By using this website you agree to our Cookie policy

Search

57 articles
Exhibition Review
Reframed: The Woman in the Window
08/2022 | 1433 | 164
Pages: 809-811
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Reframed: The Woman in the Window Dulwich Picture Gallery, London 4th May–4th September | :
Illustrations
Attributed works:
23. Girl at a window, by Rembrandt van Rijn. 1645. Oil on canvas, 81.8 by 66.2 cm. (Dulwich Picture Gallery, London).
Attributed works:
24. My blue sky, by Louise Bourgeois. 1989– 2003. Gouache, watercolour, ink, pencil, coloured pencil and paper, mounted in a wood and glass window frame, 70.5 by 58.4 by 15.9 cm. (Private collection; exh. Dulwich Picture Gallery, London).
Attributed works:
25. Girl in a window, by Peter Blake. 1962. Mixed media, 112.4 by 124 by 34 cm. (Leeds Museums and Galleries; exh. Dulwich Picture Gallery, London). 26. Seated figure, by Alexander Archipenko. 1917. Painted wood, 26.7 by 16.3 by 10.6 cm. (Private collection; exh. Estorick Collection of Modern Italian Art, London).
Exhibition Review
In Sparkling Company: Reflections on Glass in the 18th-Century British World
12/2020 | 1413 | 162
Pages: 1084-1087
related names
Reviewer:
Cooke, Edward S. (Cooke, Edward S.)
Subjects
Reviewed Items
subjects:
In Sparkling Company: Reflections on Glass in the 18th-Century British World Edited by Christopher L. Maxwell. 304 pp. incl. 227 col. + b. & w. ills. (Corning Museum of Glass, 2020), £50. ISBN 978–0–87290–223–7. | :
Illustrations
Attributed works:
1. Designs for the walls of the drawing room at Northumberland House, London, by Robert Adam. 1770–73. Pen, pencil and coloured washes on laid paper, 52 by 101.6 cm. and 51.5 by 65.2 cm. (Sir John Soane’s Museum, London, SM Adam volume 39/5; exh. Corning Museum of Glass).
Attributed works:
2. Mirror in gilded wood frame, by William Mathie (carver), based on a design by Thomas Chippendale. c.1760, probably London (glass), and Scotland (frame). Mercury-tin amalgam mirror; carved, assembled and gilded wood. 174 by 105.5 by 12.5 cm. (Corning Museum of Glass).
Attributed works:
3. Group portrait, probably the Raikes family, by Gawen Hamilton. 1730–32. Oil on canvas, 66 by 91.8 cm. (Yale Center for British Art, Paul Mellon Centre; Bridgeman Images).
Book Review
The Great East Window of York Minster: An English Masterpiece. By Sarah Brown
03/2019 | 1392 | 161
Pages: 253-254
related names
Reviewer:
Mitchell, Oliver (Mitchell, Oliver)
Subjects
media:
Reviewed Items
subjects:
The Great East Window of York Minster: An English Masterpiece by Sarah Brown | :
Article
The medieval glazing of Westminster Abbey: new discoveries
01/2019 | 1390 | 161
Pages: 9-17
related names
Author:
Marks, Richard (Marks, Richard)
Subjects
places:
Illustrations
Attributed works:
1. Sorting the stained glass fragments in The Cathedral Studios, Canterbury. (© The Dean and Chapter of Westminster).
Attributed works:
2. The fragments displayed in The Queen’s Diamond Jubilee Galleries, Westminster Abbey. (© The Dean and Chapter of Westminster).
Western art unattributed:
10. Fragment of initial ‘I’. c.1246–90. Yellow stained glass, 9 by 5.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
11. Fragment of initial ‘I’. c.1246–90. Grisaille glass, 8.5 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
12. Fragment of grisaille glass, c.1246–90. Stained glass, 5.2 by 9.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
13. Fragment of grisaille glass. c.1246–90. Stained glass, 5.5 by 9.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
14. Example of borderwork, leaf. c.1260–90. Stained glass, 10 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
15. Example of borderwork, leaf. c.1260–90. Stained glass, 8.5 by 4.8 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
16. Quarry with rosette design. c.1246–90. Stained glass, 11.2 by 6.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
17. Panel of grisaille glass. c.1246–90. Stained glass, 734 by 610 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
18. Fragment of background decoration. c.1330–50. Stained glass, 9.3 by 7 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
19. Fragment of garment and neck. c.1330–50. Stained glass, 8 by 8.3 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
20. Head of a prophet from the west window of Canterbury Cathedral. c.1396–1411. Stained glass, approx. 2.2 by 16 cm. (© The Cathedral Studios, Canterbury Cathedral).
