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24 articles
Book Review
Giuliano da Sangallo and the Ruins of Rome
07/2023 | 1444 | 165
Pages: 800–802
related names
Reviewer:
Strauch, Timo (Strauch, Timo)
Subjects
Reviewed Items
subjects:
Giuliano da Sangallo and the Ruins of Rome By Cammy Brothers. 320 pp. incl. 211 col. + 53 b. & w. ills. (Princeton University Press, Princeton NJ and Oxford, 2022), £62. ISBN 978–0–691–19379–3. | :
subjects:
Roma ritrovata: Disegni sconosciuti della cerchia dei Sangallo alla Biblioteca Nazionale Centrale di Firenze Edited by Anna Rebecca Sartore, Arnold Nesselrath, Simona Mammana and David Speranzi. 271 pp. incl. 102 col. ills. (Biblioteca Nazionale Centrale, Florence, 2022). ISBN 978–88–8366–098–6. | :
Illustrations
Attributed works:
1. Substructions of the Claudianum on the Caelian Hill and of the Portico di Cacabari on Via di S. Maria dei Calderari, Rome. Early sixteenth century. Pen and ink, wash and white heightening over a metalpoint preparation with ruler and compass on parchment, 48.8 by 38.4 cm. (Biblioteca Nazionale Centrale, Florence; Gino Capponi 386, fol.11r).
Article
Nicéphore Niépce and the industry of photographic replication
12/2021 | 1425 | 163
Pages: 1112-1119
related names
Author:
Siegel, Steffen (Siegel, Steffen)
Subjects
Illustrations
Attributed works:
1. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1827. Print on paper after a heliographic plate, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
2. Georges Cardinal d’Amboise Grand Ministre d’Estat et Legat en France, by Isaac Briot. 1633. Engraving, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
3. A horse and groom, by Nicéphore Niépce. 1825. Print on paper after a heliographic plate, taken from a copy of an etching by Dirck Stoop (1651), 14.7 by 10 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
4. View from the window at Le Gras, by Nicéphore Niépce. 1826. Heliograph, 25.8 by 29 cm. (Harry Ransom Humanities Research Center, University of Texas at Austin).
Attributed works:
5. The Holy Family, by Nicéphore Niépce. 1826. Helio-engraved metal plate (tin-led-alloy), taken from an engraving by Étienne-Jehandier Desrochers after Le Brun, probably early 18th century, 26.7 by 19.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
6. A prisoner, by Nicéphore Niépce. 1826. ‘Gravure vernie’ of a print by Jean-Baptiste de Poilly after a drawing by François Verdier, probably early 18th century, 24.5 by 18 cm. (Musée Nicéphore-Niépce, Chalonsur- Saône).
Attributed works:
7. Landscape (‘after Le Lorrain’), by Nicéphore Niépce. 1826–27. Helioengraved metal plate (tin), 14.2 by 20.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
8. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1826. Helioengraved metal plate (tin), 17.9 by 14.1 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
9. Composition, by John William Draper. c.1840. Daguerreotype, 8.2 cm by 10.2 cm. (Photographic History Collection, National Museum of American History, Smithsonian Institution, Washington).
Article
The origins of Edward Hopper’s earliest oil paintings
10/2020 | 1411 | 162
Pages: 870-877
related names
Author:
Shadwick, Louis (Shadwick, Louis)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
1. Old ice pond at Nyack, here identified as A winter sunset, after Bruce Crane, by Edward Hopper. Here dated 1898−1900. Oil on canvas, 29.8 by 50 cm. (Heather James Fine Art).
Attributed works:
10. Artist’s studio, by Edward Hopper. c.1900. Pen and ink and graphite pencil on paper, 37 by 29 cm. (Whitney Museum of American Art, New York).
Attributed works:
11. Reverse of Fig.7, showing the stamp of F.W. Devoe & Co. (Heather James Fine Art).
Attributed works:
2. A winter sunset, by Bruce Crane. 1880s. (Repr. The Art Interchange, 6th December 1890; photograph the author).
Attributed works:
3. Rowboat in rocky cove, here identified as Lake view, after an unknown artist, by Edward Hopper. 1895. Oil on canvas, 25.4 by 34.9 cm. (Private collection; photograph Frick Art Reference Library, New York).
Attributed works:
4. Lake view (‘Athelstane’). 1880s. (Repr. The Art Interchange, 14th February 1891; photograph the author).
Attributed works:
5. Ships, here identified as A marine, after Edward Moran, by Edward Hopper. c.1898. Oil on canvas, 30.5 by 50.8 cm. (Foosaner Art Museum, Melbourne FL).
