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40 articles
Book Review
Art and Masculinity in Post-War Britain: Reconstructing Home
08/2021 | 1421 | 163
Pages: 772-773
related names
Reviewer:
Ram, Rosie (Ram, Rosie)
Subjects
Reviewed Items
subjects:
Art and Masculinity in Post-War Britain: Reconstructing Home By Gregory Salter. 224 pp. incl. 29 b. & w. ills. (Routledge, Abingdon-on-Thames, 2019), £90. ISBN 978–1–350–05272–7. | :
Illustrations
Attributed works:
7. Man in Blue IV, by Francis Bacon. 1954. Oil on canvas, 198 by 137 cm. (Museum Moderner Kunst Stiftung Ludwig, Vienna; © Estate of Francis Bacon; DACS / Artimage 2021; photograph Prudence Cuming Associates Ltd).
Exhibition Review
Victor Pasmore. Nottingham and Chichester
06/2017 | 1371 | 159
Pages: 497-498
related names
Reviewer:
Smith, Rachel (Smith, Rachel)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
56. Triangular motif in pink and yellow, by Victor Pasmore. 1949 (Ferens Art Gallery, Hull; exh. Pallant House Gallery, Chichester)
Attributed works:
57. Spiral motif in green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950 (Tate, London; exh. Pallant House Gallery, Chichester)
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Advertisements
Advertisements April 2013 (front)
04/2013 | 1321 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Browse & Darby. 19 Cork Street. London. Walter Richard Sickert (1860-1942). Le Rue de la Boucherie avec le chevet de l'Eglise, Dieppe, circa 1900-03.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Wright of Derby, A.R.A. (Derby 1734-1797). A view in Dovedale, Derbyshire; and A view of the Convent of San Cosimato and part of the Claudian Aquaduct near Vicovaro in the Roman Campagna. The first signed with initials and dated 'I.W.P. 1786' (lower left), oil on canvas, unlined 18 x 25 cm (45.7 x 63.5 cm)]
Attributed works:
[Christopher Mendez, London. Studies of the head of Saskia and others, by Rembrandt van Rijn (1606-69). 1936. Bartsch 365. 14.5 by 12.4 cm]
Attributed works:
[Emanuel von Bayer, London. Blonde girl, by Lucian Freud (1922-2011). 1985. Edition: 2/15. Signed. Etching on paper, 69.5 by 54.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jusepe de Ribera. Jativa, 1591 - Naples, 1652. Portrait of Don Manuel de Zuniga y Fonseca, Count of Monterrey, robed as a Knight of Santiago. Oil on canvas, 121 x 86 cm (47 3/8 x 33 7/8 in)]
Attributed works:
[Glasgow Print Studio, New York. Irises, by Elizabeth Balckadder. 2012. Edition of 50. Etching, 69 by 48 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London Joseph Mallord William Turner, R.A. (1775-1851). A Limekiln at Britton Ferry, South Wales - Moonlight. Signed lower right, watercolour over traces of pencil. 19.5 by 27.3 cm (7 1/2 by 10 3/4 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Walter Sickert. 1860-1942. Lady seated by a stove, circa 1921. Oil on canvas. 17 x 13 inches; 43.2 x 33 cm. Signed]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Alfons Walde, Nude, ca. 1925, Gouache on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anna Mahler, Gustav Mahler, after 1946, plaster model, unique piece.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anselm Kiefer, The raft of the Medusa, 2003, gouache on photographic paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele, Female nude lying on her side and leaning on one elbow, 1918, black charcoal on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Léon-François Comerre, Odalisque, oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka, Nuda, 1913, charcoil and watercolour on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka. Flower still life, 1959, Oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Richard Gerstl, Self-Portrait, 1906/07. Oil on canvas]
Attributed works:
[James Kinmont Fine Art, London. Blue Mandala, by Victor Pasmore, 1978. Edition of 90. Signed, numbered and dated. Etching and aquatint, 70 by 100 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Adriaen Thomasz Key (c. 1545 Antwerp - c.1589 Antwerp). Adoration oft the Magi. Oil on panel, 66 x 89 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Thomas Lawrence PRA. Arthur Atherley. Oil on canvas. 24 1/2 x 20 inches. 610 x 510 mm. Painted 1792]
Attributed works:
[Marlborough Graphic, London. Women with bird II, by Quentin Blake. 2012. Edition of 30. Etching and aquatint, 35 by 31 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. John Constable. View of East Bergholt House (detail)]
Attributed works:
[TATE Britain. London. Kurt Schwitters. En Morn 1947]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1932. Osborne Samuel Ltd.]
