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329 articles
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Book Review
Mythological Subjects: Hercules to Olympus (Corpus Rubenianum Ludwig Burchard, 11.2)
12/2023 | 1449 | 165
Pages: 1369-1370
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
art literature:
Reviewed Items
works:
Mythological Subjects: Hercules to Olympus (Corpus Rubenianum Ludwig Burchard, 11.2) By Elizabeth McGrath, Bert Schepers, Nils Büttner, Gerlinde Gruber, Fiona Healy, Eveliina Juntunen, Gregory Martin and Jeremy Wood. Two vols, 946 pp. incl. 450 b. & w. ills. (Brepols, Turnhout, 2022), €295. ISBN 978–1–912554–7. | :
Exhibition Review
Return of the Gods
12/2023 | 1449 | 165
Pages: 1343–1345
related names
Reviewer:
Lloyd, Stephen (Lloyd, Stephen)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Return of the Gods World Museum, Liverpool 28th April 2023–25th February 2024 | :
Illustrations
Attributed works:
12. The Pantheon, Ince Blundell Hall, Lancashire. 1958. Photograph. (Courtesy National Museums Liverpool).
Western art unattributed:
10. Venus. Roman, 1st century. Marble, height 210 cm. (National Museums Liverpool).
Western art unattributed:
11. Sarcophagus depicting Phaethon before Helios. Roman, 2nd century AD. Marble, 60 by 209 cm. (National Museums Liverpool).
Article
Poussin and opera: the subject of ‘Landscape with a man killed by a snake’
06/2023 | 1443 | 165
Pages: 590–600
related names
Author:
Jewitt, James R. (Jewitt, James R.)
Subjects
artists:
dates:
museums and institutions:
patrons:
Illustrations
Attributed works:
1. Landscape with a man killed by a snake, here identified as Landscape with Aristaeus and Python, by Nicolas Poussin. 1648. Oil on canvas, 118.2 by 197.8 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
10. Landscape with Polyphemus, by Nicolas Poussin. 1649. Oil on canvas, 148.5 by 197.5 cm. (State Hermitage Museum, St Petersburg; photograph Vladimir Terebenin).
Attributed works:
2. Landscape with a man killed by a snake, by Étienne Baudet after Nicolas Poussin. 1701. Engraving with etching, 57.5 by 76.0 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Landscape with a man killed by a snake, by J.M.W. Turner after Nicolas Poussin. 1799. Ink and watercolour with scraping-out on white wove paper, 7.9 by 13 cm. (Tate Britain, London).
Attributed works:
4. Landscape with Orpheus and Eurydice, by Nicolas Poussin. c.1650. Oil on canvas, 124 by 200 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
5. The Arcadian shepherds, by Nicolas Poussin. c.1638–40. Oil on canvas, 85 by 121 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
6. Detail of Fig.1, showing the running figure.
Attributed works:
7. The death of Eurydice, by Nicolas Poussin. c.1626. Oil on canvas, 63 by 77 cm. (Private collection; courtesy Robilant+Voena).
Attributed works:
8. The death of Eurydice, by Niccolò dell’Abate. c.1552–71. Oil on canvas, 189.2 by 237.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
9. Aristaeus. Roman. c. AD 130–38. Marble, height 196 cm. (Musée du Louvre, Paris; Bridgeman Images).
Exhibition Review
Rubens a Genova. Palazzo Ducale, Genoa
12/2022 | 1437 | 164
Pages: 1275-1277
related names
Reviewer:
Martin, Gregory (Martin, Gregory)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Rubens a Genova Palazzo Ducale, Genoa 6th October 2022–22nd January 2023 | :
Illustrations
Attributed works:
15. Claudia Lomellini (?), by Guilliam van Deynen. c.1600. Oil on canvas, 204 by 120 cm. (Musei di Strada Nuova – Palazzo Bianco, Genoa; exh. Palazzo Ducale, Genoa).
