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231 articles
Book Review
Les Tiepolo: Invention et Virtuosité à Venise
11/2024 | 1460 | 166
Pages: 1176–1178
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Les Tiepolo: Invention et Virtuosité à Venise Edited by Hélène Gasnault with Giulia Longo and a contribution by Catherine Loisel. 137 pp. incl. numerous col. + b. & w. ills. (Beaux-Arts de Paris éditions, 2024), €25. ISBN 978–2–84056–878–0. | :
Illustrations
Attributed works:
20. Portrait of a young boy, attributed to Giovanni Battista Piazzetta. Black and white chalk on paper, 37.4 by 26.8 cm. (École des Beaux-Arts, Paris).
Attributed works:
21. Study of a foot, head and two jars, by Giambattista Tiepolo. Black, white and chalk on paper, 28.2 by 22.5 cm. (École des Beaux-Arts, Paris).
Attributed works:
22. Annunciation, by Domenico Tiepolo. Black chalk, pen, brown ink and black and brown wash on paper, 22.4 by 31 cm. (École des Beaux-Arts, Paris).
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10/2023 | 1447 | 165
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
Thomas Gainsborough R.A. ( 1717-1788) Going to Market, Early Morning, c. 1773 [Dickinson]   
Attributed works:
A lesser coucal on a frangipani branch, a folio from the Impey Album, signed Shaykh Zayn Al-Din (active 1777–82). 1777. Translucent pigments on English paper, 53.3 by 75.2 cm. [CHRISTIE’S, KING STREET, SW1Y/Asian Art London]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Attributed to SIR PETER PAUL RUBENS (1577 - 1640) Philosophers Studying the Motion of the Spheres at Midnight or, Ptolemaic Exercise in Planispheric Projection Circa 1625. Oil on panel 22.5 in. (H) x 30 in. (W) [Sloane Street Auctions]
Attributed works:
Ceramic cat, by David Hockney (b.1937). c.1956–57. 34.5 x 40 x 15.5 cm [Stacey's]
Attributed works:
Detail of a hanging scroll depicting the Utsusemi Chapter of The Tale of Genji. by Watanabe Hiroteru (1778–1838). Edo period (19th century). Ink, colour and gold pigment on silk, one of a pair, each unrolled including mounts, 248 by 68 cm. ANASTASIA VON SEIBOLD JAPANESE ART, CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Nicholas Hall]
Attributed works:
Helene Schjerfbeck, The Lace Shawl, Metropolitan Museum of Art [Amells Konsthandel]
Attributed works:
JOHN SINGER SARGENT RA (1856-1925) A Young Venetian Boy Lying on a Cushion Watercolour on buff paper. Signed and dedicated a mon ami Subercaseaux / John S. Sargent. at the upper centre and upper left. 246 x 330 mm. (9¾ x 13 in.) [sheet] Stephen Ongpin/Frieze Masters]
Attributed works:
Keith Vaughan, Assembly of Figures II (1965). Wash, gouache, pen and ink and wax crayon, 52.5 x 44.8 cm [Chiswick Auctions]
Attributed works:
Miniature from Vies de Romulus et de Caton d’Utique, by the Master of Philippa of Guelders, Jean Coene IV and an artist from the Pichore circle. 1508. Illuminated manuscript on vellum, 35 by 22 cm. [STÉPHANE CLAVREUIL RARE BOOKS LTD, LONDON/Frieze Masters]
Attributed works:
Mount Taibai covered in snow, by Tai Xiangzhou (b.1968). 2022. Ink on silk, 136.5 by 116 cm. [MO HAI LOU, CROMWELL PLACE SW7/Asian Art London]
Attributed works:
Portrait of a young girl in a white apron, by Anthony Van Dyck (1599–1641). c.1630. Oil on canvas, 99 by 83 cm. [PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Portrait of Pierre- Edouard Lefebvre de Béhaine, with Florence in the background, by Francois-Xavier Fabre (1766–1837). 1802. Oil on canvas, 96 cm by 74 cm. [GALERIE ERIC COATALEM, PARIS/Frieze Masters]
Attributed works:
Rao Jagat Singh of Kota in his garden, attributed to the Hada Master, India, Rajasthan, Kota. c.1660. Gouache and gold on paper, 27 by 17.7 cm. [SOTHEBY’S, NEW BOND STREET, W1A/Asian Art London]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes]
Attributed works:
