By using this website you agree to our Cookie policy

Search

64 articles
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Article
Paintings by Canaletto and his father in Aberdeen University
12/2017 | 1377 | 159
Pages: 976-981
related names
Author:
Beddington, Charles (Beddington, Charles)
Author:
Gash, John (Gash, John)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).
Attributed works:
27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).
Attributed works:
28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).
Attributed works:
29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).
Attributed works:
30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).
Attributed works:
31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).
Attributed works:
32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).
Exhibition Review
Bernardo Bellotto
02/2015 | 1343 | 157
Pages: 122-123
related names
Reviewer:
Stemp, Richard (Stemp, Richard)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
75. Munich from the East, by Bernardo Bellotto (Alte Pinakothek, Bayerische Staatsgemäldesammlungen, Munich)
Attributed works:
76. The ruin of the Kreuzkirche, Dresden, by Bernardo Bellotto (Kunsthaus, Zürich; exh. Alte Pinakothek, Munich)
Attributed works:
77. Nymphenburg Palace from the park, by Bernardo Bellotto (Bayerische Schlösserverwaltung, Munich; exh. Alte Pinakothek, Munich)
Attributed works:
78. Capriccio with a triumphal arch on the banks of the lagoon, by Bernardo Bellotto (Museo Civico, Asolo; exh. Alte Pinakothek, Munich)
Advertisements
Advertisements October 2012 (back)
10/2012 | 1315 | 154
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London "1932" collection 80th anniversary.]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Be**ollo, View of San Giovanni in Laterano Square, Rome]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Canaletto, Torre di Marghera, Venezia]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Fontana, Concetto Spaziale]
Western art unattributed:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Italian Artist, Vanitas]
Article
The rediscovery of Bernardo Bellotto’s inventory
01/2012 | 1306 | 154
Pages: 32-36
related names
Author:
Manikowska, Ewa (Manikowska, Ewa)
Subjects
dates:
Illustrations
Attributed works:
46. A page from the Catalogo of Bernardo Bellotto. 1762. (Vilnius, Wróblewski Lithuanian Academy of Sciences, LMAB, F. 22, no.26, fol.16v).
Attributed works:
47. Perspective de la ville neuve, et du Palais de S. M. dit d’Hollande et des environs de la campagne de Loschuwitz, avec une partie de la Roiale Eglise catolique, et des Basions de la ville de Dresde, by Bernardo Bellotto. 1747. Etching, 58.3 by 88.3 cm. (University Library, Warsaw).
Attributed works:
48. Architectural capriccio with a self-portrait in the costume of a Venetian nobleman, by Bernardo Bellotto. c.1765–66. Canvas, 153 by 114 cm. (National Museum, Warsaw).
Article
Bellotto and Zanetti in Florence
01/2012 | 1306 | 154
Pages: 24-31
related names
Author:
Kowalczyk, Bozena Anna (Kowalczyk, Bozena Anna)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
34. The Piazza della Signoria, Florence, by Bernardo Bellotto. 1740. Canvas, 61 by 90 cm. (Museum of Fine Arts, Budapest).
Attributed works:
35. The Arno towards the Ponte S. Trinita, Florence, by Bernardo Bellotto. 1740. Canvas, 62 by 90 cm. (Museum of Fine Arts, Budapest).
Attributed works:
36. The Arno towards the Ponte Vecchio, Florence, by Bernardo Bellotto. 1740. Canvas, 50 by 75 cm. (Alfred Beit Foundation, Russborough House, County Wicklow).
Attributed works:
37. The Arno with S. Frediano in Cestello from Vaga Loggia, Florence, by Bernardo Bellotto. 1740. Canvas, 50 by 75 cm. (Alfred Beit Foundation, Russborough House, County Wicklow).
Attributed works:
38. View of the Arno towards the Ponte Vecchio, Florence, by Bernardo Bellotto. c.1743. Canvas, 73.3 by 105.7 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
39. View of the Arno towards the Ponte alla Carraia, by Bernardo Bellotto. c.1743. Canvas, 73.7 by 105.4 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
40. View of the Arno towards the Ponte alla Carraia, by Bernardo Bellotto. 1740. Pen and brown ink over pencil on paper, 25.6 by 37 cm. (Gabinetto di Disegni e Stampe degli Uffizi, Florence).
Attributed works:
41. Anton Maria Zanetti and Andrea Gerini, by Giuseppe Zocchi. c.1740. Oil on copper, 37 by 28 cm. (Museo Correr, Venice).
