Closed on Mondays: Behind the
Scenes at the Museum. By Dinah
Casson. 208 pp. incl. 149 col. ills.
(Lund Humphries, London, 2020),
£35. ISBN 978–1–84822–434–6. |
:
subjects:
The Art Museum in Modern
Times. By Charles Saumarez Smith.
272 pp., incl. 122 col. + b. & w. ills.
(Thames & Hudson, London and
New York, 2021), £30. ISBN 978–05–
0002243–6 |
:
subjects:
The Avant-Garde
Museum. Edited by Agnieszka
Pindera and Jarosław Suchan.
624 pp. incl. 252 col. + 57 b. & w. ills.
(Museum Sztuki, Łódź, 2020) £40.
ISBN 978–3–96098–947–9. |
:
subjects:
Under Discussion: The Encyclopedic
Museum. Edited by Donatien Grau.
256 pp. (Getty Research Institute,
Los Angeles, 2021), $35.
ISBN 978–1–60606–719–2. |
:
subjects:
Why the Museum
Matters, by Daniel H. Weiss.
224 pp. (Yale University Press,
New Haven and London, 2022),
$26. ISBN 978–03–0025935–3. |
:
subjects:
Worlds in a Museum: Exploring
Contemporary Museology. Edited
by the Louvre Abu Dhabi and École
du Louvre. 272 pp. incl. 99 col.
ills. (Leuven University Press,
Leuven, 2021), £20. ISBN 978–9–
46166–332–0 |
:
Illustrations
Attributed works:
1. Whitney Museum of American Art, New York, 2015. (Photograph
Ed Lederman).
Attributed works:
2. Glass corridor in the North Wing of the Louisiana Museum of
Modern Art, Humlebæk. (Photograph Kim Hansen).
Attributed works:
3. Proposal for the Los Angeles County Museum of Art expansion
by Peter Zumthor. 2019. (Courtesy Atelier Peter Zumthor &
Partners; The Boundary)
Attributed works:
4. Seen / Unseen Known / Unknown, by Walter De Maria. 2000. (Bennesse
Art Site, Naoshima).
Attributed works:
5. Permanent display of the International collection of Modern Art
of the a.r. group at the J. and K. Bartoszewicz Municipal Museum of
History and Art. Photograph by Włodzimierz Pfeiffer. 1931. (From J.
and K. Bartoszewicz Municipal Museum of History and Art: International
Collection of Modern Art / Collection Internationale d’Art Nouveau,
Łódź 1932; Archive of the Muzeum Sztuki, Łódź).
Attributed works:
6. Water Court at the Pavilions, Glenstone Museum, Potomac.
(Photograph Iwan Baan).
Attributed works:
7. Louvre Abu Dhabi. (Photograph by Roland Halbe).
Attributed works:
8. Daniel Weiss, former President and CEO of the Metropolitan Museum
of Art, New York, 2019. (Photograph Mark Abramson).
Attributed works:
9. Burrell Collection, Glasgow. 2022. (Photograph by Hufton + Crow).
Exhibition Review
Sydney Modern at the Art Gallery
of New South Wales, Sydney
Sydney Modern at the Art Gallery
of New South Wales, Sydney
From 3rd December 2022 |
:
Illustrations
Attributed works:
21. Aerial view
of the new
building of the
Art Gallery
of New South
Wales (AGNSW),
Sydney, by
Kazuyo Sejima
and Ryue
Nishizawa of
SANAA, 2022.
(Photograph
Iwan Baan).
Attributed works:
22. Ground
plan of the Art
Gallery of New
South Wales,
Sydney, 2022,
showing the
South Building
(1); the Welcome
Plaza (2); the
Entrance
Pavilion (3); the
gallery shop (4);
the Yiribana
Gallery (5); the
loggia (6); the
terrace above
the gallery for
contemporary
art (7); the
terrace above
the restaurant
(8); the terrace
above a gallery
(9); and a multiuse
entertaining
space (10).
(Courtesy GGN,
Seattle).
Attributed works:
23. Installation
view of
GROUNDLOOP,
by Lisa Reihana.
2022. Single
channel digital
video with
multi-layered
audio, duration
21 minutes.
(Lisa Reihana;
courtesy Art
Gallery of
New South
Wales, Sydney;
photograph
Jenni Carter).
28. Oneness,
by Shahrzad
Ghaffari.
2022. Acrylic
with textured
material
including pumice
gel, height 1100
cm. (Leighton
House, Royal
Borough of
Kensington and
Chelsea).
5. The thermes of the Musée de Cluny and the entrance hall designed
by Bernard Desmoulin. (Musée de Cluny - Musée National du Moyen
Âge, Paris; photograph M. Denancé).
Attributed works:
6. Plan of the of the ground floor of the Musée de Cluny. (After
Bernard Desmoulin).
26. Installation
view of A front
room in 1976,
curated by the
playwright Michael
McMillan, at the
Museum of the
Home, London,
2021 (photograph
Em Fitzgerald).
Attributed works:
24. All I want
is a room
somewhere,
by Jonathan
Donovan. 2016.
Digital print,
118.9 by 84.1
cm. (Museum
of the Home,
London).
Attributed works:
25. Installation
view of Museum
of the Home,
London, showing
a parlour in 1745
with evidence
of cleaning
(photograph Em
Fitzgerald).
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).