Attributed works:
16. Violante Maria Spinola Serra, by Peter Paul Rubens. c.1607. Oil on canvas, 129.5 by 101.6 cm. (Buscot Park, Oxfordshire, and The Farrington Trust; exh. Palazzo Ducale, Genoa).
Attributed works:
17. Circumcision of Christ, by Peter Paul Rubens. 1604– 05. Oil on canvas applied to oak panel, 105 by 73.5 cm. (Akademie der bildenden Künste, Vienna; exh. Palazzo Ducale, Genoa).
Article
Paolo Stella’s Belvedere: a Genoese outpost in Prague
11/2022 | 1436 | 164
Pages: 1088-1103
related names
Author:
Schulz, Anne Markham (Schulz, Anne Markham)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
1. The west front of the Belvedere, Prague. (Photograph Jan Bazant).
Attributed works:
10. Charles V liberating Christian captives, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [11E]; photograph Prague Castle).
Attributed works:
11. Meeting of King Mulay Hassan and Charles V, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [13E]; photograph Prague Castle).
Attributed works:
12. King Ferdinand and Queen Anna, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [3W]; photograph Prague Castle).
Attributed works:
13. Plexippos and Toxeus, sons of Thestius, carrying the head of the Caledonian Boar, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, south side [5S]; photograph Prague Castle).
Attributed works:
14. Perseus and Atlas, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [4N]; photograph Prague Castle).
Attributed works:
15. Hermes and Battus, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [7W]; photograph Prague Castle).
Attributed works:
16. Cadmus and the dragon, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [13W]; photograph Prague Castle).
Attributed works:
17. Jason and the Golden Fleece, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [2W]; photograph Prague Castle).
Attributed works:
18. Zeus and Ganymede, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [8W]; photograph Prague Castle).
Attributed works:
19. Hannibal and Scipio Africanus, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [2N]; photograph Prague Castle).
Attributed works:
2. Detail from Miracle of the Goblet, by Giammaria Mosca and Paolo Stella. 1520–29. (Cappella del Santo, Basilica di S. Antonio, Padua; photograph Mauro Magliani).
Attributed works:
20. Mago the Carthaginian reaping grain, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [6W]; photograph Prague Castle).
Attributed works:
21. Leda and the swan, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [11W]; photograph Prague Castle).
Attributed works:
22. Perseus and Andromeda, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [3N]; photograph Prague Castle).
Attributed works:
23. Garden façade of the Villa Doria, Genoa. (Photograph Alinari).
Attributed works:
3. Detail of Fig.2, showing the central kneeling woman. (Photograph Mauro Magliani).
Attributed works:
4. Hope, from the tomb of Lodovico Euffreducci, S. Francesco, Fermo, by Paolo Stella. (Diocesan Museum, Fermo; photograph Mauro Magliani).
Attributed works:
5. St Thomas Aquinas, by Paolo Stella. c.1525. Marble, height 161 cm. (SS. Giovanni e Paolo, Venice; photograph Anne Markham Schulz).
Attributed works:
6. Tomb of Giovanni Battista Bonzio. 1525–26. (SS. Giovanni e Paolo, Venice).
Attributed works:
7. Tomb of Lodovico Euffreducci. c.1528–29. (S. Francesco, Fermo; photograph Mauro Magliani).
Attributed works:
8. Pursuit of fleeing Tunisians by imperial forces, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [9E]; photograph Prague Castle).
Attributed works:
9. Danaë, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [10W]; photograph Prague Castle).
Article
‘An Antiquity of Piety’
11/2022 | 1436 | 164
Pages: 1078-1087
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
collectors and dealers:
places:
subjects:
Illustrations
Attributed works:
6. Cimon and Pero, by Sebald Beham. 1544. Engraving, 7.1 by 4.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Cleopatra, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1525. Bronze with gilding, height 64.4 cm. (Photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
9. Ariadne, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1520–22. Bronze with gilding and silver inlays, height 50 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverbad).
