By using this website you agree to our Cookie policy

Search

334 articles
Exhibition Review
Wanderlust: Dutch Artists Abroad 1800–1900. Dordrechts Museum
12/2022 | 1437 | 164
Pages: 1282-1284
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Wanderlust: Dutch Artists Abroad 1800–1900 Dordrechts Museum 19th June 2022–8th January 2023 | :
Illustrations
Attributed works:
24. Horses in the Meuse near Dinant, by Johannes Tavenraat. 1841. Oil on paper laid on board, 27.5 by 42 cm. (Dordrechts Museum).
Attributed works:
25. Neighbourhood in Brussels, by Jan Theodoor Kruseman. c.1857. Oil on canvas, 30 by 50 cm. (Stedelijk Museum, Amsterdam; exh. Dordrechts Museum).
Attributed works:
26. Courtyard of a house in Cairo, by Willem de Famars Testas. 1881. Oil on canvas, 84 by 62 cm. (Rijksmuseum Amsterdam; exh. Dordrechts Museum).
Editorial
The National Trust at 125
02/2020 | 1403 | 162
Pages: 87
Subjects
museums and institutions:
places:
subjects:
Book Review
The Cross, the Gospels, and the Work of Art in the Carolingian Age. By Beatrice E. Kitzinger
01/2020 | 1402 | 162
Pages: 74-75
related names
Reviewer:
Chazelle, Celia (Chazelle, Celia)
Subjects
places:
Reviewed Items
subjects:
The Cross, the Gospels, and the Work of Art in the Carolingian Age By Beatrice E. Kitzinger. 322 pp. incl. 148 col. ills. (Cambridge University Press, Cambridge, 2018), £57.99. ISBN 978–1–108–42881–1. | :
Illustrations
Western art unattributed:
2. Crucifixion, from the Angers Gospels. Brittany or Loire Valley, late 9th–early 10th century. Coloured ink on parchment, 30.7 by 21 cm. (Bibliothèque municipale Angers, MS 24(20), fol.7v).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Article
An English artist at the Valois court: a portrait of Henri III by Nicholas Hilliard
02/2019 | 1391 | 161
Pages: 102-111
related names
Author:
Aslet, William (Aslet, William)
Author:
BURGIO, Lucia (BURGIO, Lucia)
Author:
Cachaud, Céline (Cachaud, Céline)
Author:
Derbyshire, Alan (Derbyshire, Alan)
Author:
Rutherford, Emma (Rutherford, Emma)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
1. Henri III of France, by Nicholas Hilliard. Here dated c.1576. Watercolour and bodycolour on vellum stuck to playing card, 5 by 3.7 cm. (Djanogly Collection).
Attributed works:
11. François Hercule, duc d’Alençon and Anjou. Here dated c.1578. Watercolour and bodycolour on vellum stuck to pasteboard, 5.8 by 4.9 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
3. Reverse of Fig.2, showing the maker’s stamp ‘JP’ or ‘PJ’.
Attributed works:
4. Coronation medal of Henri III, attributed to Germain Pilon. 1575. Bronze, diameter 16.3 cm. (British Museum, London).
Attributed works:
5. Detail of Fig.1 showing the lace ruff.
Attributed works:
7. Portrait of a gentleman, here proposed as Pierre de Ronsard, by Nicholas Hilliard. 1577. Watercolour and bodycolour on vellum stuck to playing card, height 5.1 by 4.4 cm. (Private collection).
Attributed works:
8. Pierre de Ronsard, by Benjamin Foulon. 1580–85. Black and red chalk on paper, 33 by 23 cm. (The State Hermitage Museum, St Petersburg).
Attributed works:
9. and 10. François Hercule, duc d’Alençon and Anjou and Queen Elizabeth I, by Nicholas Hilliard. c.1579. From Queen Elizabeth’s Prayer Book, with Six Prayers Composed by Her Majesty and Written by Herself in English, French, Latin, Greek, and Italian, etc., Southwood 1893 (The British Library, London; Bridgeman Images).
Western art unattributed:
2. Fig.1 in a Renaissance-revival pierced frame. Nineteenth century. Cherry wood, 20.5 by 12.5 cm. (Djanogly Collection).
Western art unattributed:
6. Henri III. France, after 1576. Oil on paper, 13.5 by 9.8 cm. (Kunsthistorisches Museum, Vienna)
Editorial
Hilliard in Europe
02/2019 | 1391 | 161
Pages: 99
Book Review
Une théorie universelle au milieu du XIXe siècle: La ‘Grammar of Ornament’ d’Owen Jones. By Ariane Varela Braga
02/2019 | 1391 | 161
Pages: 172-174
related names
Reviewer:
Van Zanten, David (Van Zanten, David; Zanten, David van)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
6. Osler’s Gallery, Oxford Street, London, by Owen Jones. c.1858–60. Ink and watercolour, 147.3 by 102 cm. (Victoria and Albert Museum, London).
Book Review
South-East Marylebone (Survey of London, 51 and 52). Edited by Philip Temple, Colin Thom and Andrew Saint
02/2019 | 1391 | 161
Pages: 171-172
Book Review
Fifty English Steeples: The Finest Medieval Parish Church Towers and Spires in England. By Julian Flannery
02/2019 | 1391 | 161
Pages: 166
Exhibition Review
Roman Vishniac Rediscovered. Jewish Museum, London, and The Photographers’ Gallery, London
02/2019 | 1391 | 161
Pages: 156-158
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
dates:
media:
places:
Illustrations
Attributed works:
22. Jewish school children, Mukacevo, by Roman Vishniac. c.1935–38. Gelatin silver print, 24 by 16.5 cm. (© Mara Vishniac Kohn; International Center of Photography, New York; exh. Jewish Museum London).
Attributed works:
23. Skin from Roman Vishniac’s thumb, magnified 280 times, by Roman Vishniac. 1950s–1970s. Photomicrograph. (© Mara Vishniac Kohn; International Center of Photography, New York; exh. Jewish Museum London and The Photographers’ Gallery, London).
Attributed works:
24. Boy standing on a mountain of rubble, Berlin, by Roman Vishniac. 1947. Inkjet print, 30 by 30 cm. (© Mara Vishniac Kohn; International Center of Photography, New York; exh. The Photographers’ Gallery, London).
load more