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406 articles
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
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Advertisements (front)
11/2024 | 1460 | 166
Pages: ixx
Subjects
artists:
Illustrations
Attributed works:
An Italian pietre dure panel, representing the Harbour of Livorno, by the Grand Ducal workshops, Florence, after a design by Giuseppe Zocchi, Circa 1765-1770 (detail). [Sotheby's]
Attributed works:
And politically, by Monica Bonvicini (b.1965). 2020. Spray paint on paper mounted on aluminium, 153 by 103 cm. GALERIE KRINZINGER, VIENNA [Artissima]
Attributed works:
BERNARDO ZENALE (c. 1464–1526) Saint John the Baptist, standing full-length in a landscape, c. 1508–10 Recently acquired by the Castello Sforzesco, Milan [Robilant and Voena]
Attributed works:
Black beauty, by Koto Bolofo (b.1959). 2006. Photograph, 65 by 100 cm. IN CAMERA, PARIS [Paris Photo]
Attributed works:
Bust portrait of Elisabeth Alexandrovna Demidoff , née Countess Stroganoff (1779–1818), by Bertel Thorvaldsen (1770–1844). Probably sculpted in Rome, c.1810–12. White Carrara marble on black marble pedestal, 57 cm. with base. TREBOSC & VAN LELYVELD, PARIS [La Biennale]
Attributed works:
Dont I know you from somewhere, by Simnikiwe Buhlungu (b.1995). 2023. Handprinted silkscreen on doublesided satin, and stainless steel pole, 150 by 238 by 3 cm. ELLEN DE BRUIJNE PROJECTS, AMSTERDAM [Artissima]
Attributed works:
Europa sits on the back of the bull, by Andrea Appiani (1754–1817). 1784–86. Tempera on canvas, 190 by 135 cm. LAOCOON GALLERY, LONDON, AND W. APOLLONI, ROME [Amart]
Attributed works:
FRANCIS HARWOOD (c. 1726/1727-1783) Oliver Cromwell marble bust, signed and dated ‘F. Harwood Fecit 1759’ 24.3/4 in. (63 cm.) high, the bust Provenance: Sir Wyndham Knatchbull-Wyndham, 6th Baronet (1737-1763), Mersham-le-Hatch, Kent. [Christie's, Paris]
Attributed works:
French ‘lira oscillante’ model clock, by Mathieu le Jeune. Gilded bronze case with white marble base, 63 by 32 by 16 cm. TOP TIME MUSA, MILAN [Amart]
Attributed works:
Genealogical tree of the Ottoman dynasty with twenty-nine sultan portraits, attributed to Zenop Manas (active 19th century). Probably Vienna, reign of Sultan Mustafa IV, 1807–08. Oil on canvas, 99 by 68.5 cm. KENT ANTIQUES, LONDON [La Biennale]
Attributed works:
GIOVANNI BELLANDI (active 1608 – Milan – 1626) Allegory of Charity Terracotta. Height: 31.7 cm; Width: 37.7 cm; Depth: 4 cm [Ratton and Ladrière/La Biennale]
Attributed works:
Jacques-Edme Dumont (1761–1824) Love Showing Venus a Bee Sting Terracotta: h. 17 cm [Patricia Wengraf Ltd.]