Western art unattributed:
1. Pietas. North Italian, probably early sixteenth century. Bronze, height 50.8 cm. (Photograph Royal Collection Trust / © His Majesty King Charles III 2022).
Western art unattributed:
10. The back of the bust illustrated in Fig.1.
Western art unattributed:
11. The back of the bust illustrated in Fig.4.
Western art unattributed:
12. Detail of the bust illustrated in Fig.1, showing the top of the head.
Western art unattributed:
13. Detail of the bust illustrated in Fig. 4, showing the top of the head.
Western art unattributed:
2. The bust illustrated in Fig.1 on display in the Privy Chamber, Kensington Palace, London. (© Historic Royal Palaces).
Western art unattributed:
3. Detail of the bust illustrated in Fig.1, showing the flange along the truncation. (Photograph Jonathan Marsden).
Western art unattributed:
4. Cinamon. North Italian, probably early sixteenth century. Bronze, height 57 cm. (Bayerisches Nationalmuseum, Munich; photograph Bastian Krack).
Western art unattributed:
5. Cimon and Pero (Roman Charity). North Italian, sixteenth century. Bronze, diameter 6.35 cm. (Victoria and Albert Museum, London).
Western art unattributed:
7. Detail of the bust illustrated in Fig.1, showing the condition of the surface.
Book Review
Velázquez: su mundo y el nuestro. Estudios dispersos
06/2020 | 1407 | 162
Pages: 547-549
related names
Reviewer:
Brooke, Xanthe (Brooke, Xanthe)
Subjects
Illustrations
Attributed works:
4. The ‘Las Meninas’ room, by Ramón Masats. 1964. Photograph. (Museo Nacional Centro de Arte Reína Sofía, Madrid).
Exhibition Review
Titian: Love, Desire, Death
06/2020 | 1407 | 162
Pages: 526-529
related names
Reviewer:
Tagliaferro, Giorgio (Tagliaferro, Giorgio)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Titian: Love, Desire, Death National Gallery, London 16th March–14th June | :
Illustrations
Attributed works:
10. The rape of Europa, by Titian. 1559–62. Oil on canvas, 178 by 205 cm. (Isabella Stewart Gardner Museum, Boston; exh. National Gallery, London).
Attributed works:
8. Installation view of Titian: Love, Desire and Death at the National Gallery, London, 2020. (Courtesy National Gallery, London).
Attributed works:
9. Danaë, by Titian. c.1551–53. Oil on canvas, 114.6 by 192.5 cm. (Wellington Collection, Apsley House, London; exh. National Gallery, London; photograph Stratfield Saye Preservation Trust).
Exhibition Review
Troy: Myth and Reality. British Museum, London
03/2020 | 1404 | 162
Pages: 237-239
related names
Reviewer:
Stewart, Daniel R. (Stewart, Daniel R.)
Subjects
art literature:
dates:
places:
Reviewed Items
subjects:
Troy: Myth and Reality British Museum, London 21st November 2019–8th March | :
Illustrations
Attributed works:
5. The death of Hector, King Priam and The Skaian Gate, by Anthony Caro. 1993–94. Ceramic, pine, steel (left, centre); stoneware, steel, jarrah wood (right), 168 by 122 by 135 cm; 137 by 74 by 34.5 cm; 229 by 305 by 153 cm. (Barford Sculptures, London; exh. British Museum, London).
Attributed works:
6. An owl-like ‘face pot’. Troy, Turkey, 2550–1750 BC. Pottery, height 28 cm. (Museum für Vor- und Frühgeschichte, Berlin; exh. British Museum, London).
Attributed works:
7. Dead Hector, by Briton Rivière. 1892. Oil on canvas, 76.8 by 122.7 cm. (Manchester Art Gallery; exh. British Museum, London).
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