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165 articles
Article
Annibale Carracci and the forgotten Magdalene
10/2024 | 1459 | 166
Pages: 1028–35
related names
Author:
Willer, Jacob (Willer, Jacob)
Subjects
dates:
Illustrations
Attributed works:
1. Penitent Mary Magdalene in a landscape, here attributed to Annibale Carracci. c.1601-03. Oil on copper, 37.4 by 29.2 cm. (National Trust; Kedleston Hall, Derbyshire).
Attributed works:
10. Detail of Fig.9.
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of Fig.1, showing the face of the Magdalen.
Attributed works:
13. Detail of Fig.14, showing the face of the Virgin.
Attributed works:
14. Pietà with two angels, by Annibale Carracci. c.1603. Oil on copper, 41.3 by 60.7 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
2. Penitent Mary Magdalene, by Carlo Faucci. c.1758. Engraving, 39 by 30 cm. (Wellcome Collection, London).
Attributed works:
3. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on copper, 32.4 by 43 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
4. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on canvas, 51.5 by 67 cm. (Palazzo Doria Pamphilj, Rome).
Attributed works:
5. Penitent Mary Magdalene, copy after Annibale Carracci. 18th century? Oil on canvas, 41.9 by 32 cm. (Thorvaldsens Museum, Copenhagen).
Attributed works:
6. Detail of Fig.3, showing the pentimento around the Magdalene’s toes.
Attributed works:
7. Sleeping Ariadne. Roman, 1st century CE. Marble. (Vatican Museums, Vatican City; Photo Scala, Florence).
Attributed works:
8. The sleep of Venus, here attributed to the studio of Annibale (and Agostino?) Carracci. c.1600–02. Oil on canvas, 190 by 328 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
9. Christ appearing to St Peter on the Appian Way, by Annibale Carracci. 1601–02. oil on wood, 77.4 by 56.3 cm. (National Gallery, London; Bridgeman Images).
Book Review
William Blake: Visionary William Blake’s Universe
08/2024 | 1457 | 166
Pages: 862–5
related names
Reviewer:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
art literature:
artists:
subjects:
Reviewed Items
subjects:
William Blake: Visionary By Edina Adam with Julian Brooks, and an essay by Matthew Hargraves. 168 pp. incl. 135 col. + 1 b. & w. ills. (J. Paul Getty Museum, Los Angeles, 2020), $35.00. ISBN 978–1–60606–642–3. | :
subjects:
William Blake’s Universe Edited by David Bindman and Esther Chadwick. 224 pp. incl. 226 col. ills. (Fitzwilliam Museum, Cambridge, and Philip Wilson Publishers, 2024), £35.00. ISBN 978–1–78130–127–2. | :
Illustrations
Attributed works:
1. Farben-Kugel (Colour Sphere), by Philipp Otto Runge. 1809. Hand-coloured engraving, 21.6 by 18.7 cm. (Hamburger Kunsthalle).
Attributed works:
2. Title page of Jerusalem the Emanation of the Giant Albion (1804–20), by William Blake. 1804–20. Relief etching printed in orange ink with watercolour, pen, black ink and gold on paper, 34.3 by 26.4 cm. (Yale Center for British Art, New Haven)
Attributed works:
3. Title page of Europe a Prophecy (1794), by William Blake. c.1821. Relief etching printed in colour with hand-colouring, 30.3 by 23.1 cm. (Fitzwilliam Museum, Cambridge).
Book Review
Black Atlantic: Power, People, Resistance
05/2024 | 1454 | 166
Pages: 523–525
related names
Reviewer:
East, Saffron (East, Saffron)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Black Atlantic: Power, People, Resistance Edited by Victoria Avery and Jake Subryan Richards. 192 pp. incl. numerous col. ills. (Philip Wilson Publishers, London, 2023), £20. ISBN 978–1–7813–0123–4. | :
Illustrations
Attributed works:
18. Portrait of a man in a red suit. c.1740–80. Oil on canvas, 61.8 by 51.5 cm. (Royal Albert Memorial Museum & Art Gallery, Exeter City Council).
