1. Virgin of humility, by Simone Martini. 1341. Fresco. (Musée du Palais
des Papes, Avignon; formerly in the porch of the cathedral, Notre-Damedes-
Doms, Avignon; Bridgeman Images).
Attributed works:
2. Adoration of the Cross (Pérussis altarpiece), by an artist in the
circle of Nicolas Froment. 1480. Three panels, each 138.4 by 58.4 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
3. Anglic Grimoard kneeling before the Virgin and Child (from the
Terrier of Anglic Grimoard), by Bernard of Toulouse and Marie.
1366–68. Illumination on parchment, 44.5 by 34.5 cm. (Archives
départementales de Vaucluse, Avignon, MS 1.G.10, fol.unnumbered).
Attributed works:
4. Madonna della Misericordia, by Enguerrand Quarton. c.1452. Oil on
panel, 66 by 187 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
5. Detail of Prophets, by Matteo Giovannetti. 1353. Fresco. (Great
Audience, Papal Palace, Avignon; Bridgeman Images).
Western art unattributed:
6. A detail of the frescos in the Cardini Chapel, Saint-Didier, Avignon.
c.1360–65. (Photograph Zoë Opačić).
Book Review
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
Venetian Inscriptions: Vernacular
Writing for Public Display in
Medieval and Renaissance Venice
By Ronnie Ferguson. 434 pp. incl. 117 b. & w.
ills. (Legenda, Oxford, 2021), £75.
ISBN 978–1–78188–638–0. |
:
Book Review
Au prisme du manuscrit: Regards sur la littérature française du Moyen Âge (1300–1550). Edited by Sandra Hindman and Elliot Adam
Au prisme du manuscrit: Regards sur
la littérature française du Moyen Âge
(1300–1550)
Edited by Sandra Hindman and Elliot Adam. 301
pp. incl. 112 col. + 3 b. & w. ills. (Brepols, Turnhout,
2019), £210. ISBN 978–2–503–56635–1. |
:
Book Review
The Art and Architecture of the Cistercians in Northern England, c.1300–1540
The Art and Architecture of the
Cistercians in Northern England,
c.1300–1540
By Michael Carter. 328 pp. incl. 8 col. + 110
b. & w. ills. (Brepols, Turnhout, 2019), £93.50.
ISBN 978–2–503–58193–4. |
:
Book Review
The Neutelings Collection: Four Centuries of Medieval Sculpture. Edited by Lars Hendrikman
1. Panel from a triptych depicting Death and coronation of the Virgin (top of gable missing), German (Mainz?). Last quarter of the fourteenth century. Ivory with traces of polychromy, 21.9 cm. high. (Bonnefanten Museum, Maastricht, on long term loan from the V.Z.W. Fundatie voor kunst der middeleeuwen, inv. no.10-05423).
Book Review
The Look of the Book. Manuscript production in Shiraz, 1303–1452, E. Wright
Oro dai Visconti agli Sforza. Smalti e oreficeria nel Ducato di Milano |
institution: Museo Diocesano
Illustrations
Attributed works:
79. God the Father, by Beltramino de Zuttis da Rho. Milan, 1416–25. Copper gilt, embossed and chased, 120 by 90 by 70 cm. (Museo del Duomo, Milan; exh. Museo Diocesano, Milan).
Western art unattributed:
80. Circular medallion depicting the Passion of Christ. Milan, 1475–1500. Silver-gilt, enamel and mother of pearl, 13 cm. high.(Instituto de Valencia de Don Juan, Madrid; exh. Museo Diocesano, Milan).
Western art unattributed:
81. Brooch depicting a woman. Given here as Lombard, c.1400. Gold, enamel and pearls, 8.5 cm. diameter. (Münsterschatzkammer, Essen; exh. Museo Diocesano, Milan).
Book Review
Painted Palaces. The Rise of Secular Art in Early Renaissance Italy