Western art unattributed:
21. Fragment of a male head. c.1400. Stained glass, 6.5 by 7.7 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
22. Head of the Virgin. c.1430–50. Stained glass, 9 by 11.2 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
23. Fragment from a Pentecost scene. Late fifteenth century. Stained glass, 5.8 by 9.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
24. Fragment of a scene depicting the Temptation of St Anthony of Egypt. Late fifteenth to early sixteenth century. Stained glass, 6 by 14.2 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
25. Fragments of a figure of an angel. Fifteenth century. Stained glass, 13.8 by 10.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
26. Angel. Fifteenth century. Stained glass, 48 by 23.6 cm. (St Mary the Virgin, Martham, Norfolk; © Chris Parkinson).
Western art unattributed:
27. Panel from a window depicting the Nine Orders of Angels. Fifteenth century. Stained glass, 80 by 56 cm. (All Saints, North Street, York; © York Glaziers Trust).
Western art unattributed:
3. Tonsured head. c.1246–90. Stained glass, 5.5 by 4.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
4. Fragment of garment. c.1246–90. Stained glass, 7.7 by 7.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. Fragment of garment. c.1246–90. Stained glass, 5.5 by 6 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Descent of the Holy Spirit. c.1246–90. Stained glass, 62.9 by 49.9 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
7. The head of a lion from a shield of the royal arms of England. c.1246–90. Stained glass, 9.8 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
8. Winged beast (with tail). c.1246–90. Stained glass, 8.8 by 11.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
9. Winged beast. c.1246–90. Stained glass, 9.3 by 8.3 cm. (© The Dean and Chapter of Westminster).
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Article
‘Such a noble face’: Vincent van Gogh, Daniel Cottier and the Northesk memorials
09/2011 | 1302 | 153
Pages: 568-571
related names
Author:
Donnelly, Max (Donnelly, Max)
Subjects
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Photograph of a design for a stained-glass window in memory of Georgina, Countess of Northesk, by Cottier & Company. c.1876. (Bath in Time – Bath Central Library).
Attributed works:
2. Photograph of a design for a stained-glass window in memory of Lady Margaret Carnegie, by Cottier & Company. c.1876. (Bath in Time – Bath Central Library).
Attributed works:
3. Stained-glass window in memory of Georgina, Countess of Northesk, by Cottier & Company. c.1876. Painted, stained and leaded glass, 171.5 by 44 cm. (St Andrew’s Church, Owslebury, Hampshire).
Attributed works:
4. Stained-glass window in memory of Lady Margaret Carnegie, by Cottier & Company. c.1876. Painted, stained and leaded glass, 175.3 by 44 cm. (St Andrew’s Church, Owslebury, Hampshire).
Attributed works:
5. Photograph of William Hopetoun Carnegie, 8th Earl of Northesk, by Lorenzo Suscipj. Rome, 1860s. (Bath in Time – Bath Central Library).
Attributed works:
6. Carte de visite of Georgina Maria, Countess of Northesk, by Enrico Verzaschi. Rome, c.1871–72. (Private collection).
Attributed works:
7. Photograph of Lady Margaret Mary Adeliza Carnegie, by Lorenzo Suscipj. Rome, c.1868–71. (Bath in Time – Bath Central Library).
Attributed works:
8. Photograph of Lady Margaret Mary Adeliza Carnegie, by Franz Largajoli. Meran, 1871. (Bath in Time – Bath Central Library).
Attributed works:
9. Photograph of the interior of Longwood House, Owslebury, Hampshire, by William Savage. c.1869. (Winchester City Council Museums Service).
Article
A new drawing and a new date for Michelangelo’s ‘finestre inginocchiate’ at Palazzo Medici, Florence
03/2011 | 1296 | 153
Pages: 156-162
related names
Author:
Zanchettin, Vitale (Zanchettin, Vitale)
Subjects
artists:
dates:
museums and institutions:
print:
Illustrations
Attributed works:
15. Sketch plan of a window and a list of masons working on the New Sacristy, Florence, by Michelangelo Buonarroti. 1524. Ink over red chalk on paper, 24 by 12.5 cm. (Courtesy of Casa Buonarroti, Florence).
Attributed works:
16. Drawing of a moulding profile, by Michelangelo Buonarroti. 1521–24? Red chalk, verso of Fig.15.
Attributed works:
17. Sketch plans for window and door jambs, by Michelangelo Buonarroti. A: Detail of Fig.15. B: Detail of a plan for a house, perhaps Casa Buonarroti. c.1518–19? Red chalk and ink on paper, 14.9 by 18.9 cm. (Courtesy of Casa Buonarroti, Florence, fol.33A). C: Detail of a plan for Casa Buonarroti. After 1518. Red chalk and ink on paper, 18.5 by 20.7 cm. (Archivio di Casa Buonarroti, Florence, registro II, fol.722v). D: Detail of the plan for the Greek library in the Biblioteca Laurenziana, Florence. 1525–26. Pen and ink on paper, 22.1 by 27.8 cm. (Courtesy of Casa Buonarroti, Florence, fol.80A).
