1. Jacob Rothschild, 4th Baron Rothschild (‘Man in a Chair’), by Lucian
Freud. 1989. Oil on canvas, 114.3 by 79.7 cm. (Private collection, on loan
to the National Portrait Gallery, London).
Attributed works:
2. Louis XVI, by Antoine-François Callet, in a frame attributed to
François-Charles Buteux. 1781–82. Oil on canvas in gilded oak frame,
280 by 180 cm. (Waddesdon Manor, Buckinghamshire).
Attributed works:
3. Boy building a house of cards, by Jean-Siméon Chardin.
1735. Oil on canvas, 81 by 101 cm. (Private collection, on loan
to Waddesdon Manor, Buckinghamshire; Bridgeman Images).
Article
Prince Albert, architect: the Duchess of Kent’s mausoleum
10. Detail of the interior of the Duchess of Kent’s mausoleum,
Frogmore, showing a cherub’s head carved by William Theed
the Younger. (Photograph the author).
5. The Pelham Mausoleum, Brocklesby, Lincolnshire, by James Wyatt.
1787–92. (English Heritage Archive; photograph Janet Tierney).
Attributed works:
6. Interior of the Pelham Mausoleum, Brocklesby, Lincolnshire,
by J.M.W. Turner. c.1810. Graphite and watercolour on paper,
64 by 49 cm. (Tate Britain, London, Turner Bequest CXCV 130).
Attributed works:
7. Detail of the bronze doors of the Duchess of Kent’s mausoleum,
Frogmore, showing palm branch decoration designed by Prince Albert.
(Photograph the author).
1. Horace Walpole, by J.G. Eccardt, 1754. Oil on canvas, 39.4 by 31.8 cm.
(National Portrait Gallery, London).
Attributed works:
2. Sir Robert Walpole and Catherine Shorter, by J.G. Eccardt and John
Wootton. c.1754, frame c.1680. Oil on canvas, 50.8 by 101.6 (painting).
(Courtesy Lewis Walpole Library, Yale University, Farmington CT).
Attributed works:
3. Frontispiece to ‘Memoirs of George II’ by Horace Walpole, by Richard
Bentley. 1752. Pen, ink and wash on paper. (Courtesy Lewis Walpole
Library, Yale University, Farmington CT).
Attributed works:
4. Miss Prettyman in clover, by ‘Truepenny’. 1785. Etching, 17.3 by 12.5 cm.
(New York Public Library).
Attributed works:
5. Illustration for ‘Ode on a Distant Prospect of Eton College’, by Richard
Bentley, from Designs by Mr R. Bentley, for Six Poems by Mr T. Gray,
London 1753. Etching, 37.3 by 27.3 cm. (page). (British Library, London).
24. Design for the east front of the Louvre: third project, by Mattia de Rossi for Gianlorenzo Bernini. 1665. Pencil, pen, ink and wash on paper, 18.9 by 49.4 cm. (Private collection).
Attributed works:
25. Design for the east front of the Louvre: first project, by Gianlorenzo Bernini. 1664. Pen and ink on paper, 16.5 by 21.7 cm. (Courtauld Institute of Art, London).
Attributed works:
26. Design for the east front of the Louvre: first project, by Mattia de Rossi for Gianlorenzo Bernini. 1664. Pen, ink and wash on paper, 40 by 67.5 cm. (Musée du Louvre, Paris, 91 DE 4842/ rec.1, fol. 4)
Attributed works:
27. Plan of the ground floor of the Louvre: first project, by Mattia de Rossi for Gianlorenzo Bernini. 1664. Pen, ink and wash on paper, 52.9 by 76 cm. (Musée du Louvre, Paris, 91 DE 4850/ rec.1, fol.3).
Attributed works:
28. Design for the east front of the Louvre: second project, by Mattia de Rossi for
Gianlorenzo Bernini. 1665. Pen and ink on paper, 34.7 by 60.1 cm. (National Museum, Stockholm, THC 5146).
Attributed works:
29. The east front of the Louvre: formerly called the third project, by Jean Marot, after Gianlorenzo Bernini. 1665. Engraving, 45 by 102.5 cm. (Conway Library, Courtauld Institute of Art, London).
Attributed works:
30. The interior facade of the Louvre: third project, by Jean Marot, after Gianlorenzo Bernini. 1665. Engraving, 45 by 102.5 cm. (Conway Library, Courtauld Institute of Art, London).