Seaside, by Pierre Bonnard (1867–1947). Gouache, 25 by 32.5 cm. [WILDENSTEIN & CO, INC., NEW YORK/Frieze Masters]
Attributed works:
Still life with a herring, cheese and other comestibles on a table, by Jacob van Hulsdonck (1582–1647). Oil on panel, 46.5 by 69.9 cm. [JOHNNY VAN HAEFTEN, RICHMOND/Frieze Masters]
Attributed works:
Stringed figure (Curlew) (Version 1), by Barbara Hepworth (1903– 75). 1956. Brass and cotton string, 46 by 51 by 35 cm. [HAZLITT HOLLAND HIBBERT, LONDON/Frieze Masters]
Attributed works:
The sisters, by Charles Maurin (1856–1914). 1896. Black chalk and pastel on paper, 52.4 by 44.4 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Théodore GERICAULT (Rouen 1791-Paris 1824) and a collaborator Ving-et-une croupes de chevaux à l'écurie (Twenty-one stabled horse's rumps) Oil on canvas 74 x 92 cm (29,13 x 36,22 in) Provenance: Old collection Frédéric de Meuron (1786-1864) [Briscadieu Bordeaux]
Attributed works:
Untitled, by Ghulam Rasool Santosh (1929–97). 1969. Oil on canvas, 170.7 by 203.2 cm. [DAG, NEW DELHI, MUMBAI AND NEW YORK/Frieze Masters]
Attributed works:
Venice: The Grand Canal with a View of the Church of San Stae, by Michele Marieschi (1710–43). 1730s. Oil on canvas, 83.4 by 114 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK/Frieze Masters]
Attributed works:
Westminster Bridge from the north with the Lord Mayor’s Procession, by Canaletto (1697–1768). 1750. Oil on canvas, 47 by 77 cm. [CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Non-western art unattributed:
A blue and white ‘sage’ bottle vase with imperial poem. Yongzheng fourcharacter mark and period, 1723–35. Porcelain, height 19.5 cm. [LITTLETON & HENNESSY, 1 PRINCE’S ARCADE, DUKE STREET ST JAMES’S, SW1Y/Asian Art London]
Non-western art unattributed:
A large hardstone embellished ‘Elephant and tribute bearers’ double-sided tablescreen, Mid-Qing Dynasty. [BONHAMS KNIGHTSBRIDGE, MONTPELLIER STREET, SW7/Asian Art London]
Non-western art unattributed:
Anthropic system II, by Emilie Pugh (b.1988). 2021. 6 layers of burnt kozuke paper 150 by 120 by 20 cm. [MICHAEL GOEDHUIS, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Four keris daggers. 19th century, Bali and Lombok. Steel, wood, gilt metals and precious/ semi-precious stones, length each 50–60 cm. [RUNJEET SINGH, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Glazed slipdecorated ‘cat and butterfl y’ stoneware pillow. Northern Song- Jin dynasty, 12th–13th century, Cizhou, probably Guantai kilns, Hebei province. 18.4 by 31 cm. ESKENAZI, 10 CLIFFORD STREET, W1S/Asian Art London]
Non-western art unattributed:
Nanosaurus. Late Jurassic, c.150 million years old. Fossilised bone, 182 by 25 by 62 cm. [DAVID AARON, LONDON/Frieze Masters]
Western art unattributed:
A chessboard. Andalusia, possibly Granada, Nasrid Spain, 14th–15th century. Ebony, ivory and stained wood inlaid. 41.5 by 41.5 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4, Asian Art London]
Western art unattributed:
AMERICAN SCHOOL PORTRAI T OF TWO GIRLS c. 1825–30 Oil on canvas 24 x 20 in. (61 x 50.8 cm) [Philip Mould]
Western art unattributed:
Master of the Corsi Crucifix Florence, first quarter of the XIV century Recently acquired by Galleria dell’Accademia di Firenze Florence, Italy [Moretti]
Western art unattributed:
The Baird Casket [Sam Fogg]
Article
A portrait of Consul Smith
03/2018 | 1380 | 160
Pages: 214-216
related names
Author:
Whitaker, Lucy (Whitaker, Lucy)
Subjects
places:
Illustrations
Attributed works:
1. Portrait of a Consul, here identified as a portrait of Joseph Smith. Pencil and watercolour on paper, 28.6 by 20 cm. Page from G. Grevembroch: Gli abiti de’ veneziani di quasi ogni età con diligenza raccoliti e dipinti nel secolo XVIII. (Biblioteca del Museo Correr, Venice, MS Gradenigo-Dolfin 49, II, fol.125.2).
