-Soergel,
translated by Joseph Spooner. 408 pp. incl. 29
b. & w. ills. (Princeton University Press,
Princeton NJ and Oxford, 2020), £34.
ISBN 978–0–691–16526–4. |
:
Illustrations
Attributed works:
4. Moses, detail from the tomb of Pope Julius
II, by Michelangelo Buonarotti. c.1513–15.
Marble, height 254 cm. (S. Pietro in Vincoli,
Rome; Bridgeman Images).
The Fabrication of Leonardo da Vinci’s
‘Trattato della pittura’
By Claire Farago, Janis Bell and Carlo Vecce.
Two vols, 1,368 pp. incl. 256 col. ills. (Brill, Leiden,
2018), |
:
Illustrations
Attributed works:
3. R. Trichet du Fresne, ed.: Trattato della
pittura di Lionardo da Vinci, Paris 1651.
Book Review
Albrecht Dürer: Documentary Biography. By Jeffrey Ashcroft