Attributed works:
10. 'Inventa est igitur epistola', by Niccolò da Varallo. From St John of Damascus Series. Stained Glass. (Cathedral, Milan).
Attributed works:
11. Pliny the Younger, from the Mantegazza Workshop. Marble. (Façade of Duomo, Como).
Attributed works:
12. Angels; Right-Hand Panel of the Flight into Egypt, by Antonio da Pandino. From New Testament Series. Stained Glass. (Fifth Window, Cathedral, Milan).
Attributed works:
13. Archangel Raphael. Lombard Master from the Mantegazza Circle. Marble. (Formerly on Fifth Pier, Duomo, Milan; Now Vatican, Rome).
Attributed works:
14. Detail from Christ and the Adulteress Diptych, by Antonio da Pandino. From New Testament Series. Stained Glass. (Fifth Window, Cathedral, Milan).
Attributed works:
15. Detail from The Temptation of Christ, by Antonio da Pandino. From New Testament Series. Stained Glass. (Fifth Window, Cathedral, Milan).
Attributed works:
16. Detail from The Entry of Christ into Jerusalem, by Antonio da Pandino. From New Testament Series. Stained Glass. (Fifth Window, Cathedral, Milan).
Attributed works:
17. Bust of Old Man with Conical, Roped Hat, by A. de'Fondulis. Terra-Cotta. (Drum of Cupola (No. 6), S. Maria Presso S. Satiro, Milan).
Attributed works:
18. Detail from Last Supper Diptych, by Antonio da Pandino. From New Testament Series. Stained Glass. (Fifth Window, Cathedral, Milan).
Attributed works:
19. Bust of Prophet with Book, by A. de'Fondulis. Terra-Cotta. (Drum of Cupola (No. 2), S. Maria Presso S. Satiro, Milan).
Attributed works:
20. Bust of Old Man with Small Conical Hat, by A. de'Fondulis. Terra-Cotta. (Drum of Cupola (No. 9), S. Maria Presso S. Satiro, Milan).
Attributed works:
21. Bust of Prophet, by A. de'Fondulis. Terra-Cotta. (Drum of Cupola (No. 8), S. Maria Presso S. Satiro, Milan).
Attributed works:
22. St Michael, Attributed to Antonio da Pandino (Certosa, Pavia); Showing Its State of Preservation. Shaded Areas: Authentic Stained Glass Generally in Bad Condition, Particularly in Background. Dotted Areas: Probably Authentic Stained Glass Repainted in Nineteenth Century. Remaining Areas, Unannotated, Certainly Nineteenth Century. Arch Seems to be Due to Later Cutting.
