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16 articles
Article
Clérisseau’s journey to Dalmatia: a newly attributed collection of drawings
06/2021 | 1419 | 163
Pages: 492-502
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Author:
Sverko, Ana (Sverko, Ana)
Subjects
artists:
Clérisseau, Charles-Louis / Adam, Robert, 1728-1792
museums and institutions:
Bibliothèque nationale de France, Paris, France / Sir John Soane's Museum, London, Great Britain
places:
Istria / Dalmatia / Rome
subjects:
Eighteenth-century French art / Drawings / Vedute / Capricci / Attributions / Travel / Studies (visual works)
Illustrations
Attributed works:
10. Ville adriene a Tivoli, by Charles-Louis Clérisseau. Probably 1755 or 1756. Pen, black ink, brown and grey washes and watercolour on paper, 19.6 by 30.3 cm. (Bibliothèque nationale de France, Paris; Appendix no.25).
Attributed works:
11. [The Temple of Apollo at Baia], by Charles-Louis Clérisseau. Probably 1755. Pen, brown ink, grey and brown washes and watercolour on paper, 15.2 by 31 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
12. [Capriccio with elements of Diocletian’s Palace], by Charles-Louis Clérisseau. After 1757. Pen, black and brown ink, brush and grey washes and watercolour on paper, 20.7 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. A Venise, by Charles-Louis Clérisseau. Probably 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.4 by 19.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.27).
Attributed works:
14. [Roman Amphitheatre in Pula], by Charles-Louis Clérisseau. 1757. Pencil, grey and brown washes with watercolour on paper, 19.6 by 28.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.110).
Attributed works:
15. A Pola, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.6 by 31.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
16. Caorlé sur la route de Pola, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 16.5 by 30.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.108).
Attributed works:
17. Colisé a Rome, by Charles-Louis Clérisseau. 1750s. Pencil, pen, brown ink, grey and brown washes, watercolour on paper, 9 by 31.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.102).
Attributed works:
18. Zara, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 13.4 by 26.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.119).
Attributed works:
19. Detail of Panorama della Costa e dell Isole di Dalmazia nei viaggi dei Piroscafi del Lloyd Austriaco, by Giuseppe Rieger. 1850. Lithograph, 16.8 by 118.5 cm. (Litografia di B. Linassi, Trieste).
Attributed works:
1a. Detail of inscription by the artist on Zebenigo en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown and grey wash on paper, 16.9 by 30.4 cm. (State Hermitage Museum, St Petersburg). b. Detail of inscription by the artist on Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg). c. Detail of inscription by the artist on Traou en Dalmathie, by Charles- Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
2. Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
20. Route de Dalmatie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 12.6 by 29 cm. (Bibliothèque nationale de France, Paris; Appendix no.114).
Attributed works:
21. A Traou, by Charles-Louis Clérisseau. 1757. Pen, black ink, grey and brown washes and watercolour on paper, 16.2 by 31.1 cm. (Bibliothèque nationale de France, Paris; Appendix no.130).
Attributed works:
22. Pola seen from the Roland Tower, by Louis François Cassas. c.1782 (drawn), 1802 (published). Watercolour on paper, 22.86 by 38.1 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. St Pierre de Rome, by Charles-Louis Clérisseau. c.1755. Pen, black and brown ink, grey and brown washes and watercolour on paper, 34 by 22 cm. (Bibliothèque nationale de France, Paris; Appendix no.66).
Attributed works:
5. [The portico of St Peter’s Basilica in the Vatican], by Charles-Louis Clérisseau. c.1755. Pencil, pen, black and brown ink and grey and brown washes on paper, 28.1 by 25.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.96).
Attributed works:
6. Portique de ville Mad[ame], by Charles-Louis Clérisseau. c.1755. Pencil, pen, grey and brown washes on paper, 28.8 by 66 cm. (Bibliothèque nationale de France, Paris; Appendix no.79).
Attributed works:
7. Interior of the Villa Madama in Rome, by Charles-Louis Clérisseau. c.1750–55. Pen and brown wash, brush and brown and grey wash on paper, 39.5 by 52.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. View of the ‘Temple of Apollo’ at Baia, by Charles-Louis Clérisseau. Undated, probably 1755. Pencil, brown, blue and grey washes and pencil framing line on paper, 18.5 by 29.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
9. Ruins of the central hall of the large baths at the villa of Emperor Hadrian in Tivoli, by Charles-Louis Clérisseau. 1750s. Gouache on paper, 43.5 by 60.4 cm. (State Hermitage Museum, St Petersburg).