Attributed works:
19. Go west young man, by Keith Piper. 1987. 14 monochrome photomontages, gelatin silver print on paper mounted on board. (© Keith Piper; courtesy the artist and Tate).
Attributed works:
20. Marking the moment 3, by Barbara Walker. 2022. Graphite on paper overlaid with mylar. (© Barbara Walker; courtesy the artist and Cristea Roberts Gallery, London, and Chris Keenan).
Obituary
Duncan Robinson (1943–2022)
05/2023 | 1442 | 165
Pages: 578-580
related names
Author:
Pergam, Elizabeth (Pergam, Elizabeth)
Subjects
art literature:
Illustrations
Attributed works:
1. Duncan Robinson, by Peter Mennim. 2011. Oil on canvas, 81.3 by 61 cm. (Magdalene College, Cambridge).
Attributed works:
2. Nude in an interior, by Harold Gilman. c.1911. Oil on canvas, 50.5 by 35.4 cm. (Yale Center for British Art, New Haven; Bridgeman Images).
Attributed works:
3. A folio from the Macclesfield Psalter, showing a historiated initial containing the Annunciation to the Shepherds. England, c.1330–40. Tempera and gold on vellum, 17 by 6.2 cm. (Fitzwilliam Museum, Cambridge, MS 1-2005, fol.139v; Bridgeman Images).
Exhibition Review
Islanders: The Making of the Mediterranean Fitzwilliam Museum, Cambridge
05/2023 | 1442 | 165
Pages: 546-549
related names
Reviewer:
Stephenson, Roy (Stephenson, Roy)
Subjects
dates:
Reviewed Items
subjects:
Islanders: The Making of the Mediterranean Fitzwilliam Museum, Cambridge 24th February–4th June | :
Illustrations
Western art unattributed:
5. Aphrodite Anadyomene. Cyprus, c.300– 100 BC. Marble, height 116 cm. (Cyprus Museum).
Western art unattributed:
6. Astarte standing on an ingot. Cyprus, 1200–1100 BC. Copper alloy, height 9.9 cm. (Ashmolean Museum, Oxford).
Western art unattributed:
Fig.4. Finds at the Sanctuary of Agia Eirini, Cyprus. Photograph, c.1929. (Courtesy Världskulturmuseerna, Sweden).
Article
Cut from the same cloth: a composite canvas by Paul Cezanne
12/2022 | 1437 | 164
Pages: 1224-1233
related names
Author:
Aebi, Kiko (Aebi, Kiko)
Author:
Haddad, Abed (Haddad, Abed)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Still life with apples, by Paul Cezanne. c.1878. Oil on canvas, 19 by 27 cm. (Fitzwilliam Museum, Cambridge, lent by the Provost and Fellows of King’s College, Cambridge, Keynes Collection).
Attributed works:
10. Study of heads, by Pierre-August Renoir. 1890s. Oil on canvas, 46 by 38 cm. (Barnes Foundation, Philadelphia).
Attributed works:
2. Glass and apples, by Paul Cezanne. 1879–80. Oil on canvas. 31.5 by 40 cm. (Rudolf Staechelin, Basel).
Attributed works:
3. Female nude (Leda), by Paul Cezanne. c.1887. Oil on canvas stretched on pasteboard, 44 by 62 cm. (Von der Heydt- Museum, Wuppertal).
Attributed works:
4. Reconstituted study sheet of drawings by Paul Cezanne, subsequently divided into three separate compositions: Sheet of studies, including a Skull (left), A historical or Biblical scene (The rape of Lucretia) (top right), and A historical or Biblical scene (bottom right). (From W. Feilchenfeldt, J. Warman and D. Nash: The Paintings, Watercolors and Drawings of Paul Cezanne, www.cezannecatalogue.com).
Attributed works:
5. Image of Glass with apples (right) and Still life with apples (left) unframed and in their original configuration, revealing contiguous brush strokes across both pictures. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
6. X-ray radiograph of Glass with apples (right) and Still life with apples (left). (Fondation Beyeler, Riehen, and Fitzwilliam Museum, Cambridge).