Attributed works:
Lacquer secretary, by Adam Weisweiler (1746–1820). c.1790–95. Thuja wood, ebony, Japanese lacquer and chased-and-gilt bronze and griotte marble top, 126.5 by 70 by 34.5 cm. GALERIE LÉAGE, PARIS [La Biennale]
Attributed works:
LUIS DE MORALES Badajoz (1520–1586) PIETÀ Oil on panel, unframed: 31¾ x 22½ in. (80.8 x 57.2 cm.) Property from a Spanish Private Collection [Galeria Bernat]
Attributed works:
L’Origine des espèces, by Man Ray (1890–1976). 1935. Vintage gelatine silver print mounted on paper, 17.5 by 21.2 cm. SOPHIE SCHEIDECKER, PARIS [Paris Photo]
Attributed works:
m², by Andrea Francolino (b.1979). 2024. Earth dust and cement dust on paper on board, 115 by 115 cm. MAZZOLENI, TURIN AND LONDON [Artissima]
Attributed works:
Paysage acrobatique #5, by Claire Trotignon (b.1985). 2024. Vintage print collage and gouache on paper, 40 by 50 cm. GALERIE 8+4, PARIS [La Biennale]
Attributed works:
Penitent St Jerome, by Fiorenzo di Lorenzo (1440– c.1522). c.1490. Polychromed wood, 90 by 65 by 60 cm. MEARINI FINE ART, PERUGIA [Amart]
Attributed works:
Pierre Legros ii (Paris, 1666–1719, Rome) Danaë and the Eagle; Leda and the Swan [Daniel Katz Gallery] A pair of bronze statuettes Rome, circa 1700 26.5 and 28.5 cm high
Attributed works:
Pink curtains II, by Kourtney Roy (b.1981). 2024. Photograph, 60 by 90 cm. LES FILLES DU CALVAIRE, PARIS [Paris Photo]
Attributed works:
Portrait of a Florentine noblewoman, by Alessandro Allori (1535–1607). 16th century. Oil on panel, 59 by 45.5 cm. TORNABUONI ARTE-ARTE ANTICA, FLORENCE [Amart]
Attributed works:
Portrait of Comte Lancelot Turpin de Crissé, by Josef Anton Kuriger or Couriguer (1750–1834). c.1785. Multicoloured wax on cardboard-wood, presented in its original frame and protective case, 30.5 by 24.5 cm. DIDIER AARON, PARIS AND NEW YORK [La Biennale]
Attributed works:
Preparatory sketch for the funerary monument of the painter André-Corneille Lens, by Gilles-Lambert Godecharle (1750–1835). 1822. Cream-coloured patinated terracotta, 44 by 23 by 10 cm. JACQUES LEEGENHOEK, PARIS [La Biennale]
Attributed works:
Rhinocerus, by Albrecht Dürer (1471–1528). 1515. Woodcut, 21.1 by 29.7 cm. H. H. RUMBLER, FRANKFURT [La Biennale]
Attributed works:
Sin placa, by Jhonatan Pulido (b.1988). 2022. Oil on canvas, 51 by 41 cm. ALMA PEARL, LONDON [Artissima]
Attributed works:
Study for caryatid #001, by Mari Katayama (b.1987). 2023. Photograph, 180 by 120 cm. SUZANNE TARASIEVE, PARIS [Paris Photo]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [Burlington Magazine]
Attributed works:
White Andronicos, by Carmen Dionyse (1921–2013). 2000. Stoneware, 65 by 36 by 22 cm. RICHARD SALTOUN, LONDON, ROME AND NEW YORK [Artissima]
Attributed works:
‘Mexique’ bookcase, by Charlotte Perriand (1903–99). 1952. Enamelled aluminium and wood, 160 by 181.6 by 32.3 cm. JOUSSE ENTREPRISE, PARIS [La Biennale]
Non-western art unattributed:
Huamanga stone lion. Peru, 17th century. Andean alabaster, 13 by 19 cm. DARIO GHIO, MONACO [Amart]
Western art unattributed:
Course de roller. Angleterre. Tirage argentique d’époque. 1930. Photograph, 15 by 21 cm. LUMIÈRE DES ROSES, MONTREUIL [Paris Photo]
Western art unattributed:
FRENCH, LIMOGES, CIRCA 1210 EUCHARISTIC DOVE Gilt and champlevé enamelled copper, set with glass and rock crystal cabochons 21.5 by 26 cm. [Erik Bizet]
Western art unattributed:
Hermes de Pio- Clementino. Italy, 17th century. Wood, 130 by 40 by 40 cm. DESMET FINE ART, BRUSSELS [La Biennale]
Western art unattributed:
Roman mosaic depicting a crane in a vegetal setting, probably discovered in El Djem, Tunisia, in 1913. 3rd–4th century CE. Coloured marble tesserae, 85 by 85 cm. GALERIE DAVID GHEZELBASH, PARIS [La Biennale]
Book Review
Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World
10/2024 | 1459 | 166
Pages: 1084–5
related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
artists:
Reviewed Items
subjects:
Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World By Ulinka Rublack. 448 pp. incl. 70 col. ills. (Oxford University Press, 2023), £30. ISBN 978–01–9887–310–5. | :
Book Review
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology
05/2023 | 1442 | 165
Pages: 568-569
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
places:
subjects:
Reviewed Items
subjects:
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology By Leopoldine van Hogendorp Prosperetti. 160 pp. incl. 68 col. ills. (Lund Humphries, London, 2022), £39.95. ISBN 978–1–84822–494–0. | :
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Advertisements (front)
03/2023 | 1440 | 165
Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
A capriccio with a gothic church and ancient ruins, by Marco Ricci (1676–1730). Gouache on vellum, 31.3 by 44.2 cm. [GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
A demilune commode (with royal Italian provenance), by Carlo Randoni (1755–1831). c.1820–21. Wood, gilt, lacquer and broccatello marble, 90 by 124 by 57 cm. [Burzio, London/Tefaf]
Attributed works:
A very important pair of late-Baroque Italian polychrome majolica two-light wall sconces, tin-glazed earthenware co-called 'a gran fuocco'. Faenza. Possibly decorated by Nicolas Letourneau or Nicola Raccagna.[ Burzio/Tefaf]
Attributed works:
Albrecht Dürer. Das Schweißtuch von zwei Engeln gehalten. Around 1513. Copper engraving.[Venator & Hanstein]
Attributed works:
Alessandro Rondoni Busts of six Roman emperors [Brun Fine Art/Tefaf]
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682) Portrait of Archbishop Ambrosio Spinola Circa 1670/75 Oil on canvas, 90.2 x 65.4 cm. [Caylus]
Attributed works:
Composition with portrait, fish and moonlight, by Louis Marcoussis (1878– 1941). c.1926. Gouache and pencil on paper, 20 by 14.3 cm. GALERIE BERÈS, PARIS [Salon du Dessin]
Attributed works:
Curly blue tail, by Alexander Calder (1898–1976). 1967. Painted metal and wire, 51.4 by 97.2 by 48.3 cm. [Galerie von Vertes, Zurich/Tefaf]
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm.[Regts Delft Tiles]
Attributed works:
Ecce Homo, by Sebastiano del Piombo (c.1485– 1547) and studio. 1520s. Oil on poplar, 34.7 by 26 cm. [Caylus, Madrid/Tefaf]
Attributed works:
Fabulous animal: Fabel- Tier, by Marc Chagall (1887–1927). c.1926–27. Watercolour, gouache and pastel on paper glued to card, 66 by 51.5 cm. [BAILLY GALLERY, GENEVA/Salon du Dessin]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena]
Attributed works:
Head of a man looking upwards, by Giovanni Bonazza (1654–1736). Late 17th century. Carrara marble, 54.5 by 45 cm. [Alessandro Cesati, Milan/Tefaf]
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu. [Tefaf New York]
Attributed works:
Jacopo Robusti, called Tintoretto Portrait of a Scholar (detail) Oil on canvas, 112 x 90 cm [Trinity Fine Art/Tefaf]
Attributed works:
Jan Davidsz de HEEM (Leide, 1631 - 1695, Anvers) Peaches, grapes and a partly-peeled lemon in a Wanli “kraak” porselein bowl, with a ham on a pewter platter, a silver-gilt cup and cover, a pewter flagon, and a roemer with a knife on a plate, on a partly-draped table Oil on panel. Signed and dated lower left J.D. de Heem.f. 26 3/16 x 39 3/4 in. [Aguttes]
Attributed works:
Jupiter and Callisto, by Jacob de Wit (1695–1754). 1733. Black chalk, pen and ink, wash, watercolour and gouache with white highlights on paper, 44.5 by 30.8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Attributed works:
LELIO ORSI (1508?–Novellara–1587) Portrait of Camilla Ruggeri Pen and brown ink, 17.3 x 11.8 cm. [Ratton and Ladriere]
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 41, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Parrot and exotic birds on a branch, by Gustave Doré (1832–83). c.1856. Watercolour and black pencil on paper, 45 by 30 cm. [GALERIE FABIENNE FIACRE, PARIS/Salon du Dessin]
Attributed works:
PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Study of a kneeling man seen in profile black chalk, heightened with white, on buff paper 40.6 x 29.1 cm €250,000-350,000 £230,000-310,000 [Christie's]
Attributed works:
Philoctetes on the island of Lemnos, by Gerard van Kuijl (1604–73). Oil on canvas, 137.7 by 110.8 cm. Haboldt & Co., New York, Amsterdam and Paris/Tefaf]
Attributed works:
Plants and insects (III), by Pablo Picasso (1881–1973). 1956. Ink on paper, 66 by 50 cm. WADDINGTON CUSTOT, LONDON/Salon du Dessin]
Attributed works:
POPE PAUL V BORGHESE ENTHRONED PAOLO SANQUIRICO (1565–1630) Bronze, deep reddish-black patina Bronze, 38.5 (15¹⁄4 in.) high Datable to c. 1616–1619 [Tomasso]
Attributed works:
Prince Hoare, Portrait of Sir Horace Mann (detail). Terracotta, height 51.5 cm [Walter Padovani/Tefaf].
