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3 articles
Article
Charles Biederman and the English Constructionists 2: An Exchange of Theories about Abstract Art during the 1950s
02/1984 | 971 | 126
Pages: 67-77
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
10. The Pavilion Designed by Hill and Ernest at the Exhibition This Is To-morrow, Whitechapel Art Gallery, London, 1956.
Attributed works:
11. Relief Construction, by John Ernest. 1955. Wood and Plastic, 19 by 30.5 by 3.7 cm. (Collection the Artist).
Attributed works:
12. Relief Construction, by John Ernest. c. 1956. Plastic and Hardboard, 43.1 by 31.6 by 5.7 cm. (Private Collection).
Attributed works:
2. Painting: Orange and Green, by Kenneth Martin. 1950-51. 50.7 by 41 cm. (Tate Gallery).
Attributed works:
3. Grey Relief, by Mary Martin. 1952. Balsa Wood on Board, 61 by 61 by 10.1 cm. (Collection Kenneth Martin).
Attributed works:
4. Expanding Form, by Mary Martin. Hardboard, Plastic, Stainless-steel and Asbestos, 54.6 by 54.6 by 4.5 cm. (Private Collection).
Attributed works:
5. Progression of Rectangles, by Anthony Hill. 1954. Plastic and Blockboard with Metal Distancing Pegs, 91.4 by 91.4 by 7.6 cm. (Private Collection).
Attributed works:
6. Relief Construction, by Anthony Hill. June 1956. Copper, Plastic and Aluminium, 26 by 26 by 7 cm. (Collection the Artist).
Attributed works:
7. Relief Construction, by Anthony Hill. c.1956. Plastic, 30.5 by 4.5 cm. (Collection the Artist).
Attributed works:
8. Anthony Hill's Studio in Greek Street, Soho, Early 1956. Photograph by Adrian Flowers.
Attributed works:
9. Light Screen, by Adrian Heath. Plastic with Metal Distancing Pegs, 55.2 by 55.2 by 7.6 cm. (Private Collection).
Article
Charles Biederman and the English Constructionists I: Biederman and Victor Pasmore
09/1982 | 954 | 124
Pages: 540-549+551
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
11. Relief No. 23. Red Wing, by Charles Biederman. 1949. Wood and Aluminium Planes, 95.2 by 65.4 by 22.9 cm. (Collection John P. and Eugenie Anderson).
Attributed works:
12. Structurist Relief, Red Wing No. 20, by Charles Biederman. 1954-65. Painted Aluminium, 104.5 by 91 by 15 cm. (Tate Gallery, London).
Attributed works:
13. Transparent Relief Construction, By Victor Pasmore. 1954-55. Painted Wood and Glass, 50.8 by 55.9 by 9.5 cm. (Collection Adrian Flowers).
Attributed works:
2. Spiral Motif in Green, Violet, Blue and Gold: The Coast of the Inland Sea, by Victor Pasmore. 1950. 81 by 100 cm. (Tate Gallery, London).
Attributed works:
3. Diagram by Charles Biederman. (Reproduced from Biederman's Letters on the New Art [1951], p.34).
Attributed works:
4. Relief Construction in Black, White, Brown and Silver, by Victor Pasmore. 1952. Wood, Plastic and Aluminium, 91.5 by 120.5 by 15.3 cm.; Now Dismantled. (Reproduced from Art News, 11, June-August [1953], p.70).
Attributed works:
5. Relief in the Model Stage 1951, by Charles Biederman. (Reproduced from Biederman's Letters on the New Art [1951]).
Attributed works:
6. White Relief, by Victor Pasmore. 1951. Painted Wood, 102.9 by 46.4 cm. (Collection Mrs Victor Pasmore).
Attributed works:
7. Projective Relief in Black and White, by Victor Pasmore. 1954-55. Painted Wood, 104.2 by 45.7 cm. (Collection Mrs Victor Pasmore).
Attributed works:
8. Rectangular Motif: Black, White and Biscuit No. 1, by Victor Pasmore. 1953. Perspex, 50.8 by 40.7 cm. (Present Whereabouts Unknown).
Attributed works:
9. Abstract in White, Black and Maroon, by Victor Pasmore. 1954. Painted Wood, 61 by 73.7 cm. (Collection Richard S. Zeisler, New York).
Western art unattributed:
10. Victor Pasmore at Work on a Constructed Relief, Summer 1954. (Reproduced in Art News, LV, No. 4 [1956], p.34).
Exhibition Review
Current and Forthcoming Exhibitions: London
11/1969 | 800 | 111
Pages: 696-697+699
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
78. The Jetty at Le Havre, by Claude Monet. Signed. 1868. Canvas, 147.5 by 226 cm. (Exh. Marlborough Fine Art Ltd., London.) 80. The Crystal Palace, by Jacques-Emile Blanche. Signed. c. 1924. Canvas, 45.8 by 55 cm. (Exh. Leicester Galleries, London.) 81. Reception on Board the Yacht 'Vanderbilt'. by Jacques-Emile Blanche. Signed and Dated 1913. Canvas, 61.2 by 100.5 cm. (Exh. Leicester Galleries, London.)