Attributed works:
7. MA-XRF maps of Glass with apples (right) and Still life with apples (left), showing the distribution of iron (Fe), calcium (Ca), zinc (Zn), copper (Cu), cobalt (Co), chromium (Cr) and mercury (Hg). (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
8. Lead L-series (Pb-L) MA-XRF map of Glass with apples (right) and Still life with apples (left), with inset details magnifying holes along the edge of the original canvas. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
9. Five apples, by Paul Cezanne. 1877–78. Oil on canvas, 12.7 by 25.5 cm. (Private collection).
Article
Turner, Ossian and the Royal Academy
07/2022 | 1432 | 164
Pages: 658-663
related names
Author:
MacDonald, Murdo (MacDonald, Murdo)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Ben Lomond Mountains, Scotland: The Traveller – Vide Ossian’s War of Caros, by J.M.W. Turner. 1802. Oil on canvas, 64.1 by 98.8 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
2. Detail of Fig.1, showing Hidallan and Lamor.
Attributed works:
3. Rubha Mor with Ben Lomond in the background (formerly A wooded bay with mountains beyond; perhaps Loch Lomond at Inveruglas), by J.M.W. Turner. 1801. Chalk, graphite and watercolour on paper, 29.5 by 43 cm. (Tate; DO3426; Turner Bequest LVIII 47).
Attributed works:
4. Dolbadern Castle, North Wales, by J.M.W. Turner. 1800. Oil on canvas, 119.4 by 90.2 cm. (Royal Academy of Arts, London).
Attributed works:
5. Thomson’s Aeolian Harp, by J.M.W. Turner. 1809. Oil on canvas. 166.7 by 306 cm. (Manchester Art Gallery).
Attributed works:
6. Staffa, Fingal’s Cave, by J.M.W. Turner. 1831 to 1832. Oil on canvas, 95.1 by 122 cm. (Yale Center for British Art, Paul Mellon Collection).
Attributed works:
7. Glencoe, by J.M.W. Turner. c.1833. Watercolour, 9.4 by 14.3 cm. (Museum of Art, Rhode Island School of Design).
Editorial
Nicholas Goodison and The Burlington Magazine
09/2021 | 1422 | 163
Pages: 779
Subjects
art literature:
collectors and dealers:
subjects:
Illustrations
Attributed works:
Nicholas Goodison at the Fitzwilliam Museum, Cambridge, in 2013, with items from the Goodison Gift of British contemporary crafts. (Photograph © Fitzwilliam Museum, Cambridge).
Obituary
David Scrase (1949–2020)
03/2021 | 1416 | 163
Pages: 306-308
related names
Author:
Luijten, Ger (Luijten, Ger)
Subjects
Illustrations
Attributed works:
2. David Scrase in 1994. (Photograph by Frédérick; courtesy the Fitzwilliam Museum, Cambridge).
Attributed works:
3. Study for ‘The Institution of the Eucharist’, by Federico Barocci. c.1603. Pen and brown ink, brown wash, over black chalk, heightened with white, with selected areas worked up in grisaille oils, squared in black chalk, on paper, 51.5 by 35.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Feast and Fast: The Art of Food in Europe, 1500–1800. Fitzwilliam Museum, Cambridge
03/2020 | 1404 | 162
Pages: 246-248
related names
Reviewer:
Glanville, Philippa (Glanville, Philippa; G., P.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Feast and Fast: The Art of Food in Europe, 1500–1800 Fitzwilliam Museum, Cambridge 26th November 2019–26 April | :
Illustrations
Attributed works:
18. Interior, with an old woman peeling apples, by David Teniers the Younger. c.1640–60. Oil on panel, 35.6 by 46.4. cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Recreation of an English Renaissance sugar banquet for a wedding c.1610, conceived and made by Ivan Day for the exhibition Feast and Fast: The Art of Food in Europe 1500–1800 at the Fitzwilliam Museum, Cambridge, 2019.
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