Attributed works:
2. ‘Console in Venezia’, in G. Grevembroch: Gli abiti de’ veneziani di quasi ogni età con diligenza raccoliti e dipinti nel secolo XVIII. Pencil and brown ink on paper, 28.6 by 20 cm. (Biblioteca del Museo Correr, Venice, MS Gradenigo-Dolfin 49, II, fol.125.1).
Exhibition Review
Casanova. Fort Worth, San Francisco, Boston
03/2018 | 1380 | 160
Pages: 241-243
related names
Reviewer:
Robinson, Duncan (Robinson, Duncan)
Subjects
dates:
subjects:
Illustrations
Attributed works:
12. Juno asking Aeolus to release the winds, by François Boucher. 1769. Canvas, 278.2 by 203.2 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
13. Seesaw, by Jean-Honoré Fragonard. c.1750–52. Canvas, 120 by 94.5 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
14. St Mark’s basin, by Canaletto. c.1738. Canvas, 124.5 by 204.5 cm. (Museum of Fine Arts, Boston).
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Pages: n.p.
Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Article
Paintings by Canaletto and his father in Aberdeen University
12/2017 | 1377 | 159
Pages: 976-981
related names
Author:
Beddington, Charles (Beddington, Charles)
Author:
Gash, John (Gash, John)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).
Attributed works:
27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).
Attributed works:
28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).
Attributed works:
29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).
Attributed works:
30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).
Attributed works:
31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).
Attributed works:
32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).
Exhibition Review
Eyewitness Views. Los Angeles, Minneapolis and Cleveland
10/2017 | 1375 | 159
Pages: 856-858
Subjects
Reviewed Items
subjects:
Eyewitness Vews: Making History in Eighteenth-Century Europe at J. Paul Getty Museum, Lose Angeles, Minneapolis Institute of Art and Cleveland Museum of Art. | :
Illustrations
Attributed works:
102. The courtyard of the Doge's Palace with the Papal Nuncio Giovani Francesco Stoppani and senators in procession, by Antonio Joli and Michele Marieschi. c. 1741-42 (National Gallery of Art, Washington; exh. Mineapolis Institute of Art).
Attributed works:
103. The procession on the feast day of St Roch, by Antonio Canaletto. c. 1730? (National Gallery, London; Minneapolis Institute of Art).
Attributed works:
104. Detail of Fig. 103.
Attributed works:
105. Regatta in hoour of Prince Freidrich Christian of Savoy, by Michele Marieschi, with figures by Antonio Guardi and (?) Francesco Simonini. c. 1740 (Private collection; exh. Minneapolis Institute of Art).
Exhibition Review
Canaletto. London
08/2017 | 1373 | 159
Pages: 651-652
related names
Reviewer:
Russell, Francis (Russell, Francis; Russell, F.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
53. Venice: The Grand Canal with S. Maria della Salute, towards the Bacino, by Canaletto. 1744 (Royal Collection Trust, London; exh. The Queen's Gallery, London; © Her Majesty Queen Elizabeth II 2017)
Attributed works:
54. Venice: S. Elena and the Certosa from Punta di S. Antonio, by Canaletto. c. 1740 (Royal Collection Trust, London; exh. The Queen's Gallery, London; © Her Majesty Queen Elizabeth II 2017)
Attributed works:
55. The crossing of S. Marco looking to the north transept on Good Friday, by Canaletto. c.1725-30 (Royal Collection Trust, London; exh. The Queen's Gallery, London; © Her Majesty Queen Elizabeth II 2017)
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06/2017 | 1371 | 159
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Proserpine, by Dante Gabriel Rossetti (1828-1882), 1878. Watercolor with bodycolor on paper mounted on wood, 77,5 by 37,5 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. St. Matthew and the Angel by Carlo Dolci (1616 - 1686). Oil on canvas, 40 by 27 cm]
Attributed works:
[Ben ElwesFine Art. 45 Maddox Street, London. William Blake (1757 - 1827). St. Matthew. Circa 1799. Tempera on canvas. 38.5 x 26.5 cm (15.2 x 10.4 inches)]
Attributed works:
[Benjamin Proust. 43-44 New Bond Street, London. Giovanni da Bissone, Annunciation, circa 1450 - 1465. Marble. Height: 63.5 cm.]