Publication Received
Victor Pasmore. Writings and Interviews
09/2010 | 1290 | 152
Pages: 623
related names
Reviewer:
Rye, Jane (Rye, Jane)
Subjects
artists:
Reviewed Items
subjects:
Victor Pasmore. Writings and Interviews | editor: Grieve, Alastair
Article
Light flirtation or serious affair? Ben Nicholson, Victor Pasmore and abstract art in St Ives and London in the early 1950s
04/2009 | 1273 | 151
Pages: 234-242
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
dates:
places:
Illustrations
Attributed works:
41. Walk along the quay, by Terry Frost. 1950. Canvas, 152.5 by 56 cm. (Private collection).
Attributed works:
42. Composition, by Adrian Heath. 1951–52. Canvas, 61 by 51 cm. (Private collection).
Attributed works:
43. Coloured relief, by Ben Nicholson. 1938. Oil, pencil and wash on carved board, 33.9 by 44.15 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
44. Wall relief, by Victor Pasmore. 1950. Painted plaster, 244 by 580 cm. (Kingston bus station canteen, London; destroyed).
Attributed works:
45. St Ives harbour from 3 St Andrew’s Street, by Victor Pasmore. 1950. Pen and ink, 21.5 by 28 cm. (Courtesy Offer Waterman & Co., London).
Attributed works:
46. Beach in Cornwall, by Victor Pasmore. 1950. Pen and ink on card, 26 by 32.4 cm. (Arts Council Collection, London).
Attributed works:
47. View south from Porthmeor Beach, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy of Gimpel Fils, London).
Attributed works:
48. Spiral motif: green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950. Canvas, 81.2 by 100.3 cm. (Tate, London).
Attributed works:
49. The waterfall, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 27 by 38 cm. (Courtesy Gimpel Fils, London).
Attributed works:
50. The waterfall, by Victor Pasmore. 1950–51. Black and white tile mural, 976 by 854 cm. (South-east wall of the Regatta Restaurant, Festival of Britain, London; destroyed).
Attributed works:
51. Square motif, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy Gimpel Fils, London).
Article
A forgotten British constructivist group: the London branch of Groupe Espace, 1953–59
03/2007 | 1248 | 149
Pages: 173-179
related names
Author:
Fowler, Alan (Fowler, Alan)
Subjects
dates:
places:
print:
print:
Illustrations
Attributed works:
30. Four blue tubes, by Paule Vézelay. 1930. Canvas, 40 by 56 cm. (Private collection).
Attributed works:
31. Natural form, by Marlow Moss. 1954. White marble, 60 by 60 by 25 cm. (Private collection).
Attributed works:
32. House of the Future, by Geoffrey Clarke. 1955. Mixed media, dimensions and whereabouts unknown; exhibited in Groupe Espace, London, 1955.
Attributed works:
33. Untitled, by Marlow Moss. 1954. Canvas, 63.5 by 48.3 cm. (Private collection).
Attributed works:
34. Lines in space, no.33, by Paule Vézelay. 1954. Mixed media box construction, 68.6 by 58.4 by 10.2 cm. (Private collection).
Western art unattributed:
29. Photograph of Paule Vézelay in 1968.
Western art unattributed:
35. Groupe Espace exhibition, Royal Festival Hall, London. Photograph, 1955.
Book Review
Constructed Abstract Art in England after the Second World War: a Neglected Avant Garde
10/2005 | 1231 | 147
Pages: 689-690
related names
Reviewer:
Lynton, Norbert (Lynton, Norbert)
Subjects
artists:
dates:
places:
print:
Reviewed Items
subjects:
Constructed Abstract Art in England after the Second World War: a Neglected Avant Garde | author: Grieve, Alastair
Article
An Interview with Victor Pasmore
05/2001 | 1178 | 143
Pages: 284-289
related names
Author:
Watkins, Nicholas (Watkins, Nicholas)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
51. Victor Pasmore. c.1968. Photograph by John Pasmore (Courtesy J. Pasmore and Marlborough Fine Art, London).
Attributed works:
52. The Quiet River: Thames at Chiswick, by Victor Pasmore. 1943-44. 76.2 by 101.6 cm. (Tate, London).
Attributed works:
53. Square Motif, Blue and Gold: The Eclipse, by Victor Pasmore. 1950. 45.7 by 61 cm. (Tate, London).
Attributed works:
54. Still Life, by Victor Pasmore. 1931-32. 61 by 76 cm. (Estate of the Artist).
Attributed works:
55. Portrait of Thelma Hulbert, by Victor Pasmore. c.1939. 61 by 50.8 cm. (Courtesy Browse & Darby, London).
Attributed works:
56. Relief Painting in Black, White and Maroon, by Victor Pasmore. 1954. Painted Wood, 61 by 74 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
57. Photograph of Three Storey Flat Block, and Cantilever Block beyond, in the South-West Area of Peterlee, Designed in Conjunction with Victor Pasmore. (Reproduced by Permission of English Partnerships and Durham Record Office; ref. No. NT/Pe 7/5/3/53(5)).
Attributed works:
58. Photograph of Housing in the South-West Area of Peterlee, Designed in Conjunction with Victor Pasmore. (Reproduced by Permission of English Partnerships and Durham Record Office; ref. No. NT/Pe 7/5/3/53(1)).
Attributed works:
59. Red Development (Wine Red), by Victor Pasmore. 1962-63. Board, 152.4 by 152.4 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
60. The Living and the Dead, by Victor Pasmore. 1987. Canvas Mounted on Board, 91.4 by 317.5 cm. (Courtesy Marlborough Fine Art, London).
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