Attributed works:
42. The Piazza S. Martino, Lucca, by Bernardo Bellotto. 1740. Canvas, 50.8 by 72 cm. (York City Art Gallery).
Attributed works:
43. The Grand Canal in Venice, looking south, from the Palazzo Foscari towards the Carità, by Bernardo Bellotto. 1740. Canvas, 101 by 162 cm. (Nationalmuseum, Stockholm).
Attributed works:
44. The Campo SS. Giovanni e Paolo, Venice, by Bernardo Bellotto. 1741. Canvas, 68 by 98.4 cm. (Museum of Fine Arts, Springfield).
Attributed works:
45. The Bacino di S. Marco from the Piazzetta, by Bernardo Bellotto. 1740. Canvas, 47.7 by 62.8 cm. (Private collection).
Advertisements
Advertisements June 2011 (front)
06/2011 | 1299 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]
Advertisements
Advertisements February 2011 (front)
02/2011 | 1295 | 153
Pages: s.p.
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Antoine de Lohny (active in Autun, Toulouse, Barcelona and Piedmont 1446 - c.1490). Saint Vincent Ferrer Proaching. Tempera on gold ground panel, 41 3/4 x 16 3/8 in. (106 x 41.5 cm)
Attributed works:
[Charles Beddington, London. A capriccio of classical ruins on a Mediterranean coast, by Leonard Coccorante (1680-1750). Signed with monogram 'LC' (lower right). Oil on canvas, 75 by 126 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Attributed to Pieter Balten (Antwerp 1525 - 1598). Kermesse with the feast of Saint Georges. Oil on canvas, 153 by 286 cm (60 1/4 by 112 1/2 in.).]
Attributed works:
[David Koetser, Switzerland. A wooded dune landscape, by Jacob van Ruisdael (1628/29-82). Signed and dated lower center: JVRuidfael 1648. Oil on panel, 27.5 by 31 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The siege of Therouanne, with the army led by Charles V camping at the foot of the town, by Henri Met de Bles (c.1510 - 1560). Oil on panel, 118.1 by 181 cm]
Attributed works:
[Galerie Canesso, Paris. Exotic birds from the aviaries of Grand Duke Cosimo III de' Medici in a landscape, by Bartolomeo Bimbi (1648-1730). Oil on canvas, 119.4 by 151.1 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellamare di Stabia, 1707 - Naples, 1789. The Painter's Studio. Oil on canvas, 168 x 235 cm /66 1/4 x 92 1/2 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jan van Bijlert (Ultrecht 1597-1671). Young Woman with a cat. Allegory of the sense of touch. Oil on canvas, 76.5 x 64.5 cm.]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Nicolas Maes. 'The presentation of Christ in the temple. Pen, brush and brown ink, 13.7 x 14.7 cm)]
Attributed works:
[Gallery Matthiesen. 7/8 Manson’s Yard, Duke Street, St. James’s. London, W.1. WERNER VAN DER VALKERT (In or nr. The Hague c.1580/85 - c-1627 Amsterdam). Omnia Vincit Amor. Circa 1616. Oil on panel; 78 x 63 cm (30 3/4 x 24 3/4 in)]
Attributed works:
[Haboldt & Co. Paris. 'Tronie' of an old man, by Jan Lievens (1607-74). c. 1629. Oil on panel, 60.1 by 47.8 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Peter Lanyon 1918-1964. Coast Wind, 1957. Oil on board. 72 x 48 inches; 183 x 122 cm. Signed and dated.]
Attributed works:
[Johnny van Haeften Ltd, London. The Hofstede Wolf en Hoeck on the Pumer, by Jan van der Heyden (1637-1712). Signed lower left. Oil on panel, 33.8 by 39.7 cm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Michael Sweerts (Brussels 1618 - 1664 Goa). A Portrait of a Gentleman. On canvas, 25 1/4 x 20 1/4 ins (64.1 x 51.4 cm) - oval.]
