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Article

Paintings by Canaletto and his father in Aberdeen University

12/2017 | 1377 | 159

Pages: 976-981

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Author:

Beddington, Charles (Beddington, Charles)

Author:

Gash, John (Gash, John)

Subjects

artists:

Canaletto / Canale, Giovanni / Canal, Bernardo / Bellotto, Bernardo

collectors and dealers:

Henderson, Alexander

dates:

1730-1739 / 1740-1749

museums and institutions:

University of Aberdeen, Aberdeen, Great Britain

styles:

Vedute / Capricci / Italian art

subjects:

Attributions

Illustrations

Attributed works:

26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).

Attributed works:

27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).

Attributed works:

28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).

Attributed works:

29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).

Attributed works:

30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).

Attributed works:

31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).

Attributed works:

32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).

Article

Pietro Bellotti in England and elsewhere

10/2007 | 1255 | 149

Pages: 678-684

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Author:

Beddington, Charles (Beddington, Charles)

Subjects

artists:

Bellotti di Canaleti, Pietro, act. 1748-1768

artists:

Bellotto, Bernardo / Canaletto

artists:

Harding, Francis

dates:

1620-1629 / 1630-1639 / 1640-1649 / 1650-1699

places:

England

print:

Bellotti di Canaleti, Pietro, act. 1748-1768

subjects:

Capricci / Architectural paintings / Views

subjects:

Attributions, tentative

Illustrations

Attributed works:

21. Warwick Castle: the south front, by Pietro Bellotti. Between 1763 and 1767. Canvas, 62.5 by 99 cm. (Paul Mellon Collection, Yale Center for British Art, New Haven).

Attributed works:

22. The courtyard of the Royal Exchange, London, by Pietro Bellotti. Canvas, 63 by 81.2 cm. (Courtesy of the Mercers’ Company Archives and Art Collection, London).

Attributed works:

23. Northumberland House, London, by Pietro Bellotti? Canvas, 30.5 by 44.5 cm. (Present whereabouts unknown).

Attributed works:

24. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 75.5 by 56.5 cm. (Mauritshuis, The Hague).

Attributed works:

25. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 75.5 by 56.5 cm. (Mauritshuis, The Hague)

Attributed works:

26. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 49 by 65.4 cm. (Art market, London).

Attributed works:

27. Capriccio of classical ruins, by Pietro Bellotti. Canvas, 49 by 65.4 cm. (Art market, London).

Attributed works:

28. A regatta on the Grand Canal, Venice, by Pietro Bellotti. Canvas, 62.2 by 91.5 cm. (Present whereabouts unknown).

Attributed works:

29. The Riva degli Schiavoni, Venice, looking east, by Pietro Bellotti. Canvas, 58 by 91 cm. (Art market, Rome).

Attributed works:

30. The Molo, Venice, looking west, with the Doge’s palace, by Pietro Bellotti. Canvas, 38 by 48.5 cm. (Private collection).

Attributed works:

31. Graben, Vienna, by Pietro Bellotti. Canvas, 38 by 48.5 cm. (Private collection).

Attributed works:

32. The chapel of the Château de Versailles, by Pietro Bellotti. Canvas, 38 by 48.5 cm. (Private collection).

Short Notice

Some little-known Venetian views by Canaletto of the 1720s

11/2006 | 1244 | 148

Pages: 772-778

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Author:

Beddington, Charles (Beddington, Charles)

Subjects

artists:

Canaletto

dates:

1720-1729

museums and institutions:

Gemäldegalerie, Dresden, Germany / Villa Vauban, Luxembourg, Luxembourg / Museo Thyssen-Bornemisza, Madrid, Spain

places:

Venice / Italy

print:

Canaletto

subjects:

Italian painting / Topographical views / Canals / Collections, Private / Collections, Public

Illustrations

Attributed works:

44. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1723–24. Canvas, 142 by 203 cm. (Museo Thyssen-Bornemisza, Madrid).

Attributed works:

45. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1723. Canvas, 82 by 120 cm. (Galerie d’Art de la Ville de Luxembourg, Villa Vauban).

Attributed works:

46. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1722–23. Canvas, 65.5 by 97.5 cm. (Gemäldegalerie Alte Meister, Dresden).

Attributed works:

47. The Campo SS. Giovanni e Paolo, by Giovanni Antonio Canal, called Canaletto. c.1723. Canvas, 82 by 120 cm. (Galerie d’Art de la Ville de Luxembourg, Villa Vauban).

Attributed works:

48. The Campo SS. Giovanni e Paolo, by Giovanni Antonio Canal, called Canaletto. Probably 1725. Canvas, 125 by 165 cm. (Gemäldegalerie Alte Meister, Dresden).

Attributed works:

49. The Grand Canal, looking west, with the church of S. Maria della Salute, by Giovanni Antonio Canal, called Canaletto. c.1724. Canvas, 34.5 by 62.7 cm. (Private collection).

Attributed works:

50. The Rialto Bridge from the south, by Giovanni Antonio Canal, called Canaletto. c.1724–25. Canvas, 149 by 203.8 cm. (Private collection, Paris).

Attributed works:

51. The Rialto Bridge from the south, by Giovanni Antonio Canal, called Canaletto. c.1724. Canvas, 55.2 by 73 cm. (Whereabouts unknown).

Attributed works:

52. The Grand Canal, looking south-west from the Rialto Bridge to the Palazzo Foscari, by Giovanni Antonio Canal, called Canaletto. c.1726. Canvas, 62.6 by 101 cm.(Whereabouts unknown).

Attributed works:

53. The entrance to the Grand Canal, looking east, with the church of S. Maria della Salute, by Giovanni Antonio Canal, called Canaletto. c.1726. Canvas, 47.5 by 78.5 cm. (Private collection, England).