Attributed works:
21. ‘Finestra inginocchiata’ on the façade of Palazzo Medici, Florence
Attributed works:
23. View of the Porta Aurea, Split. After 305 AD. Engraved by Paolo Santini. From R. Adam: Ruins of the Palace of the Emperor Diocletian at Spalato in Dalmatia, London 1764, pl.12.
Attributed works:
25. Detail of a ground-floor window on the left side of the façade of Palazzo Medici–Lante, Rome, designed by Giuliano da Sangallo. 1514. (Photograph: V. Zanchettin).
Attributed works:
26. A ground-floor window at Palazzo Farnese, Rome, designed by Antonio da Sangallo the Younger. 1516–18. (Photograph: Bibliotheca Hertziana).
Attributed works:
27. Internal blind window of the Biblioteca Laurenziana, Florence, designed by Michelangelo Buonarroti. 1524–25. (Photograph: V. Zanchettin).
Attributed works:
28. Interior courtyard of Palazzo Stati Maccarani, Rome, designed by Giulio Romano. 1522. (Photograph: Bibliotheca Hertziana).
Attributed works:
29. Detail of the second-floor windows of Palazzo Farnese, Rome, designed by Antonio da Sangallo the Younger. 1545. (Photograph: Bibliotheca Hertziana).
Attributed works:
30. Sketch for corbels supporting a window frame, by Baldassarre Peruzzi. Pen and ink on paper, 28.6 by 43 cm. (Courtesy of Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence, fol.460Av).
Attributed works:
31. Elevation and section of a window at Palazzo Medici, Florence, by Michelangelo Buonarroti. 1522–24? Pen and ink on paper, 27.1 by 18.7 cm. (Corpus, no.495r; courtesy of Casa Buonarroti, Florence).
Attributed works:
32. Fragment of a plan for the trabeation of the drum of St Peter’s, Rome, by Michelangelo Buonarroti, with a note on the transport of stone. 1563–65. Red chalk and ink on paper, 12.5 by 22 cm. (Kind permission of the Fabbrica di S. Pietro, Vatican City).
Western art unattributed:
18. Reconstruction of Fig.15, showing a ‘finestra inginocchiata’. (Drawing by Simone Baldissini).
Western art unattributed:
19. Isonometric section of the ‘finestra inginocchiata’, Palazzo Medici, Florence. (Drawing by Simone Baldissini).
Western art unattributed:
20. Details of stone profiles on the lower section of Fig.21. (Photograph: V. Zanchettin).
Western art unattributed:
22. Detail of the tomb of Giuliano de’ Medici in the New Sacristy, S. Lorenzo, Florence. (Photograph: William Wallace).
Western art unattributed:
24. Remains of a columnar aedicule on brackets. Temple of Venus and Rome, Rome. (Photograph: V. Zanchettin).
Book Review
Victorian Glassworlds: Glass Culture and the Imagination, 1830–1880
01/2010 | 1282 | 152
Pages: 47
related names
Reviewer:
Solicari, Sonia (Solicari, Sonia)
Subjects
dates:
print:
Reviewed Items
subjects:
Victorian Glassworlds: Glass Culture and the Imagination, 1830–1880 | author: Armstrong, Isobel
Article
‘A magnificent addition to our collections’: the Trie-Château window at the Victoria and Albert Museum
11/2009 | 1280 | 151
Pages: 740-745
related names
Author:
Williamson, Paul (Williamson, Paul)
Subjects
dates:
Illustrations
Western art unattributed:
1. Triple window from Trie-Château, Oise. Probably c.1160–70. Limestone, 277.7 by 635.5 cm. (Victoria and Albert Museum, London; photograph taken before recent installation).
Western art unattributed:
2. Triple window, rue Chantault, Chartres. Probably c.1160–70.
Western art unattributed:
3. Lunette from the ‘Maison de la Chrétienté’, Reims. c.1160–70. Limestone, 91.5 by 157.5 cm. (Musée Saint-Rémi, Reims).
Western art unattributed:
4. Detail of the Trie-Château window (left).
Western art unattributed:
5. Detail of the Trie-Château window (centre).
Western art unattributed:
6. Detail of the Trie-Château window (right).
Western art unattributed:
7. Capital showing Dives and devils from the west side of the south portal of the abbey church of Saint-Sever-de-­Rustan. Probably c.1125–50.
Western art unattributed:
8. Capital showing a mermaid or merman from the east side of the south portal of the abbey church of Saint-Sever-de-­Rustan. Probably c.1125–50.
Book Review
'Illuminando Colorat', la Vetrata tra l'età tardo imperiale e l'alto medioevo: le fonti, l'archeologia.
06/2004 | 1215 | 146
Pages: 405-406
related names
Reviewer:
Borsook, Eve (Borsook, Eve; Borsook, Miss)
Subjects
print:
Reviewed Items
subjects:
'Illuminando Colorat', la Vetrata tra l'età tardo imperiale e l'alto medioevo: le fonti, l'archeologia. | author: Dell'Acqua, Francesca
load more