1. Jacob Rothschild, 4th Baron Rothschild (‘Man in a Chair’), by Lucian
Freud. 1989. Oil on canvas, 114.3 by 79.7 cm. (Private collection, on loan
to the National Portrait Gallery, London).
Attributed works:
2. Louis XVI, by Antoine-François Callet, in a frame attributed to
François-Charles Buteux. 1781–82. Oil on canvas in gilded oak frame,
280 by 180 cm. (Waddesdon Manor, Buckinghamshire).
Attributed works:
3. Boy building a house of cards, by Jean-Siméon Chardin.
1735. Oil on canvas, 81 by 101 cm. (Private collection, on loan
to Waddesdon Manor, Buckinghamshire; Bridgeman Images).
How the Country House Became English
By Stephanie Barczewski. 392 pp. incl. 74 col.
+ b. & w. ills. (Reaktion, London, 2023), £25.
ISBN 978–1–78914–760–5. |
:
Book Review
Great Irish Households: Inventories from the Long Eighteenth Century
House and Home in Georgian Ireland: Spaces and Cultures of Domestic Life
Great Irish Households: Inventories
from the Long Eighteenth Century
Edited by Tessa Murdoch. 436 pp. incl. 18 col.
+ 41 b. & w. ills. (John Adamson, Cambridge,
2022), £75. ISBN 978–1–898565–17–8. |
:
subjects:
House and Home in Georgian Ireland:
Spaces and Cultures of Domestic Life
Edited by Conor Lucey. 216 pp. incl. 95 col. ills.
(Four Courts Press, Dublin, 2022), £45.
ISBN 978–1–80151–026–4. |
:
Illustrations
Attributed works:
5. Sir Neil O’Neill, by John Michael Wright.
1680. Oil on canvas, 232.7 by 163.2 cm. (Tate).
The Art of Tapestry
By Helen Wyld. 256 pp. incl. numerous col. ills.
(Philip Wilson Publishers, London, 2022), £45.
ISBN 978–1–78130–112–8. |
:
Illustrations
Attributed works:
1. The Tapestry Room at Osterley House,
Middlesex, hung with a set of Gobelins
‘Tenture de Boucher’ tapestries, installed
in the 1770s. (National Trust Images).
Attributed works:
2. The High Great Chamber at Hardwick Hall,
Derbyshire, hung with the Story of Ulysses
tapestries, woven in Brussels in the 1560s.
(National Trust Images).
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7
cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens.
c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich;
Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys,
here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2
by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky,
Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon.
c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving,
35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne,
London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned
1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
10. Detail of Fig.2, showing the statue with a heraldic crest.
Attributed works:
2. A Paston prospective: a palace with a lake and gondolas.
c.1640. Oil on canvas, 119.4 by 164 cm. (National Trust, Hughenden
Manor, Buckinghamshire).
Attributed works:
3. Venetian carnival scene on a terrace, by Pieter de Jode the
Elder after Ludovico Pozzoserrato (Lodewijk Toeput). c.1595–98.
Line engraving, 37 by 50.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Detail of Fig.3, showing gondolas.
Attributed works:
5. Frontispiece to T. Coryat: Coryats Crudities, London 1611,
engraved by William Hole. Engraving, 21.2 by 15.5 cm.
Attributed works:
6. Female novices going to visit their relations by gondola,
by Giacomo Franco. c.1610. Engraving, 24.4 by 18.9 cm.
(From G. Franco: Habiti d’Huomeni et Donne venetiane,
Venice 1610; Bibliothèque nationale de France, Paris).
Attributed works:
7. The doge attending vespers and mass at S. Giorgio
Maggiore, Venice, on Christmas day, by Giacomo Franco. c.1610.
Engraving, 24.4 by 18.9 cm. (From G. Franco: Habiti d’Huomeni
et Donne venetiane, Venice 1610; Bibliothèque nationale de
France, Paris).
Attributed works:
8. Detail of Fig.9, showing the coat of arms.
Attributed works:
9. The Most Honourable Sir William Paston, Baronet, by
William Faithorne the Elder. 1659. Engraving, 27 by 20.5 cm.
(British Museum, London).
Western art unattributed:
1. A Paston prospective: a country house with gardens.
c.1640. Oil on canvas, 117 by 164 cm. (Private collection).