Attributed works:
6. A marine, by Edward Moran. 1880. (Repr. The Art Interchange, 14th August 1886).
Attributed works:
7. Church and landscape, by Edward Hopper. c.1897. Oil on canvas, 25.4 by 35.5 cm. (Heather James Fine Art).
Attributed works:
8. Church and landscape. Nineteenth century. Painted porcelain, 27 by 34 cm. (Private collection; photograph Bellmans Auctioneers).
Attributed works:
9. Country road, by Edward Hopper. c.1897. Oil on canvas, 23.5 by 33 cm. (Private collection; courtesy Mark Murray Fine Paintings, New York).
Article
A print source for a painting by Gerard David
09/2020 | 1410 | 162
Pages: 748-756
related names
Author:
Beltrami, Costanza (Beltrami, Costanza)
Subjects
dates:
museums and institutions:
places:
sources:
Illustrations
Attributed works:
1. Canon Bernardijn Salviati and three saints, by Gerard David. After 1501. Oil on panel, 103.4 by 94.3 cm. (National Gallery, London).
Attributed works:
10. Interior of a Gothic church, by Master W with the Key. c.1465–90. Engraving, 16.4 by 13.3 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Pentecost, by Alexander or Simon Bening. c.1500–20. Black chalk, pen and black and brown ink on paper, with framing lines in black chalk, 25.6 by 17.2 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
2. The Virgin and Child with saints and donor, by Gerard David. Probably 1510. Oil on panel, 105.8 by 144.4 cm. (National Gallery, London).
Attributed works:
3. Mantle-clasp, by Reinecke vam Dressche. Before 1487. Gilded silver, diameter 14.6 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
6. Detail of Fig.1, showing the mantle-clasp.
Attributed works:
7. A Gothic baldachin, by Master W with the Key. c.1465–90. Engraving, 13.2 by 6.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
8. Vista through the interior of a chapel, by Master W with the Key. c.1465–90. Engraving, 22.3 by 11.2 cm. (British Museum, London; © Trustees of the British Museum).
Attributed works:
9. Design for a Gothic niche, by Master W with the Key. c.1465–90. Engraving, 13.2 by 16.5 cm. (British Museum, London; © Trustees of the British Museum).
Western art unattributed:
11. Agnus Dei Ostensory. German, 1460–66. Gilded silver, enamel and gemstones, 60.2 by 18.2 cm. (Kunstgewerbemuseum, Berlin).
Western art unattributed:
4. Mantle-clasp. Cologne?, c.1500. Gilded silver, diameter 15 cm. (Essen Cathedral; photograph Jens Nober; © Domschatzkammer Essen).
Western art unattributed:
5. A Gothic mantle-clasp and two ornaments at top, by Master W with the Key. c.1465–90. Engraving, 21.7 by 15.1 cm. (British Museum, London; © Trustees of the British Museum).
Book Review
Becoming Property: Art, Theory, and Law in Early Modern France. By Katie Scott
05/2020 | 1406 | 162
Pages: 460-461
related names
Reviewer:
Cooper, Elena (Cooper, Elena)
Subjects
Reviewed Items
subjects:
Becoming Property: Art, Theory, and Law in Early Modern France By Katie Scott. 384 pp. incl. 117 col. + b. & w. ills. (Yale University Press, New Haven and London, 2018),  55. ISBN 978–0–300–22279–1. | :
Article
Evidence of tracing in Manet’s late watercolours
12/2019 | 1401 | 161
Pages: 1018-1027
related names
Author:
Beeny, Emily A. (Beeny, Emily A.)
Subjects
artists:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Dead Christ with angels, by Edouard Manet. c.1864. Watercolour, gouache and pen over graphite, 32.5 by 27 cm. (Musée d'Orsay, Paris; RMN-Grand Palais).
Attributed works:
10. Letter to Henri Charles Guérard (verso) decorated with three portraits, a seascape and a cat, by Edouard Manet. Late summer 1880. Watercolour and grey wash of watercolour, 20.3 by 25 cm. (Fondation Custodia, Paris).
Attributed works:
11. Studies of a cat, by Edouard Manet. 1880. Graphite on wove paper with now-faded grid pattern, 8 by 11.5 cm. (Musée d’Orsay, Paris; RMN-Grand Palais).
Attributed works:
12. Studies of a cat, by Edouard Manet. 1880. Graphite on wove paper with now-faded grid pattern, 8 by 11.4 cm. (Musée d’Orsay, Paris; RMN-Grand Palais).