Attributed works:
[Burzio. Exhibiting at: Robilant + Voena, 38 Dover Street, W1S. One of a pair of armchairs, by Bartolomeo Manghetti (active 1775-1792). c. 1780. Carved wood, painted with gilt and tapestry. Dimensions: 60 by 54 by 100 cm]
Attributed works:
[Burzio. London. Pietro Piffetti (1701-1777) and Francesco Ladatte (1706-1787). The Pietro Piffetti Personal Bombé Commode Burr Walnut, boxwood and ebony with ormolu mounts. 125 x 57 x 83 cm. Turin, circa 1760]
Attributed works:
[Chanel. L'Instant. Boy-Friend Tweed.]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1S. Venice: The Piazza San Marco, looking North towards the Torre dell'Orologio, by Pietro Bellotti (1725 - c. 1800). Oil on canvas, 38 by 49 cm.]
Attributed works:
[Daniel Katz, 6 Hill Street, W1J. Le Moribund (a study for the Raft of the Medusa), by Théodore Géricault (1791-1824). c.1819. Patinated plaster, 11 cm by 34.5 cm]
Attributed works:
[Daniel Ketz Gallery. 6 Hill Street. London. Gustave Doré. Strasbourg, 1832 - Paris, 1883. The Acrobats. Bronze. 58.8 cm high. Circa 1881. Signed G.ve Doré]
Attributed works:
[De Jonckheere, Geneva and Paris. Still life with an overturned basket of flowers, by Johannes Bosschaert (c. 1607-1628). Oil on panel, 51 by 74 cm]
Attributed works:
[Dickinson, London and New York. The windmill near The Hague, by Vincent van Gogh (1853-1890). 1882. Gouache and watercolour over pencil an paper laid down on board, 37 by 55.5 cm]
Attributed works:
[Didier Aaron Ltd, 15 Clifford Street, W1S. La Toilette, by Jean-Baptiste Mallet (1759-1835). Gouache on paper, 46 by 38 cm.]
Attributed works:
[Drouot Christophe Joron-Derem. Exhibiting at: 35 St. George Street, W1S. A study for a stained-glass window: The mocking of Christ, with two coats of arms, by Christophe Murer (1558 - 1614). Black chalk, pen and black ink and grey wash, 63,8 by 64.1 cm]
Attributed works:
[Fergus Hall, 42 Albermarle Street, W1S. Portrait of Vincenzo Gonzaga, DUke of Mantua, by Frans Pourbus the Younger (1569 - 1622). Oil on canvas, 76.5 by 66.8 cm]
Attributed works:
[Fine Art Society, London. Crouching fawn, by Henry Gaudier-Brzeska (1891-1915). Bronze, 30.5 by 25.4 by 12.7 cm]
Attributed works:
[Florian Harb - Martin Grassle, 5 Dalmey Court, 8 Duke Street, SW1. A man resting in a landscape with farmhouses and a castle in the distance, by Remigio Cantagallina (c. 1581 - 1656). Pen and Brown ink over traces of black chalk, 24 by 39.1 cm]
Attributed works:
[Gallery van Vertes, Zurich, Variation: Herhstglanz, by Alexej von Jawlensky (1864-1941). 1915. Oil on linen-finished paper laid down on cardboard, 36 by 27.3 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. London. Gerald Laing, 1936-2011. Pendulum, 1964. Oil on canvas. 84 x 40 inches; 213,5 x 101,5 cm]
Attributed works:
[Hazlitt Holland-Hobbert, London. Myrrh, by Bridget Riley, (b. 1931). 1985. Oil on canvas, 165.1 by 138.5 cm]
Attributed works:
[im Kinsky. Palais Kinsky, 1010 Wien. Egon Schiele, Houses in Krumau.]