Attributed works:
The feast in the house of Simon with Mary Magdalene, by Luca Giordano (1634–1705). Pen and brown ink and wash over black chalk, 43.1 by 43.1 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink and wash on paper, 22.5 by 19.3 cm. GRÄSSLE, HÄRB & NUTI, MUNICH AND LONDON/Salon du Dessin]
Attributed works:
The narrow path, by Maurice Denis (1870– 1943). c.1889–90. Watercolour on paper, 23 by 17 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
The popular improviser in the Campo Vaccino, by Bartolomeo Pinelli (1781–1835). 1820. Oil on canvas, 97 by 137 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
The triumph of Neptune and Amphitrite, by Frans Francken the Younger (1581–1642). Oil on panel, 53.6 by 75.2 cm. [Galerie De Jonckheere, Geneva/Tefaf]
Attributed works:
Titian (1488–1576) and workshop The Tribute Money Oil on canvas, 108.3 x 103.5 cm Expertise: Mauro Lucco and Peter Humfrey Published: Titian Themes and Variations edited by Peter Humfrey [New Raritet Gallery]
Attributed works:
Tritons and Nereids, by Amico Aspertini (1473/75–1552). 1520. Brush and brown ink heightened with white on prepared paper, 28 by 43.5 cm. [Day & Faber, London/Tefaf]
Attributed works:
Two affectionate doves, by Giacomo Raffaelli (1753–1836). Micro mosaic with a gold border, 3.5 by 1.8 cm. [Alessandra Di Castro, Rome/Tefaf]
Attributed works:
Two lovers, by Parmigianino (1503–40). Pen and brown ink on paper, 13.1 by 15.2 cm. [JEAN-LUC BARONI AND MARTY DE CAMBIAIRE, PARIS/Salon du Dessin]
Attributed works:
Untitled (bricolage), by Jean Tinguely (1925–91). c.1975. Metal and rubber with an electric sander, 75 by 49 by 49 cm. [Galerie Georges- Philippe & Nathalie Vallois, Paris/Tefaf]
Attributed works:
Untitled, by Wassily Kandinsky (1866–1944). 1941. Ink, watercolour and gouache, 47.5 by 31 cm. [Galerie Utermann, Dortmund/Tefaf]
Attributed works:
Whale hunting from the Royal Grotesques series, by the Brussels workshop of Cornelis and Jan Mattens. Design attributed to Giulio Romano. Late 16th century. Wool and silk, 415 by 550 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Young girl sitting, by Carl Olof Larsson (1853–1919). Watercolour over pencil with gouache on paper, 35.5 by 25.4 cm. [GALERIE GRAND-RUE MARIE-LAURE RONDEAU, GENEVA/Salon du Dessin]
Non-western art unattributed:
Camel and rider. China, Tang dynasty (618–906 AD). Terracotta with polychrome, 98.5 by 33 by 75 cm. [Vanderven Oriental Art, ’s-Hertogenbosch/Tefaf]
Non-western art unattributed:
CASKET Ceylon, probably Kandy;  2nd-half 16th century Ivory and silver Dim.:  8.0  ×   19.0  ×   11.0  cm Prov: descendants of Afonso de Albuquerque (1453–1515  ),  2nd Viceroy of Portuguese India. [Sao Roque/Tefaf]
Non-western art unattributed:
Female reliquary figure. Fang peoples, Okak group, Equatorial Guinea or Rio Muni / Northern Gabon, 1718–1886. Wood, nails and copper alloy, height 38.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Iznik jug. Ottoman, Turkey, late 16th century. Ceramic, 19 by 15 cm. [Amir Mohtashemi, London/Tefaf]
Non-western art unattributed:
NAMBAN TABLE Japan, Momoyama (   1573  –  1603   ) Dim.:  36. 2 ×   56.5  ×  43.5  cm Former T. P. collection, Lisbon. Exhibited at Smithsonian M., Washington; McMullen M., Boston; Orient M., Lisbon, 2010. [Sao Roque/Tefaf]    
Western art unattributed:
Attic black-figure amphora depicting the fourth labour of Hercules and two female fi gures in a chariot with winged horses (verso). Athens, 530–29 BC. Ceramic, height 45 cm. [David Aaron, London/Tefaf]
Exhibition Review
Dürer: The Making of a Renaissance Master
09/2022 | 1434 | 164
Pages: 906-909
related names
Reviewer:
Viehweger, Lea (Viehweger, Lea)
Subjects
artists:
dates:
Reviewed Items
subjects:
Dürer: The Making of a Renaissance Master Barber Institute of Fine Arts, Birmingham 17th June–25th September | :
Illustrations
Attributed works:
4. Pupila Augusta, by Albrecht Dürer. c.1498. Pen and ink on paper, 25.4 by 19.4 cm. (Royal Collection Trust © Her Majesty Queen Elizabeth II 2022; exh. Barber Institute of Fine Arts, Birmingham).