Attributed works:
13. Letter to Isabelle Lemonnier decorated with a cat, by Edouard Manet. 9th July 1880. Grey wash of watercolour, 15.5 by 10 cm. (Musée d’Orsay, Paris; RMN-Grand Palais).
Attributed works:
14. Letter to Isabelle Lemonnier decorated with a cat, by Edouard Manet. July 1880. Grey wash of watercolour, 18 by 11.2 cm. (Musée du Louvre, Paris; RMN-Grand Palais).
Attributed works:
15. Detail from Study of Suzanne Manet, by Edouard Manet. c.1880. Ink and wash over graphite on wove paper with now-faded grid pattern, 15.7 by 11.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
16. Detail from a letter to unknown recipient decorated with a portrait of Suzanne Manet, by Edouard Manet. 24th July 1880. Watercolour over grey wash of watercolour, 20 by 12.2 cm. (Private collection).
Attributed works:
17. Detail of Fig.10.
Attributed works:
18. Detail from a letter to Eva Gonzalès (verso) decorated with morning glories, by Edouard Manet, 27th September 1880. Grey wash of watercolour, 12.7 by 20.3 cm. (From Les Collections Aristophil. Ecrits et oeuvres d’artistes au XVIe au XXe siècle, Sale, Artcurial, Paris, 2nd April 2019, lot 313.).
Attributed works:
19. Letter to Méry Laurent decorated with morning glories, by Edouard Manet. 28th September 1880. Watercolour and grey wash of watercolour, 19 by 12 cm. (Bibliothèque Littéraire Jacques Doucet, Paris, Fonds Mondor).
Attributed works:
20. Woman in profile, by Edouard Manet. 1880. Watercolour over grey wash of watercolour, 20 by 10.4 cm. (Musée d’Orsay, Paris; RMN-Grand Palais).
Attributed works:
21. Woman in profile in travelling costume, by Edouard Manet. 1880. Watercolour over grey wash of watercolour, 20 by 12.5 cm. (Yale University Art Museum, New Haven).
Attributed works:
22. Woman in profile with seascape, attributed to Edouard Manet. c.1880. Watercolour, 20 by 12 cm. (From A. de Leiris: The Drawings of Edouard Manet, Berkeley and Los Angeles 1969, fig.414).
Attributed works:
23. Woman in profile in bathing costume, attributed to Edouard Manet. Watercolour, 20 by 10 cm. (From A. de Leiris: The Drawings of Edouard Manet, Berkeley and Los Angeles 1969, fig.412).
Attributed works:
3. Letter to unknown recipient decorated with a snail on a leaf, by Edouard Manet. Summer or autumn 1880. Watercolour over grey wash of watercolour, 15.8 by 11.7 cm. (J. Paul Getty Musem, Los Angeles).
Attributed works:
4. Letter to Isabelle Lemonnier decorated with honeysuckle, by Edouard Manet. Summer 1880. Watercolour, 20 by 12.5 cm. (Musée d’Orsay, Paris).
Attributed works:
5. At the café (study of legs), by Edouard Manet, 1880. Watercolour over graphite on wove paper with now-faded grid pattern, 18.6 by 12 cm. (Musée d’Orsay, Paris).
Attributed works:
6. Letter to Madame Guillemet (verso) decorated with feet and ankles, by Edouard Manet. Summer 1880. Watercolour over grey wash of watercolour, 20 by 15 cm. (Musée d’Orsay, Paris; RMN-Grand Palais).
Attributed works:
7. Overlay of dominant lines from sketchbook study of legs (Fig.6) with detail from letter to Madame Guillemet (Fig.5).
Attributed works:
8. Detail of Studies of Madame Jules Guillemet, by Edouard Manet. 1880. Graphite and ink and wash over graphite, on wove paper with now-faded grid pattern, 15.9 by 11.7 cm. (Hammer Museum, Los Angeles).
Attributed works:
9. Detail from a letter to Madame Jules Guillemet decorated with a portrait, by Edouard Manet, July 1880. Watercolour over grey wash of watercolour, 20 by 25 cm. (Private collection).
Attributed works:
Opposite 2. Letter to Isabelle Lemonnier decorated with a portrait, by Edouard Manet. Autumn 1880. Watercolour over grey wash of watercolour, 20 by 12.5 cm. (Musée d’Orsay, Paris).
