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2 articles
Article
A sartorial portrait of Ottaviano Ubaldini della Carda by Piero della Francesca
07/2023 | 1444 | 165
Pages: 720–737
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ with figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
10. Detail of the Communion of the Apostles, by Justus of Ghent, showing the donor figures. 1473–74. Oil on panel. (Galleria Nazionale delle Marche, Urbino; Scala Archives; courtesy the Ministero Beni e Attività Culturali e del Turismo).
Attributed works:
11. Horsewoman of Coins, by the workshop of Bonifacio Bembo. Before 1447. Paint and tooled gold on paper, 18.9 by 9 cm. (Beinecke Rare Book and Manuscript Library, Yale University Library, New Haven CT).
Attributed works:
12. Detail from St Gregory the Great and St Matthias, by Masolino, showing the cope of St Gregory the Great. c.1428–29. Tempera and oil on panel, transferred to fibreboard. (National Gallery, London; Bridgeman Images).
Attributed works:
2. Ottaviano Ubaldini della Carda and Federico di Montefeltro, by Ambrogio Barocci. 1470s. Cesane stone, 50 by 110 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
3. Detail of Fig.4, showing the donor figures, Guidubaldo di Montefeltro, Count Federico di Montefeltro and Ottaviano Ubaldini della Carda.
Attributed works:
4. The Lamentation of Christ, by Francesco di Giorgio. c.1473. Bronze, 85 by 58 cm. (S. Maria del Carmelo, Venice; Scala Archives).
Attributed works:
5. Medal of Duke Filippo Maria Visconti (obverse), by Pisanello. c.1441. Bronze, diameter 10.3 cm. (National Gallery of Art, Washington).
Attributed works:
6. Detail of an altar frontal with the Visconti device of the dove and motto ‘à bon droit’. Italy, c.1450–60. Red velvet with a single-height pile with a design in gold pattern wefts and silver brocaded wefts, 98 by 241 cm. (Museo Poldi Pezzoli, Milan; Scala Archive).
Attributed works:
7. Federico di Montefeltro, Duke of Urbino, and his son Guidubaldo, by Pedro Berruguete. c.1476. Oil on panel, 138 by 82.5 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
8. Luca Pacioli and Guidubaldo di Montefeltro, attributed to Jacopo de’ Barbari. 1495. Oil on panel, 99 by 120 cm. (Museo di Capodimonte, Naples; Photo Scala, Florence).
Attributed works:
9. Detail of Fig.1, showing the figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ.
Western art unattributed:
13. Detail of a cope with the Medici coat of arms and devices. Italy, 1470s or 1480s. Red velvet with single-height cut pile with a design in gold bouclé pattern wefts and allucciolato effect, 278 by 152 cm. (Museo d’arte sacra dell’Abbazia di Vallombrosa).
Western art unattributed:
14. Detail of the cope shown in Fig.13 with the motif of the Medici coat of arms covered by a roundel of St Giovanni Gualberto embroidered in silk and gold. Italy, c.1494.
Article
A tale of two velvets in works by Jaume Huguet and Piero della Francesca
07/2023 | 1444 | 165
Pages: 713–719
related names
Author:
Monnas, Lisa (Monnas, Lisa)
Subjects
dates:
Illustrations
Attributed works:
1. Consecration of St Augustine, by Jaume Huguet. c.1463–75. Tempera on panel, 250 by 193 cm. (Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
10. Detail from Meeting between the Queen of Sheba and King Solomon, by Piero della Francesca. 1452–56. Fresco. (S. Francesco, Arezzo; Bridgeman Images).
Attributed works:
4. Flagellation of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
5. Detail of Fig.4, showing the figure in the right foreground dressed in blue.
Attributed works:
6. Detail of Fig.1, showing the figure in the right foreground wearing a green cope.
Attributed works:
9. Detail of Fig.1, showing the same sprig motif as in Fig.8.
Western art unattributed:
2. Blue velvet cloth of gold of tissue. Italy, 1450–75. 126 by 57 cm. (repeat 84.5 by 57 cm.). (Abegg-Stiftung, Riggisberg; photograph Christoph von Viràg).
Western art unattributed:
3. Panel of green velvet cloth of gold of tissue (three loom widths sewn together). Italy, third quarter of the fifteenth century, 110 by 239 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
7. Blue velvet cloth with two heights of cut-silk pile, voided and brocaded with gold. Italy, c.1450–70. 96.8 by 41.8 cm. (repeat, 65.5 by 28.5 cm.). (Abegg-Stiftung, Riggisberg; photograph Christoph von Viràg).
Western art unattributed:
8. Detail of Fig.3, showing the sprig motif.