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118 articles
Exhibition Review
Lucas Cranach der Ältere und Hans Kemmer: Meistermaler zwischen Renaissance und Reformation
11/2022 | 1436 | 164
Pages: 1142-1142
related names
Reviewer:
Westermann-Angerhausen, Hiltrud (Westermann-Angerhausen, Hiltrud; Angerhausen, Hiltrud Westermann-)
Subjects
art literature:
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Lucas Cranach der Ältere und Hans Kemmer: Meistermaler zwischen Renaissance und Reformation Edited by Dagmar Täube. 304 pp. incl. 180 col. ills. (Hirmer, Munich, 2021), £49.90. ISBN 978–3–7774–3748–4. | :
Illustrations
Attributed works:
3. Gift of love, by Hans Kemmer. c.1529. Oil on panel, 59 by 39 cm. (St Annen- Museum, Lübeck).
Exhibition Review
Cranach: The Early Years in Vienna
11/2022 | 1436 | 164
Pages: 1140-1132
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
art literature:
dates:
subjects:
Reviewed Items
subjects:
Cranach: The Early Years in Vienna Edited by Guido Messling and Kerstin Richter. 168 pp. incl. 70 col. ills. (Hirmer Verlag, Munich, 2022), £25. ISBN 978–3–7774–3926–6. | :
Illustrations
Attributed works:
1. St Martin and the beggar, by Lucas Cranach the Elder. 1504. Pen, black ink and greyishbrown wash heightened with white on bluish-green prepared paper, 15.5 by 12.5 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
2. Marriage diptych of Dr Johannes Cuspinian and Anna Cuspinian- Putsch, by Lucas Cranach the Elder. 1502–03. Oil on pine wood, each 60 by 45 cm. (Oskar Reinhart Collection ‘Am Römerholz’, Winterthur).
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06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
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03/2022 | 1428 | 164
Pages: IFC-viii
Subjects
Illustrations
Attributed works:
Fernando de Rojas, La Célestine. 1971. With 66 etchings by Pablo Picasso.[Venator and Hanstein]
Attributed works:
FRANCESCO TIRONI (c.1745–1797) The Piazza San Marco Decorated for the Festa della Sensa on Ascension Day Pen and brown ink, black and grey wash, heightened with white. 349 x 590 mm. (13¾ x 23¼ in.)[Stephen Ongpin]
Attributed works:
Giuseppe Costa Italian 1852-1912 The new arrival Oil on canvas Signed and inscribed ‘G Costa Firenze’ 73 x 106.5 cm. £8,000-12,000 [Roseberys, London]
Attributed works:
Jean Marc NATTIER (Paris 1685-1766) Portrait présumé de Philippine Élisabeth Charlotte d’Orléans dite Mademoiselle de Beaujolais (1714-1734) Canvas. 113 x 145,6 cm Estimate: 150 000/200 000 € (Drout, Paris]
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
Attributed works:
SEBASTIANO FILIPPI, CALLED “IL BASTIANINO” (Ferrara, circa 1532–1602) Portrait of Margherita Gonzaga D’Este, Duchess of Ferrara, with her dwarf Isabella Oil on canvas, 190 x 135 cm PROVENANCE: Private collection, northern Europe [Santa Tecla]
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02/2022 | 1427 | 164
Pages: OBC
Subjects
Illustrations
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Exhibition Review
Cranach: Artist and Innovator
06/2020 | 1407 | 162
Pages: 524-526
related names
Reviewer:
Watson, Roisin (Watson, Roisin)
Subjects
dates:
media:
Reviewed Items
subjects:
Cranach: Artist and Innovator Compton Verney 14th March–14th June | :
Illustrations
Attributed works:
5. Venus and Cupid, by Lucas Cranach the Elder. c.1525. Oil on panel, 39 by 26 cm. (Compton Verney).
Attributed works:
6. Judith with the head of the artist, by Claire Partington. 2020. Earthenware, enamel, lustre and mixed media, height 78 cm. (Courtesy the artist; exh. Compton Verney).
Attributed works:
7. John Frederick the Magnanimous, by Lucas Cranach the Elder. 1509. Oil on panel, 42 by 31.2 cm. (National Gallery, London; exh. Compton Verney).
Exhibition Review
The Last Knight: The Art, Armor and Ambition of Maximilian I. Metropolitan Museum of Art, New York
01/2020 | 1402 | 162
Pages: 57-59
related names
Reviewer:
Capwell, Tobias (Capwell, Tobias)
Subjects
dates:
styles:
Reviewed Items
subjects:
The Last Knight: The Art, Armor and Ambition of Maximilian I Metropolitan Museum of Art, New York 7th October 2019–5th January | :
Illustrations
Attributed works:
7. The skilfulness and wit of armour making, from The White King, by Hans Burgkmair. c.1510–16. Woodcut, 43.4 by 30.5 cm. (Museum of Fine Arts, Boston; exh. Metropolitan Museum of Art, New York).
Attributed works:
8. Field armour of Maximilian I, Augsburg, by Lorenz Helmschmid. 1480. Steel, copper alloy and leather, as mounted 179.5 by 76 by 68.5 cm. (Sallet: private collection; all other elements of the armour: Kunsthistorisches Museum, Vienna; photograph Bruce M. White; exh. Metropolitan Museum of Art, New York).
Attributed works:
9. Maximilian I in imperial regalia, by Bernhard Strigel. After 1508. Oil on panel, 84 by 51.8 cm. (Tiroler Landesmuseum Ferdinandeum, Innsbruck; exh. Metropolitan Museum of Art, New York).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
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03/2018 | 1380 | 160
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Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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