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Book Review
The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China. By Anthony W. Lee
10/2019 | 1399 | 161
Pages: 885-886
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related names
Reviewer:
Stein, Lisa (Stein, Lisa)
Subjects
artists:
Hill, David Octavius / Adamson, Robert / Notman, William / Henderson, Alexander / Thomson, John
places:
Scotland / Canada / China
subjects:
Photography / Scottish / Colonialism
Reviewed Items
subjects:
The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China By Anthony W. Lee. 344 pp. incl. 193 col. ills. (McGill-Queen’s University Press, Montreal, 2019), £45. ISBN 978–0–7735–5713–0. | :
Illustrations
Attributed works:
6. Exhausted, caribou hunting series, Montreal, QC, by William Notman. 1866. Albumen print, 25 by 20 cm. (McCord Museum, Montreal).
Article
Paintings by Canaletto and his father in Aberdeen University
12/2017 | 1377 | 159
Pages: 976-981
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related names
Author:
Beddington, Charles (Beddington, Charles)
Author:
Gash, John (Gash, John)
Subjects
artists:
Canaletto / Canale, Giovanni / Canal, Bernardo / Bellotto, Bernardo
collectors and dealers:
Henderson, Alexander
dates:
1730-1739 / 1740-1749
museums and institutions:
University of Aberdeen, Aberdeen, Great Britain
styles:
Vedute / Capricci / Italian art
subjects:
Attributions
Illustrations
Attributed works:
26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).
Attributed works:
27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).
Attributed works:
28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).
Attributed works:
29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).
Attributed works:
30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).
Attributed works:
31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).
Attributed works:
32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).