Attributed works:
5. Great triumphal cart of Emperor Maximilian, by Albrecht Dürer. 1523. Woodcut from eight blocks, 47.9 by 230 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2022; exh. Barber Institute of Fine Arts, Birmingham).
Attributed works:
6. A woman abducted by a man on a unicorn, by Albrecht Dürer. 1516. Etching, 30.7 by 20.1 cm. (Royal Collection Trust © Her Majesty Queen Elizabeth II 2022; exh. Barber Institute of Fine Arts, Birmingham).
Exhibition Review
Albrecht Dürer: Print and Renaissance
09/2022 | 1434 | 164
Pages: 904-906
related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Albrecht Dürer: Print and Renaissance Musée Condé, Chantilly 4th June–2nd October | :
Illustrations
Attributed works:
1. Installation view of Albrecht Dürer: Print and Renaissance at Musée Condé, Chantilly, 2022. (Photograph Armin Kunz).
Attributed works:
2. Head of a bearded old man, by Albrecht Dürer. c.1505(?). Pen and brown ink, 18.7 by 13.1 cm. (Fondation Custodia, Paris; exh. Musée Condé, Chantilly).
Attributed works:
3. St Jerome by the pollard willow, by Albrecht Dürer. 1512. Drypoint, 20.9 by 17.6 cm. (Bibliothèque nationale de France, Paris; exh. Musée Condé, Chantilly).
Exhibition Review
Hans Hoffmann: A European Artist of the Renaissance
08/2022 | 1433 | 164
Pages: 794-798
related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
dates:
Reviewed Items
subjects:
Hans Hoffmann: A European Artist of the Renaissance Germanisches Nationalmuseum, Nuremberg 12th May–21st August | :
Illustrations
Attributed works:
10. Willibald Imhoff, by Hans Hoffmann. c.1580. Graphite, black brush with white highlights on blue paper, 32.4 by 25.1 cm. (Museum of Fine Arts, Budapest; exh. Germanisches Nationalmuseum, Nuremberg).
Attributed works:
8. Resting hare, seen from the front, by Hans Hoffmann. 1580–85. Brush, watercolour and opaque paint with white highlights on vellum, 32.5 by 25.6 cm. (Kupferstichkabinett, Berlin; exh. Germanisches Nationalmuseum, Nuremberg).
Attributed works:
9. Christ among the doctors, by Hans Hoffmann. c.1580–85. Black brush, watercolour and black chalk on paper, 24 by 31.4 cm. (Museum of Fine Arts, Budapest; exh. Germanisches Nationalmuseum, Nuremberg).
Article
Prince Eugene of Savoy’s Rembrandt drawings: a newly discovered provenance
05/2022 | 1430 | 164
Pages: 450-461
related names
Author:
Friedenthal, Antoinette (Friedenthal, Antoinette)
Subjects
Illustrations
Attributed works:
1. Young woman at her toilet, by Rembrandt. Pen and brown ink with brown and grey wash on paper, 23.4 by 18 cm. (Albertina, Vienna).
Attributed works:
10. Lot and his family leaving Sodom guided by an angel, attributed to Rembrandt or his school. Pen and brown ink with brown wash on paper, 22.6 by 23.5 cm. (Albertina, Vienna).
Attributed works:
11. Prince Eugene of Savoy in the gallery of the art dealer Jan Pietersz Zomer, by Pieter van den Berge. 1709–10. Pen and ink and watercolour on paper, 23.6 by 40.8 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
12. Seated woman with a child eating on her lap, by Rembrandt. c.1635. Black chalk on paper, 16.5 by 13.1 cm. (Albertina, Vienna).
