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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Exhibition Review
Max Ernst
02/2023 | 1439 | 165
Pages: 196-199
related names
Reviewer:
Hopkins, David (Hopkins, David)
Subjects
artists:
dates:
museums and institutions:
styles:
subjects:
Reviewed Items
subjects:
Max Ernst Palazzo Reale, Milan 4th October 2022– 26th February 2023 | :
Illustrations
Attributed works:
30. Oedipus rex, by Max Ernst. 1922. Oil on canvas, 93 by 102 cm. (Max Ernst by SIAE, Milan, 2022; Svizzera Album / Fine Arts Images / Mondadori Portfolio; private collection; exh. Palazzo Reale, Milan).
Attributed works:
31. Men shall know nothing of this, by Max Ernst. 1923. Oil on canvas, 80.3 by 63.8 cm. (Max Ernst by SIAE, Milan; Tate, London; exh. Palazzo Reale, Milan).
Attributed works:
32. The feast of seillans, by Max Ernst. 1964. Oil on canvas, 130 by 170 cm. (RMNGrand Palais, Paris, and SIAE, Milan; Centre Pompidou, Paris; photograph Georges Meguerditch; exh. Palazzo Reale, Milan).
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02/2023 | 1439 | 165
Pages: i-xvi
Subjects
Illustrations
Attributed works:
A group of portraits to mirror the virtues, by Nicolas Maes (1634–93). c.1670. Oil on canvas, 152 by 175 cm. [Caretto & Occhinegro, Turin/Tefaf]
Attributed works:
ABRAHAM GOVAERTS (1589 – Antwerp – 1626) A wooded Landscape with Venus and Adonis Oil on panel, 21 x 30 ins. (53.3 x 76 cm) [Johnny Van Haeften]
Attributed works:
Adam, Count von Schwarzenberg (Governor of Brandenberg), by Michiel Jansz. Van Mierevelt (1566– 64). Oil on panel, 69 by 53 cm. [The Weiss Gallery, London/Tefaf]
Attributed works:
ADRIAEN VAN STALBEMT (1580 – Antwerp – 1662) A Family in a Landscape with a Village beyond Oil on panel, 17¼ x 33½ ins. (44 x 85 cm) [Johnny Van Haeften]
Attributed works:
Attributed to Yuri Pavliovich Annenkov (1889 - 1974) Portrait of Aleksandr Benois (1870 - 1960) Provenance: Aleksandr Nikolaievich Benua (Benois) collection. Christies London, 14 July 1999, Live Auction 6141, Lot 88 55.5 x 45.6 cm. Signed lower right in Cyrillic: lu.Annenkov. Lot 87 - £50,000-80,000 [Sloane Street Auctions]
Attributed works:
DENIJS VAN ALSLOOT (Brussels before 1573 – 1635/6) A Summer Landscape with a Lady and Gentleman Seated and Sportsmen returning with Game Traces of signature and date, lower centre: … Pict. 1607 On canvas, 26¼ x 35¼ ins. (66.7 x 89.5 cm) [Johnny Van Haeften]
Attributed works:
Gasparo Cairano Deposition Group (detail) alabaster 47,5 x 65 x 22,5 cm. [CARLO ORSI]
Attributed works:
Giorgio Vasari Arezzo, 1511 – Florence, 1574 The Temptation of Saint Jerome Recently sold to a private collector Oil on panel, 165 x 117 cm [Moretti]
Attributed works:
Girl with shell, by Jean-Baptiste Carpeaux (1827– 75). c.1864. Patinated plaster, height 100.5 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Godfried SCHALKEN Dordrecht 1643 – Den Haag 1706 The young pipe smoker Oil on panel, monogrammed on the right, 20.6 x 17.5 cm, circa 1660 [F. Baulme Fine Arts]
Attributed works:
HANS BOL (1534 – 1593) A Panoramic View of a Flemish Village with the City of Antwerp in the Distance on the Right Oil on canvas, 9⅝ x 13 ins. (24.5 x 33 cm) [Johnny Van Haeften]
Attributed works:
Johann Georg de Hamilton (Munich, 1672 - 1737, Vienna) Rider with his Lipizzan Oil on canvas. 35 13/16 x 27 15/16 in. [Aguttes]
Attributed works:
Johann KÖNIG (1586-1642) The Martyrdom of Saint Sigismund Gouache on vellum, signed and dated «Johannes König Fecit 1618», 21,5×16 cm [De Jonckheere/Tefaf]
Attributed works:
Margaret and William Roper, daughter and son-in-law of Sir Thomas More, sold directly from the family of the sitters for the first time. 16cm (H) x 11cm (W). Lot 55 Lot 55 - £30,000-50,000 [Sloane Street Auctions]
Attributed works:
Return of the fishing fleet, by Hendrick Willem Mesdag (1831–1915). 1890. Oil on canvas, 90 by 70 cm. [Kunstgalerij Albricht, Oosterbeek/Tefaf]