Attributed works:
[Koetser Gallery Ltd. Talstrasse 37. Zurich. Jan Luijkenstraat 62 (sous). Amsterdam. Oil sketch by Sir Peter Paul Rubens (1577 Siegen - Antwerp 1640). Alexander and Roxana. Oil on panel, 40 x 35.5 cm]
Attributed works:
[Oskar Reinahrt. Haldenstrasse 95. Winterthur. Camille Corot, La Petite Liseuse of Jeune bergère aussie et liant, c.1855/65]
Attributed works:
[Otto Naumann Ltd. New York. Architectural capriccio with a self-portrait of Bellotto in the costume of a venetian nobleman, by Bernardo Bellotto (1721-80). Oil on canvas, 155 by 112 cm]
Attributed works:
[Richard L. Feigen & Co., New York. Mountainous landscape with Hunters, by Jan Looten (c.1618-c.1680). Oil on canvas, 112.5 by 146.5 cm]
Attributed works:
[Schlichte Bergen, Amsterdam. An ideal landscape with an epitaph for Epaminondas, by George Augustus Wallis Merton (1761-1847). One of pair of neoclassical drawings in their contemporary frames. Black chalk on brown paper, 72 by 101 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Adrian Ludwig Richter. Dresden 1803-1884 Loschwitz. Am Brunnen bei Grottaferrata. Signed and dated L. Richter/1832. Canvas 113 x 99.5 cm]
Attributed works:
[The Burlington Magazine, London. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk, 35 by 25 cm (Dulwich Picture Gallery)
Attributed works:
[The Burlington Magazine. London. Head of St. Peter from the Last Supper, after Leonardo da Vinci (Giovanni Antonio Boltraffio ?). Black chalk, pastel and watercolour. (Cabinet des Estampes at des Dessins, Stasbourg)]
Attributed works:
[The Burlington Magazine. Study after Ruben's 'Peace and War', here attributed to Eugène Delacroix. c.1825. Watercolour and gouache, 33.5 by 26 cm. (Private collection)]
Attributed works:
[The Matthisen Gallery, London. Huntsmen in a landscape, by Paul Brill (1554-1626). Signed and dated 1612. On canvas, 59 by 87 cm]
Attributed works:
[The Rubens House Museum. Anthony van Dyck (1599-1641), Isabella Brant. @ National Gallery of Art, Washington, DC.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico Road. London. Wilhelm de Groff (early 18th Century). A monumental portrait of Maximilian II Emanuel, Elector of Bavaria (1662-1726). Bronze.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: A needlework mirror with folding shutters. English, late 17th Century.]
Advertisements
Advertisements September 2010 (front)
09/2010 | 1290 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Fruit in a brown bowl, by Sir Matthew Smith, CBE. C.1928. Oil on canvas, 40 by 56 cm]
Attributed works:
[Agnew's, London. Picture of a boy, by Henry Lamb (1885-1960). Oil on panel, 35 by 25 cm]
Attributed works:
[Antichità Bacarelli, Florence. Head of Marz. Florence, first half of the seventeenth century. Onyx, Egyptian alabaster. Height: 59cm.]
Attributed works:
[Bernheimer - Colnnaghi, Munich and London. Giovanni Paolo Parini, by Louis-Gabriel Blanchet (1705-72). Oil on canvas, 96.5 by 76 cm]
Attributed works:
[Boundary Gallery, London. Adolescence, by Mark Gertler (1891-1939). 1923. Signed. Oil on canvas, 75 by 49.5 cm]
Attributed works:
[Carlo Orsi Antichità, Milan. Cupid, by Antonio Canova (1757-1822). Signed on the pedestal: ANT.CANOVA. Plaster. Height: 140 cm]
Attributed works:
[Cesare Lampronti, Rome and Milan. Rome Colosseum and the Arch of Constantine, by Bernardo Bellotto (1722-80). Oil on canvas, 61 by 98 cm.]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jean-Baptiste Oudry (Paris 1686 - 1755 Beauvais). Portrait de la Famille Nau. Painted circa 1715. Oil on canvas, 158 by 233 cm. (62 1/4 by 91 3/4 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, London & New York. Aeneas and Anchises fleeing Troy, by Jean Tassel (c.1608-67). c.1650. Oil on canvas, 88.5 by 76.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. André Charles Boulle (1642-1732), Chandelier with Dolphins, Paris. c.1700. Bonze, fire gilt, height 77cm. diameter 81.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, Il Guercino (1591-1666), David and Abigail (detail), one of a pair, oil on canvas, 130 x 135 cm]
Attributed works:
[Duncan R Miller Fine Arts, London. Street scene, cassis, by Samuel John Peploe RSA (1871-1935). Oil on board, 33 by 41 cm]
Attributed works:
[G. Sarti, Paris. Virgin and Child, by Francesco Traini (documented 1321-45). c.1325. Tempera on panel with gold ground, 63.5 by 51.]
Attributed works:
[Galerie Béres, Paris, Composition, by Alberto Magnelli (1888-1971). 1937. Gouache on cardboard, 50.6 by 68 cm]
Attributed works:
[Galerie Brame & Lorenceau, Paris. Composition, by Olivier Debré (1920-99). Signed lower left: O. Debré. Oil on canvas, 58.4 by 71.1 cm.]
