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Exhibition Review
Rembrandt: Britain’s Discovery of the Master. Scottish National Gallery, Edinburgh
10/2018 | 1387 | 160
Pages: 856-857
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related names
Reviewer:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
artists:
Rembrandt van Rijn / Reynolds, Joshua / Richardson, Jonathan, the Elder, 1665-1745 / Houston, Richard / Worlidge, Thomas / Baillie, William, 1723-1818 / Gilbert, John / Auerbach, Frank / Gotlib, Henryk / Brown, Glenn
collectors and dealers:
Charles I, King of England, 1600-1649 / Cavendish, William, Second Duke of Devonshire, 1627-1729 / Flinck, Nicolaes
dates:
2010-2019
media:
Paintings / Drawings / Prints / Mezzotints
museums and institutions:
National Gallery of Scotland, Edinburgh, Great Britain
places:
Great Britain / Edinburgh
subjects:
Dutch painting / British painting / Influence / Critical Reception / Collecting / Collections, Public / Collections, Private / Copying / Damage to works of art / Caricatures / Portraits / Self-portraits / Landscapes (visual works) / Printmakers
Illustrations
Attributed works:
10. An old woman reading, by Rembrandt. 1655. Canvas, 78.7 by 66 cm. (Buccleuch Collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
11. Unknown pleasures, by Glenn Brown. 2016. Panel, 164 by 105.5 cm. (Courtesy the artist; exh. Scottish National Gallery, Edinburgh).
Attributed works:
12. Copies from Rembrandt, by Eduardo Paolozzi. 1945. Pen and ink on paper, 26.9 by 36.8 cm. (National Galleries of Scotland, Edinburgh; © Paolozzi Foundation, London, and DACS 2017).