Article
Alfred Stevens, an art student in Florence, 1834–36
05/2019 | 1394 | 161
Pages: 388-397
related names
Author:
Sladen, Teresa (Sladen, Teresa)
Subjects
dates:
patrons:
places:
Illustrations
Attributed works:
1. Self-portrait at the age of fourteen, by Alfred Stevens. 1832. Canvas, 30.8 by 24.8 cm. (Tate).
Attributed works:
10. La Bella, after Titian, by Alfred Stevens. 1835. Watercolour on paper, varnish over face, 23 by 17 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Study of St James with two children by Andrea del Sarto, by Alfred Stevens. 1835. Graphite on paper, 21 by 14 cm. (Walker Art Gallery, Liverpool).
Attributed works:
12. Ligurian landscape with a hilltop building, by Alfred Stevens. 1836. Graphite on paper, 26 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
2. Self portrait, by Giuseppe Bezzuoli. 1839. Canvas, 81 by 64 cm. (Galleria degli Uffizi, Florence).
Attributed works:
3. Francis Kinloch, from his tomb in the Protestant cemetery in Rome, by Thomas Crawford. 1840. Marble. (Photograph the author).
Attributed works:
4. Copy of a fresco by Agnolo Gaddi in S. Croce, Florence, by Alfred Stevens. 1835–36. Graphite and watercolour with gold on paper, 41.5 by 31 cm. (British Museum, London).
Attributed works:
5. Self-portrait, by Alfred Stevens. c.1835–36. Graphite on paper, 28.9 by 22.9 cm. (National Portrait Gallery, London).
Attributed works:
6. Nude woman, by Alfred Stevens. c.1835. Graphite on paper, 30 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
7. Drawing of a man on horse and skeleton, by Alfred Stevens. c.1834–36. Graphite on paper, 26.8 by 18.8 cm. (Tate).
Attributed works:
8. L’Ammostatore, by Lorenzo Bartolini. c.1818. Marble, 128 by 43 by 41 cm. (State Hermitage Museum, St Petersburg; photograph Fratelli Alinari; Bridgeman Images).
Attributed works:
9. Page from a pocket sketchbook showing people in the street, by Alfred Stevens. c.1837. Graphite on paper, 10 by 14 cm. (Royal Institute of British Architects, London).
Western art unattributed:
13. The Temple of Vesta at Tivoli seen from the gorge. French, c.1800. Oil on paper laid on canvas, 28.7 by 18.7 cm. (The Gere Collection, on loan to the National Gallery, London).
Exhibition Review
Mantegna and Bellini. National Gallery, London
12/2018 | 1389 | 160
Pages: 1038-1041
related names
Reviewer:
Christiansen, Keith (Christiansen, Keith; Christiansen, K.)
Subjects
art literature:
collectors and dealers:
dates:
media:
Illustrations
Attributed works:
1. Presentation of Christ in the Temple, by Andrea Mantegna. c.1454. Egg tempera on canvas, 77.5 by 94.4 cm. (Gemäldegalerie, Staatliche Museen zu Berlin; exh. National Gallery, London).
Attributed works:
2. Presentation of Christ in the Temple, by Giovanni Bellini, c.1470–75. Panel, 80 by 105 cm. (Museo della Fondazione Querini Stampalia, Venice; exh. National Gallery, London).
Attributed works:
3. Dead Christ supported by four angels, by Giovanni Bellini. c.1470. Egg tempera (?) on panel, 80.5 by 120 cm. (Museo della Città ‘Luigi Tonini’, Rimini; exh. National Gallery, London).
Attributed works:
4. Death of the Virgin, by Andrea Mantegna. c.1460–64. Egg tempera on panel, 54.5 by 42 cm. (Museo Nacional del Prado, Madrid; exh. National Gallery, London).
Exhibition Review
Rembrandt: Britain’s Discovery of the Master. Scottish National Gallery, Edinburgh
10/2018 | 1387 | 160
Pages: 856-857
related names
Reviewer:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
dates:
Illustrations
Attributed works:
10. An old woman reading, by Rembrandt. 1655. Canvas, 78.7 by 66 cm. (Buccleuch Collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
11. Unknown pleasures, by Glenn Brown. 2016. Panel, 164 by 105.5 cm. (Courtesy the artist; exh. Scottish National Gallery, Edinburgh).
Attributed works:
12. Copies from Rembrandt, by Eduardo Paolozzi. 1945. Pen and ink on paper, 26.9 by 36.8 cm. (National Galleries of Scotland, Edinburgh; © Paolozzi Foundation, London, and DACS 2017).
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
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