• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
2 articles
Exhibition Review
Artists’ mannequins
12/2014 | 1341 | 156
Pages: 840-841
Subscribe to read
related names
Reviewer:
Ayres, James (Ayres, James)
Subjects
dates:
2010-2019
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain / Musée Bourdelle, Paris, France
places:
Paris / France / England / Cambridge
subjects:
Reviews / Exhibitions / Models (representations)
subjects:
Fetish figures
Illustrations
Attributed works:
54. Decomposing, by Alan Beeton (Tate, London; exh. Fitzwilliam Museum, Cambridge)
Western art unattributed:
55. Neo-classical mannequin. Italian, probably early nineteenth century (Accademia Carrara, Bergamo; exh. Fitzwilliam Museum, Cambridge)
Exhibition Review
Moore and Mythology. Perry Green
07/2007 | 1252 | 149
Pages: 501-502
Subscribe to read
related names
Reviewer:
Elliot, Patrick (Elliot, Patrick)
Subjects
artists:
Moore, Henry Spencer, 1898-1986
dates:
2000-2009
museums and institutions:
Henry Moore Foundation, Perry Green, Great Britain / Musée Bourdelle, Paris, France
places:
Paris / France / England
print:
Moore, Henry Spencer, 1898-1986
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Moore and Mythology | institution: Henry Moore Foundation , institution: Musée Bourdelle
Illustrations
Attributed works:
42. Annotated proof copy of Les Statues imprisonnées, by Henry Moore. 1950. Lithograph on paper, 31.7 by 22.5 cm. (Henry Moore Foundation; exh. Henry Moore Foundation, Perry Green).
Attributed works:
43. Euryclea holding Telemacus while Penelope scratches Odysseus’s outline on the wall, by Henry Moore. 1944. Pencil, wax crayon, coloured crayon, watercolour wash, pen and ink on paper, 48.3 by 32 cm. (Graphische Sammlung, Staatsgalerie, Stuttgart; exh. Henry Moore Foundation, Perry Green).