museums and institutions:
Attributed works:
73. Frederick the Wise Adoring the Virgin of the Apocalypse, by Lucas Cranach. Panel, Transferred to Canvas. 115 by 91 cm. c.1515. Acquired 1983, Part-Gift from Frau Magdalene Haberstock, Munich. Reproduced in Colour on the Cover.
Attributed works:
74. The Founding of Constantinople, by Peter Paul Rubens. Panel. 41.3 by 40.7 cm. 1622-23. Sketch for the Constantine Tapestry Cycle. Acquired 1985. Formerly Collection of Sir John Stirling-Maxwell, Bart.
Attributed works:
75. Portrait of a Man, by Jan Vermeyen. Panel. 78 by 64 cm. c.1540. Acquired 1983. Formerly at Wilton House.
Attributed works:
76. Resting Peasant, by Roelandt Savery. Panel. 40.8 by 27.8 cm. c. 1614-17. Acquired 1986. London Art Market.
Attributed works:
77. The capture of the 'Royal prince' in 1666, by Willem van de Velde the Elder, 1672. Pen and ink with wash on linen, 109 by 146.5 cm. Van de Velde depicted this incident of a four-day naval battle in the second Anglo-Dutch war of 1665-67 as official artist to the Dutch Admiralty. It is documented in a list of the ships recorded by the artist for his employers, for which he was paid a total of 500 guilders.
Attributed works:
78. River Landscape with Cattle and Milkmaid, by Aelbert Cuyp. Panel. 48.3 by 74.6 cm. c.1646. Acquired 1986. Formerly at Shugborough House and Luton Hoo.
Attributed works:
79. Princely Magnanimity Fostering the Arts, by Carlo Carlone. 142 by 126.5 cm. 1748-49. Modello for the Ceiling Painting over the Great Staircase at Schloss Brühl. Acquired 1983. Formerly in an English Private Collection.
Attributed works:
80. Portrait of an oriental, by Jean-Baptiste Le Prince, 1769. 47 by 37.5 cm. During his years in the service of the Tsar at St Petersburg (1758-63), Le Prince was often called upon to portray the inhabitants of the Asiatic provinces. This laid the foundations for his successful introduction of 'russerie' into Paris after his return to France. A smaller version of this composition was exhibited in the Salon as Un Drogman du Roi de France.
Attributed works:
81. The Villa Mala in the Grisons, by Joseph Anton Koch. 116 by 89 cm. 1804. Acquired 1986 from the Heirs of the Original Patron, the Freiherr von Üsküll (Ludwigsburg, 1755-1832).
Attributed works:
82. Head of an Old Soldier, by François Rude, c. 1834. Bronze, 62.5 cm. High. The Head is a Free-Standing Study for a Figure in the Relief of Marching Volunteers Which Rude Executed in 1833-36 for the Arc de Triomphe in Paris.
Attributed works:
83. Regatta in Venice, by Gustav Schönleber. 100 by 200 cm. 1876. Acquired 1986 as a Gift from a Number of Baden-Württemberg Firms to Mark the Opening of the New Wing in 1987.
Attributed works:
84. On the Beach at Noordvijk, by Max Liebermann, 1908. Oil on Board, 47 by 61.5 cm. This Oil Sketch Is One of the Fruits of the Summer Liebermann Spent in the Dutch Resort of Noordvijk in 1906. Other More Finished Variants of the Composition Are Known.
Attributed works:
85. Man Carrying a Burden, by Constantin Meunier, 1889. Plaster, 60 cm. High The Figure Was Taken by Meunier (1831-1905), the Most Popular Sculptor of the Nineteenth Century after Rodin, from His Painted Composition of a Harbour Scene of 1885, and Its Plaster Shows Signs of the Two Bronze Castings That Were Taken from It.
Attributed works:
86. Oil Tanks, by Carl Grossberg. 1933. 90 by 70 cm. This Is a Representative 'Precisionist' Painting, Though Lacking in Grossman's Sometimes Eerie, Surrealist Introduction of Humans and Animals.
Attributed works:
87. The Wood, by Max Ernst, 114 by 146 cm. 1927. Acquired 1985. Formerly in an American Private Collection.
Attributed works:
88. Cityscape, Gerhard Richter. 200 by 300 cm. 1968. Acquired 1986.
