Attributed works:
I. A Calm, by Jan van de Capelle. 110 by 148.2 cm. (National Museum and Gallery of Wales, Cardiff). Acquired with support from the National Heritage Memorial Fund, the National Art Collections Fund and the J. Paul Getty Jr. Charitable Trust, 1994.
Attributed works:
II. Erminia finding the wounded Tancred, by Giovanni Francesco Barbieri, called il Guercino. 1650-51. 244 by 287 cm. (National Gallery of Scotland, Edinburgh). Acquired with support from the Heritage Lottery Fund, the National Art Collections Fund, and corporate and private donations, 1996.
Attributed works:
III. St James healing the lame man (verso; the recto shows the Dead Christ supported by child-angels), by Marco Zoppo. Pen and brown ink (traces of brown and olive wash on the recto) on vellum, 35 by 28 cm. (British Museum, London). Acquired with support from the Heritage Lottery Fund and the National Art Collections Fund, 1995.
Attributed works:
IV. St Jerome, by Albrecht Dürer. 23.1 by 17.4 cm. (National Gallery, London). Acquired with support from the Heritage Lottery Fund, the National Art Collections Fund, Grant-in-aid and private donations, 1996.
Attributed works:
IX. Judith with the head of Holofernes, by Lucas Cranach. 1530. Panel, 76.7 by 55.8 cm. (Burrell Collection, Glasgow). Acquired with support from the National Heritage and the National Art Collections Fund, 1995.
Attributed works:
V. Massacre of the Innocents, by Francesco Trevisani. (Fitzwilliam Museum, Cambridge). Acquired with support from the Heritage Lottery Fund.
Attributed works:
VI. Study for 'Diana and Actaeon', by Thomas Gainsborough. c.1784. Black and white chalks with grey and grey-black washes and gouache with (perhaps) oil paint on buff paper, 27.4 by 36.4 cm. (Gainsborough's House, Sudbury). Acquired with support from the National Heritage Memorial Fund, the National Art Collections Fund and the MGC/V&A Purchase Grant Fund, 1996.
Attributed works:
VII. Campagna landscape, by Gaspard Dughet, called Gaspard Poussin. c.1672-75. 37 by 49 cm. (York City Art Gallery). Acquired with support from the National Heritage Memorial Fund, the MGC/V.&A. Purchase Grant Fund and the Friends of York Art Gallery, 1995.
Attributed works:
VIII. Portrait of Henrietta Laura Pulteney (1766-1808), by Angelica Kauffman. c. 1777. 88.9 by 76.2 cm. (Holburne Museum, Bath). Acquired with support from the Heritage Lottery Fund, MGC/V.&A. Purchase Grant Fund, the National Art Collections Fund, the Friends of the Holburne Museum and numerous private individuals after a public appeal.
Attributed works:
X. Mother and Child, by Eric Gill, 1910. Sculpture in Portland stone. 62 by 20.3 by 17.1 cm. (Leeds Museums and Galleries). Acquired with support from the National Heritage Memorial Fund, the MGC/V.&A. Purchase Grant Fund and the Pilgrim Trust, 1995.
Attributed works:
XII. Lady's secretaire, by Thomas Chippendale. 1773. Mahogany, oak, pine carcase, 136 by 85 by 39 cm. (Osterley Park, London). Acquired by the National Trust with support from the National Heritage Memorial Fund, the National Art Collections Fund, and an anonymous benefactor, 1996.
Attributed works:
XIII. Armchair, one of a pair, designed by Dominique Vivant Denon, manufactured by Jacob Desmalter. c.1803 13. Mahogany with gilt bronze inlay and mounts, 85 by 69 by 65 cm. One chair acquired by the Victoria & Albert Museum, London, and one by the National Museums & Galleries on Merseyside (Walker Art Gallery, Liverpool), with support from the National Heritage Memorial Fund and the National Art Collections Fund, 1996.
Attributed works:
XIV. The Temple Newsam state bed (lit à l'Anglais), by Jean-Baptiste II Tilliard. c.1770. Mainly oak, japanned white and gilt, with crimson silk coverlet and later printed cotton curtains. 304 by 221 by 183 cm. (Temple Newsam House, Leeds). Acquired by Leeds Museums & Galleries with support from the National Heritage Memorial Fund, the National Art Collections Fund, the MGC/V.&A. Museum Purchase Grant Fund, the Leeds Art Collections Fund, and Arnold, Audrey and Raymond Burton, 1996.
Attributed works:
XIX. Pro Patria, by John Armstrong. 1938. Tempera on panel, 75.8 by 93.6 cm. (Imperial War Museum, London). Acquired with support from the National Heritage Memorial Fund and the National Art Collections Fund, 1995.
Attributed works:
XV. The Kildare toilet service, by David Willaume, 1720 22. Silver gilt. Engraved with the arms of Fitzgerald impaling O'Brien for Robert Fitzgerald, 19th Earl of Kildare and his wife Mary O'Brien. (Royal Ulster Museum, Belfast). Acquired with support from the National Heritage Memorial Fund, the National Art Collections Fund and the Esme Mitchell Trust.
Attributed works:
XVI. The channel at Gravelines, Grand Fort Philippe, by Georges Seurat. 1890. 65 by 81 cm. (National Gallery, London). Acquired with support from the Heritage Lottery Fund, 1996.
Attributed works:
XVII. Piazza dell'Erbe, Verona, by Richard Parkes Bonington. c.1827. Water-colour over pencil, 21.5 by 26.5 cm. (Tate Gallery, London). Nos.XVII and XVIII are just two of the drawings from the Oppé collection, acquired entire with support from the Heritage Lottery Fund and the National Art Collections Fund 1996.
Attributed works:
XVIII. The Source of the Arveiron, by Francis Towne. 1781. Water-colour with pen and brown ink, 31 by 21.2 cm. (Tate Gallery, London). Nos.XVII and XVIII are just two of the drawings from the Oppé collection, acquired entire with support from the Heritage Lottery Fund and the National Art Collections Fund 1996.
Non-western art unattributed:
XI. Standing Buddha. Ayutthaya, Thailand, late 15th-early 16th century. Gilt copper alloy with inlaid mother-of-pearl, 175 cm. High. (Victoria and Albert Museum, London). Acquired with support from the Heritage Lottery Fund, the National Art Collections Fund and the Henry Moore Foundation, 1996.