Article

Bernardo Bellotto and his circle in Italy. Part II: the Lyon Master and Pietro Bellotti

01/2005 | 1222 | 147

Pages: 16-25

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Author:

Beddington, Charles (Beddington, Charles)

Subjects

artists:

Bellotto, Bernardo / Bellotti di Canaleti, Pietro, act. 1748-1768 / Lyon Master

dates:

1740-1749 / 1750-1759

places:

Venice

subjects:

Italian painting / Attribution / Attributions / Copies / Topographical views / Canals / Biographies

subjects:

Identification

Illustrations

Attributed works:

S. Cristoforo, S. Michele and Murano from the Fondamenta Nuove, here attributed to Pietro Bellotti. c.1742–48. 128.7 by 134.6 cm. (Present whereabouts unknown).

Attributed works:

S. Giorgio Maggiore, here attributed to the Lyon Master. c.1740. 66.6 by 81.5 cm. (Present whereabouts unknown).

Attributed works:

The entrance to the Grand Canal, looking east from the Campo S. Maria del Giglio, with S. Maria della Salute, here attributed to Pietro Bellotti. c.1743–44. 56.5 by 84.5 cm. (Art market, London).

Attributed works:

The entrance to the Grand Canal, looking east from the Campo S. Maria del Giglio, with S. Maria della Salute, here attributed to the Lyon Master. c.1743–44. 47.3 by 73.5 cm. (Art market, London).

Attributed works:

The entrance to the Grand Canal, looking east, with S. Maria della Salute, here attributed to Pietro Bellotti. c.1742–48. 130.2 by 134.6 cm. (Present whereabouts unknown).

Attributed works:

The entrance to the Grand Canal, looking east, with S. Maria della Salute, here attributed to Pietro Bellotti. c.1742–48. 43 by 57.6 cm. (Private collection, London).

Attributed works:

The Grand Canal at the entrance to the Cannaregio with S. Geremia and the Palazzo Labia, here attributed to Pietro Bellotti. c.1742–48. 112 by 136.5 cm. (Private collection, UK).

Attributed works:

The Grand Canal, looking north from the Palazzo Rezzonico to the Palazzo Balbi, here attributed to the Lyon Master. c.1743. 79 by 121 cm. (Musée des Beaux-Arts, Lyon).

Attributed works:

The Molo from the Bacino di S. Marco, here attributed to the Lyon Master. c.1740. 67 by 81.5 cm. (Present whereabouts unknown).

Attributed works:

The Molo, looking west from the Bacino di S. Marco towards the entrance to the Grand Canal, here attributed to the Lyon Master. c.1743–44. 47 by 72.5 cm. (Art market, London).

Attributed works:

The Piazza S. Marco, looking south, here attributed to Pietro Bellotti. ?1741. 63 by 76.5 cm. (Present whereabouts unknown).

Attributed works:

The Piazza S. Marco, looking west, here attributed to the Lyon Master. Before 1742. 68 by 91 cm. (Musée des Augustins, Toulouse).

Article

Bernando Berlotto and his circle in Italy. Part I: not Canaletto but Bellotto

10/2004 | 1219 | 146

Pages: 665-674

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related names

Author:

Beddington, Charles (Beddington, Charles)

Subjects

artists:

Bellotto, Bernardo

artists:

Canaletto

dates:

1700-1799

places:

Italy / Venice

print:

Bellotto, Bernardo / Canaletto

subjects:

Italian painting / Attributions

Illustrations

Attributed works:

15. The Grand Canal, looking south from the Ca' da Mosto to the Rialto Bridge, by Bernardo Bellotto. c.1738. 59 by 91 cm. (Private collection, United States).

Attributed works:

16. The Grand Canal, looking south from the Ca' da Mosto to the Rialto Bridge, by Giovanni Antonio Canal, il Canaletto. c.1737. 58.5 by 93 cm. (Private collection, United States).

Attributed works:

17. The Piazza S. Marco, here attributed to Bernardo Bellotto. c.1737. 60.7 by 92.8 cm. (Private collection, United States).

Attributed works:

18. The Grand Canal, looking north from the Palazzo Contarini dagli Scrigni to the Palazzo Rezzonico, here attributed to Bernardo Bellotto. c.1739. 61 by 92.5 cm. (Present whereabouts unknown).

Attributed works:

19. A regatta on the Grand Canal, here attributed to Bernardo Bellotto. c.1739. 120 by 158 cm. (Present whereabouts unknown).

Attributed works:

20. The north side of the Campo S. Basso, with the church, here attributed to Bernardo Bellotto. c.1742-43. Pen and brown ink over black chalk, 43.5 by 28.9 cm. (J. Paul Getty Museum, Los Angeles).

Attributed works:

21. A market scene, here attributed to Bernardo Bellotto, verso of the drawing shown in Fig. 20.

Attributed works:

22. The Grand Canal at the entrance to the Cannaregio with S. Geremia and the Palazzo Labia, here attributed to Bernardo Bellotto. c.1740. 61 by 92 cm. (Private collection, United States).

Attributed works:

23. S. Giorgio Maggiore and the Punta della Dogana from the entrance to the Grand Canal, here attributed to Bernardo Bellotto. c.1742. 61.5 by 96.5 cm. (Private collection).

Attributed works:

24. The Pantheon, here attributed to Bernardo Bellotto. ?1742. 61.5 by 97 cm. (Dayton Art Institute).

Attributed works:

25. Capriccio of a column and a church by the Venetian lagoon, by Giovanni Antonio Canal, il Canaletto. c.1743. 51 by 68.5 cm. (Private collection, New York).

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