Attributed works:
2. Christ among the doctors, by Adam Bartsch after Rembrandt. 1782. Etching, 22.2 by 27.3 cm. (plate). (Albertina, Vienna).
Attributed works:
3. Studies, by Adam Bartsch after Rembrandt. 1783. Etching, 29.2 by 32.3 cm. (plate). (Albertina, Vienna).
Attributed works:
4. Cottages before a stormy sky in sunlight, by Rembrandt. Pen and brown ink with brown and grey wash, heightened with white, on paper, 18.2 by 24.5 cm. (Albertina, Vienna).
Attributed works:
5. Landscape with a drawbridge and a cottage at the right, by Johann Daniel Laurentz after Rembrandt. 1756. Etching, 16.2 by 28.9 cm. (Kupferstichkabinett, Berlin).
Attributed works:
6. An elephant, by Rembrandt. 1637. Black chalk on paper, 23.3 by 35.4 cm. (Albertina, Vienna).
Attributed works:
7. The city hall in Amsterdam during its demolition, by Rembrandt. c.1647. Black chalk on paper, 11.3 by 16.1 cm. (Albertina, Vienna).
Attributed works:
8. View over Het IJ with sailing boats at anchor, by Rembrandt. Black chalk on paper, 10.4 by 18 cm. (Albertina, Vienna).
Attributed works:
9. Het Molentje, seen from the Amsteldijk, by Rembrandt. Pen and brown ink with brown wash heightened with white on paper, 9.6 by 21.3 cm. (Albertina, Vienna).
Article
Aby Warburg and the Volksheim exhibitions of 1902 and 1905
04/2022 | 1429 | 164
Pages: 362-373
related names
Author:
Marchand, Eckart (Marchand, Eckart)
Subjects
art literature:
artists:
dates:
Illustrations
Attributed works:
1. Aby Warburg in Florence, c.1902. Unknown photographer. (Photograph The Warburg Institute).
Attributed works:
10. Panel 5 of the Geburtstagsparade, Kulturwissenschaftliche Bibliothek Warburg, Hamburg. Unknown photographer. June 1927. (© The Warburg Institute).
Attributed works:
11. Plate 1 of Der Tod des Orpheus. Bilder zu dem Vortrag über Dürer und die Italienische Antike [. . .], by Aby Warburg. Unknown photographer. October 1905. (Photograph The Warburg Institute)
Attributed works:
2. Sketch of a display panel for an exhibition of portraits at the Volksheim, Hamburg, by Aby Warburg. 1902. Pen and ink on paper, 33.8 by 21.5 cm. (Warburg Institute Archive, London, III.60.4, fol.19; © The Warburg Institute).
Attributed works:
3. Sketch of a display panel and a list of proposed sections for an exhibition of portraits at the Volksheim, Hamburg, by Aby Warburg. 1902. Pen and ink on paper, 32.6 by 21 cm. (Warburg Institute Archive, London, III.60.4, fol.9v; © The Warburg Institute).
Attributed works:
4. Detail of a sheet of preparatory notes for an exhibition of portraits at the Volksheim, Hamburg, by Aby Warburg. 1902. Pen and ink on paper, 33.8 by 21.5 cm. (Warburg Institute Archive, London, III.60.4, fol.2r; © The Warburg Institute).
Attributed works:
5. The Reading Room of the Kulturwissenschaftliche Bibliothek Warburg, Hamburg, with an exhibition on Ovid. Unknown photographer. 1927. (Photograph The Warburg Institute).
Attributed works:
6. An unnumbered panel of the so-called Penultimate Version of the Mnemosyne Picture Atlas, showing the complete panel with stand, by Aby Warburg. September 1929. (Warburg Institute Archive, London, III. 106.4, B; © The Warburg Institute).
Attributed works:
7. Panel 4 of Geburtstagsparade at the Kulturwissenschaftliche Bibliothek Warburg, Hamburg, by Aby Warburg. Unknown photographer. June 1927. (© The Warburg Institute).
Attributed works:
8. Three panels of the Ovid exhibition at the Kulturwissenschaftliche Bibliothek Warburg, Hamburg, by Aby Warburg. Unknown photographer. January–February 1927. (Photograph The Warburg Institute).
Attributed works:
9. The Bibliothekarstag exhibition at the Kulturwissenschaftliche Bibliothek Warburg, Hamburg. Unknown photographer. April 1927. (Photograph The Warburg Institute).
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