Article
Becoming Hubert Robert: some new suggestions
03/2021 | 1416 | 163
Pages: 244-253
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Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Rayner, Kari (Rayner, Kari)
Subjects
artists:
Robert, Hubert / Cochin, Charles-Nicolas, II, 1715-1790
museums and institutions:
French Academy in Rome, Rome, Italy
subjects:
French art / Landscapes (visual works) / Capricci / Architectural paintings / Perspective / Early works / Techniques / Technical analysis / Underdrawings / Figure paintings / Sketches
Illustrations
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have been mounted flush to a wall. A string (or multiple strings) may have been held between nails fixed to the two vanishing points at the positions shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by 100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks on four sheets of paper mounted on a single sheet of paper, 45.2 by 34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760. Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm. (Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm. (Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple, by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper, 33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of Constantine and Architectural capriccio with the Arco Degli Orefici next to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right 2c–d. Architectural capriccio with the Temple of Faustina, the Arch of Titus and the walls of the Farnese Gardens and Architectural capriccio with the Temple of Venus, San Francesco Romano and the Basilica of Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by 99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert. Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum, New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm. (Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas, 91.3 by 121 cm. (National Gallery of Art, Washington).
Article
Paintings by Canaletto and his father in Aberdeen University
12/2017 | 1377 | 159
Pages: 976-981
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Author:
Beddington, Charles (Beddington, Charles)
Author:
Gash, John (Gash, John)
Subjects
artists:
Canaletto / Canale, Giovanni / Canal, Bernardo / Bellotto, Bernardo
collectors and dealers:
Henderson, Alexander
dates:
1730-1739 / 1740-1749
museums and institutions:
University of Aberdeen, Aberdeen, Great Britain
styles:
Vedute / Capricci / Italian art
subjects:
Attributions
Illustrations
Attributed works:
26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).
Attributed works:
27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).
Attributed works:
28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).
Attributed works:
29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).
Attributed works:
30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).
Attributed works:
31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).
Attributed works:
32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).
Article
Pietro Bellotti in England and elsewhere
10/2007 | 1255 | 149
Pages: 678-684
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Author:
Beddington, Charles (Beddington, Charles)
Subjects
artists:
Bellotti di Canaleti, Pietro, act. 1748-1768
artists:
Bellotto, Bernardo / Canaletto
artists:
Harding, Francis
dates:
1620-1629 / 1630-1639 / 1640-1649 / 1650-1699
places:
England
print:
Bellotti di Canaleti, Pietro, act. 1748-1768
subjects:
Capricci / Architectural paintings / Views
subjects:
Attributions, tentative
Illustrations
Attributed works:
21. Warwick Castle: the south front, by Pietro Bellotti. Between 1763 and 1767. Canvas, 62.5 by 99 cm. (Paul Mellon Collection, Yale Center for British Art, New Haven).
Attributed works:
22. The courtyard of the Royal Exchange, London, by Pietro Bellotti. Canvas, 63 by 81.2 cm. (Courtesy of the Mercers’ Company Archives and Art Collection, London).
Attributed works:
23. Northumberland House, London, by Pietro Bellotti? Canvas, 30.5 by 44.5 cm. (Present whereabouts unknown).
Attributed works:
24. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 75.5 by 56.5 cm. (Mauritshuis, The Hague).
Attributed works:
25. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 75.5 by 56.5 cm. (Mauritshuis, The Hague)
Attributed works:
26. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 49 by 65.4 cm. (Art market, London).
Attributed works:
27. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 49 by 65.4 cm. (Art market, London).
Attributed works:
28. A regatta on the Grand Canal, Venice, by Pietro Bellotti. Canvas, 62.2 by 91.5 cm. (Present whereabouts unknown).
Attributed works:
29. The Riva degli Schiavoni, Venice, looking east, by Pietro Bellotti. Canvas, 58 by 91 cm. (Art market, Rome).
Attributed works:
30. The Molo, Venice, looking west, with the Doge’s palace, by Pietro Bellotti. Canvas, 38 by 48.5 cm. (Private collection).