Attributed works:
[Jean-Luc Baroni Ltd, 7/8 Mason's Yard, SW1. Study of the head of a bearded man and a second head in profile: verso: a fragmentary sketch of Greek style decoration, by Giovanni Francesco Barbieri, callerd Il Guercino (1591 - 1666). Pen and brown ink, 14.1 by 26.1 cm]
Attributed works:
[Jean-Luc Baroni Ltd. 7/8 Mason's Yard, St. James's, London. François Boucher (Paris 1703-1770). Study of a Seated Female Nude, her Hands reaching to her foot. Red, black and white chalk, with graphite and touches of blue chalk on buff paper. Signed, lower left, in black chalk: f. Boucher. 305 x 225 cm]
Attributed works:
[Museo del Prado. Madrid. Velasquez. Portrait of Philip III]
Attributed works:
[Repetto Gallery, London. Concetto Spaziale - Natura, by Lucio Fontana (1899-1968), 1967. Polished bronze, in two parts, height 26.5 cm]
Attributed works:
[Robilant + Voena, 38 Dover Street, W1S. Cortile di Via Fondazza, by Giorgio Morandi (1890 - 1964). 1941. Oil on canvas, 56 by 45 cm]
Attributed works:
[Robilant + Voena. London, Milan, St. Mortiz. Anne-Louis Girodet-Trioson, Portrait of Madame Bertin de Vaux. Monogrammed and dated lower left: ALGRDT / 1806, oil on canvas with original frame, 65.5 x 55 cm / 19.3 x 15.8]
Attributed works:
[Ronald Phillips Ltd, London. The Bridgewater House Porphyry Doplphin Tables, by Charles Heathcote Tatham (1772-1842). 1803-1806. Giltwood, each 83 cm by 114.5 cm by 59.5 cm]
Attributed works:
[Sam Fogg, 15d Clifford Street, W1S. The Martyrdom of Saint Vincent, (detail), by Tomas Giner (1458 - 1480). c. 1462-66. Oil and gilding on softwood panel, 106 by 73 cm]
Attributed works:
[Sarti Gallery, Paris. Ascension of Christ with God the Father, four adoring angels, the Virgin and Apostle, by Neri di Bicci (c.1475-1480). Tempera and gold on panel, 94.5 by 57.5 cm]
Attributed works:
[Sladmore Gallery. 57 Jermyn Street. London. Balzac by Rodin.]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Antoine Caron. Judgment Day.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Chruch St. London. Willem van Mieris. The Penitent Mary Magdalene (detail)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. Giovanni Domenico Tiepolo (1727 - 1804). The Resurrection of Christ. Pen and brown ink and brown wash, over an underdrawing in black chalk. Signed Dom.o Tiepolo f. at the lower left corner. 473 x 368 mm (18 5/8 x 14 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. St. Anthony of Padua and the miracle of the miser's heart, by Giambattista Tiepolo (1696 - 1770). Pen and black ink over traces black chalk, 41.0 by 30.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 67 Jermyn Street, SW1. Baccante Cimbalista, by Cav. Cincinnato Baruzzi (1796-1878). White marble. Height: 148 cm]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, London. Giuseppe Piamontini (Florence, 1663 - 1744). Milo of Croton. Marble. Signed and dated G. P / F. / 1740. 168 cm (65 3/4 ins)]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, W1S. The temptation of Adam, by Giorvanni Dupré (1817-1882). Marble, 94 by 70 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. 19 Crown Passage, St. James's, London. Egyptian Bronze of Osorkon II. 22nd Dynasty, c. 874-850 BC. Height: 11 cm.]
Western art unattributed:
[Benjamin Proust FIne Art Ltd, 43-44 New Bond Street, W1S. The Lernaean Hydra, Italian (first half of the 16th century). Terracotta, 65 by 45 cm]
Western art unattributed:
[Cambi, Genoa. Baroque Genoese Sculptor, next to Filippo Parodi (1630-1702), Marble bust]
Western art unattributed:
[David Aaron, London. Corinthian helmet, Spain, c. 6th century BC. Bronze, height 26 cm]
Western art unattributed:
[Galerie Chenel, Paris. Mars, Roman, 1st.2nd century AD. Marble, height 180 cm]
Western art unattributed:
[Peter Finer, 38/39 Duke Street, St. James's, London. A Fine Hunting Trousse, German. c. 1720-40.]
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