Attributed works:
Sea and Moon, by Max Ernst (1891–1976). Oil on panel, 32 by 23 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Still life with vegetables, fruits, butterfl ies and snails, in a grotto with a landscape beyond, by Cornelis de Heem (1631–95). Oil on canvas, 64.4 by 78 cm. [Rafael Valls Ltd, London/Tefaf]
Attributed works:
The Rothschild oliphant (hunting horn), by Hans Jacob Erhart. c.1645. Ivory and silver, height 51cm. [Kunstkammer Georg Laue, Munich and London/Tefaf]
Attributed works:
The schoolmaster, by Quiringh Gerritsz van Brekelenkam (1622–69). Oil on panel, 32 by 26.5 cm. [Bijl-Van Urk, Alkmaar/Tefaf]
Attributed works:
Two dogs at rest from the tomb of the entrails of Blanche de France (d.1392). Isle de France, end of the 14th century. Marble, 26.5 by 13 by 9.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Woodland path, by Hercules Seghers (c.1589/90–c.1633–40). Oil on canvas mounted on panel, 16 by 25 cm. [Emanuel von Baeyer, London/Tefaf]
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
dates:
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Article
Collage logic in Max Ernst’s ‘Woman, old man and flower’ (1923–24)
03/2021 | 1416 | 163
Pages: 261-263
related names
Author:
Davis, Ellen (Davis, Ellen)
Author:
Kwartler, Talia (Kwartler, Talia)
Author:
Martins, Ana (Martins, Ana)
Subjects
artists:
styles:
Illustrations
Attributed works:
16. Woman, old man and flower (Weib, greis und blume), by Max Ernst. 1923–24. Oil on canvas, 96.5 by 130.2 cm. (Museum of Modern Art, New York; © ADAGP, Paris and DACS, London 2021).
Attributed works:
17. Reflected infra-red image of Fig.16, showing evidence of Fig.23 and one state that postdates Fig.23. (© 2017 MoMA, New York).
Attributed works:
18. X-ray image of Fig.16, showing evidence of one state that predates Fig.23. (© 2017 MoMA, New York).
Attributed works:
19. Transmitted infra-red image of Fig.16, showing evidence of one state that predates Fig.23. (© 2017 MoMA, New York).
Attributed works:
20. Map of zinc distribution in Fig.16, obtained by MA-XRF scanning, showing evidence of one state that post-dates Fig.23. (© 2017 MoMA, New York).
Attributed works:
21. Ubu Imperator, by Max Ernst. 1923. Oil on canvas, 81 by 65 cm. (Centre Pompidou, Musée national d’art moderne, Paris; Bridgeman Images; © ADAGP, Paris and DACS, London 2021).
Attributed works:
22. A rendezvous of friends, by Max Ernst. 1922. Oil on canvas, 130 by 95 cm. (Museum Ludwig, Cologne; Bridgeman Images; © ADAGP, Paris and DACS, London 2021).
Attributed works:
23. Weib, greis und blume I, by Max Ernst. 1923. Reproduced as a ‘tableau détruit’ (‘destroyed painting’) in Dictionnaire abrégé du surréalisme (1938).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
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01/2018 | 1378 | 160
Pages: n.p.
Subjects
advertisements:
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advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Article
Surrealism versus the academy: Charles Estienne on Paul Gauguin and Vasily Kandinsky
08/2017 | 1373 | 159
Pages: 623-629
related names
Author:
Parkinson, Gavin (Parkinson, Gavin)
Subjects
places:
Illustrations
Attributed works:
31. Still life with oranges, by Paul Gauguin. 1880 (Musée des beaux-arts de Rennes)
Attributed works:
32. Te reroia (The dream), by Paul Gauguin. 1897 (Courtauld Gallery, London)
Attributed works:
33. Dada Gauguin, by Max Ernst. 1920 (Art Institute of Chicago)
Attributed works:
34. The talisman, by Paul Sérusier. 1888 (Musée d'Orsay, Paris)
Attributed works:
36. Symbolist architecture with two green bulls, by Charles Filiger. c.1900-14 (Musée des beaux-arts, Quimper)
Western art unattributed:
35. Photograph of André Breton, Benjamin Péret, Yves Elléouët and Charles Estienne at Saint-Cirque-Lapopie. c.1952 (Atelier André Breton, Paris)
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