Attributed works:
[Galerie Canesso, Paris. The Holy Family with St. Dorothy, by Angelo Caroselli (1585-1652). Oil on panel, 53 by 45.5 cm]
Attributed works:
[Galerie de Jonckheere, Brussels & Paris. The indoors wedding dance, by Pieter Brueghel the Younger (1564-1638). Signed and dated 1622. Oil on panel, 76.6 by 108 cm]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse I. Luzern. Bartolomeo Passarotti (Bologna 1529-1592 Rom) "Fishmongers Shop" Oil on canvas, 114 x 153 cm]
Attributed works:
[Galerie Schmidt, Paris. Crouching nude leaning forward, by Pierre Bonard (1867-1947). Oil on panel, 106.7 by 75.2 cm.]
Attributed works:
[Galleria Bottega Antica, Bologna, Nude with red hair, by Giovanni Boldini. c.1910-12. Oil on canvas, 80 by 40 cm.]
Attributed works:
[Gallery Patrice Bellanger, Paris. St. Jerome, attributed to Camillo Rusconi (1658-1728). c. 1700-10. One of a pair of terracotta models. Height: 47 cm]
Attributed works:
[Gimpel Fils, London. Sibella, by Albert Irvin. 2008. Acrylic on canvas, 61 by 61 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Christopher Nevinson 1889-1946. Night Arrivals, 1915. Ink and grey wash. 6 5/8 x 9 7/8 inches; 16.8 x 25.2 cm. Signed.]
Attributed works:
[JHW Fine Art, London. Boxing at Juan-les-Pins, by Wyndham Lewis (1882-1957). 1929. Watercolour, gouache, ink, and pencil, 32 by 44.5 cm]
Attributed works:
[Marlborough Gallery, London. Three studies of the human body (one of a series of three), by Francis Bacon. 1970. Oil on canvas, each panel, 198.1 by 145.3 cm]
Attributed works:
[Martin Tinney, Cardiff. Girl with cat, by Ceri Richards (1903-71). 1947. Oil on canvas, 50 by 40 cm]
Attributed works:
[Moretti, Florence, London & New York. Virgin and Child, by Neri di Bicci (1418-92). Oil on panel, 85.4 by 61 cm]
Attributed works:
[Nasher Museum of art at Duke University. IMAGE: David Bomberg, the Mud Bath, 1914. Oil on canvas, 152.4 x 224.2 cm. Collection of the Tate, London. Purchased 1964.]
Attributed works:
[Osborne Samuel, London. Squares (June), by Barbara Hepworth (1903-75). 1969. Bronze, edition of 9. 23 cm high.]
Attributed works:
[Richard Green, London. Shelter scene: Bunks in London Underground, by Henry Moore (1898-1986). Signed, inscribed with the title and #3. Pencil, crayon and wash, 27.3 by 21 cm]
Attributed works:
[Sladmore Gallery, London. Dancer at rest, by Edgar Degas (1834-1917). c.1920. Bronze.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Frank Auerbach. Head of Helen Gillespie II]
Attributed works:
[The Burlington Magazine. Philip IV of Spain, by Diego Velasquez. 1644. Canvas, 133.5 by 98.5 cm.(Frick Collection, New York)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Jean-Pierre-Antoine Tassaert (1727-1788) (attributed to). Bust of a Child. Terracotta, on a mottled grey marble socle. 38.5 9 (15 1/8) high]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Willems (c.1715-1766). A black man in ragged clothes with a bowl. Signed and dated 1736. Terracotta.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Gould, The Birds of Europe. 5 Volumes.]
Attributed works:
[Whitfield Fine Art, London. Tree form, by Graham Sutherland (1903-80). Signed and dated: Sutherland 1958 (lower right). Oil, gouache, ink, pencil and pastel on paper mounted on board, 26.5 by 20 cm]
Western art unattributed:
[Galerie Chenel. 6 rue de Baune. Paris. A colossal marble Hercules Farnese head. Roman Ist-IInd AD.]
Western art unattributed:
[W. Apolloni, Rome. Dressing-table. Early nineteenth century. Carved Carrara Marble. Length: 151 cm. Width: 102 cm. Height: 203 cm.]
Exhibition Review
Canaletto and Bellotto. Turin
06/2008 | 1263 | 150
Pages: 430-431
related names
Reviewer:
Russell, Francis (Russell, Francis; Russell, F.)
Subjects
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
Canaletto and Bellotto, l’Arte della Veduta | institution: Palazzo Bricherasio
Illustrations
Attributed works:
79. Grand Canal from Ca’ Foscari, by Antonio Canaletto. c.1726–27. Canvas, 49.9 by 80.3 cm. (Royal Collection, London; exh. Palazzo Bricherasio, Turin).
Attributed works:
80. Grand Canal from Ca’ Foscari, by Bernardo Bellotto. c.1740. Canvas, 101 by 162 cm. (Nationalmuseum, Stockholm; exh. Palazzo Bricherasio, Turin).
load more