Attributed works:
31. Graben, Vienna, by Pietro Bellotti. Canvas, 38 by 48.5 cm. (Private collection).
Attributed works:
32. The chapel of the Château de Versailles, by Pietro Bellotti. Canvas, 38 by 48.5 cm. (Private collection).
Book Review
Canaletto: una Venecia imaginaria
01/2002 | 1186 | 144
Pages: 34-35
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Reviewer:
Beddington, Charles (Beddington, Charles)
Subjects
artists:
Canaletto
dates:
1600-1799
dates:
2000-2009
museums and institutions:
Museo Thyssen-Bornemisza, Madrid, Spain
places:
Italy / Venice
print:
Canaletto
subjects:
Capricci / Topographical views
subjects:
Italian painting / Exhibitions
Reviewed Items
subjects:
Canaletto: una Venecia imaginaria | editor: Delneri, Annalia , editor: Succi, Dario
Book Review
Capricci Veneziani del Settecento
10/1989 | 1039 | 131
Pages: 717-718
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Reviewer:
Levey, Michael (Levey, Michael; Levey, Mr.)
Subjects
dates:
1700-1799
places:
Italy / Venice
subjects:
Italian painting / Landscapes (visual works) / Capricci
Reviewed Items
subjects:
Capricci Veneziani del Settecento | author: Succi, Dario
Article
G. B. Tiepolo: The Dating of the 'Scherzi di Fantasia' and the 'Capricci'
12/1972 | 837 | 114
Pages: 837-842
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Author:
Knox, George (Knox, George)
Subjects
art literature:
Pignatti, Terisio
artists:
Tiepolo, Giovanni Battista
dates:
1700-1749
places:
Italy / Venice
sources:
Mariette, Pierre-Jean, collector and art critic, 1694-1774
sources:
Zanetti, Anton Maria, I, 1680-1757
subjects:
Italian painting / Dating
subjects:
Capricci
subjects:
Prints / Etchings / Techniques
Short Notice
The Canaletto Exhibition in Canada
01/1965 | 742 | 107
Pages: 26-30
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Author:
McCormick, Thomas J. (McCormick, Thomas J.; McCormick, Thomas Julian)
Subjects
artists:
Canaletto
dates:
1960-1969
dates:
1700-1799
museums and institutions:
Art Gallery of Ontario, Toronto, Canada
patrons:
Smith, Joseph, British Consul in Venice, 1682–1770
places:
Italy / Venice / Canada / Toronto
subjects:
Italian painting / Exhibitions
subjects:
Topographical views / Capricci / Vedute
subjects:
Attributions / Exhibition catalogues / Drawings
subjects:
Prints / Etchings / Patronage
Illustrations
Attributed works:
34. Capriccio of the Public Prison at St Mark's, Venice, by Canaletto. Canvas, 105.3 by 129.5 cm. (Collection Mr H. S. Schaeffer, New York.)
Attributed works:
35. The Arsenal, Venice, by Canaletto. Canvas, 151 by 122 cm. (National Gallery of Canada.)
Attributed works:
36. Interior of King's College Chapel, Cambridge, by Canaletto. Canvas, 75 by 67 cm. (Collection Mrs Robert H. Schneider, Richmond, Virginia.)
Attributed works:
37. Venetian Houses and a Church, by Canaletto. Pen and Brown Ink with Grey Wash over Pencil, 30.4 by 44.4 cm. (Collection Mr Stephen Richard Currier, New York.)
Attributed works:
38. Capriccio with Reminiscences of Venice and Rome, by Canaletto. Etching, 30 by 43 cm. (Courtauld Institute of Art, Henry Oppenheimer Bequest.)
Short Notice
G. B. Cimaroli: A collaborator with Canaletto
06/1953 | 603 | 95
Pages: 204-207
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Author:
Watson, F. J. B. (Watson, F. J. B.; Watson, Francis John Bagott; W., F. J. B.; Watson, Mr.; Watson, F.J.B.; Watson, Francis)
Subjects
artists:
Cimaroli, Giovanni Battista
artists:
Canaletto
collectors and dealers:
Smith, Joseph, British Consul in Venice, 1682–1770
dates:
1700-1799
places:
Italy / Venice
subjects:
Italian painting / Vedute / Capricci / Topographical views
subjects:
Documents / Workshops (Organisations)
Illustrations
Attributed works:
46. Lagoon Scene: A Capriccio, by G. B. Cimaroli. Canvas, 60.2 by 72.6 cm. (Private Collection.). 47. A Bull Fight in the Piazza S. Marco, Venice, by A. Canale and G. B. Cimaroli. Canvas, 99 by 137 cm. (Mr E. Peter Jones.). 51. Landscape with Monks, by G. B. Cimaroli. Canvas, 60.9 by 45.7 cm. (H. M. The Queen.) Reproduced by Gracious Permission of H. M. The Queen.
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