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105 articles
Article
Cristoforo de Predis at the Sforza Court
03/2025 | 1464 | 167
Pages: 206–11
related names
Author:
Schrader, Jeffrey (Schrader, Jeffrey)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Marriage of the Virgin, from the Borromeo Book of Hours, by Cristoforo de Predis. 1478 or 1486. Gouache on vellum, 10.3 by 7.6 cm. (Biblioteca Ambrosiana, Milan, S.P.42, fol.15v; Mondadori Portfolio; Bridgeman Images).
Attributed works:
2. Initial ‘A’ with Galeazzo Maria Sforza in prayer, by Cristoforo de Predis. Probably 1477. Gouache on vellum, 22.4 by 18.9 cm. (Wallace Collection, London; Bridgeman Images).
Attributed works:
3. Arms and imprese of Galeazzo Maria Sforza, from the Book of Gioacchino and Anna, by Cristoforo de Predis. 1476. Gouache on parchment, 27.3 by 19.1 cm. (Biblioteca Reale, Turin, Codice Varia 124, fol.2v; Bridgeman Images).
Attributed works:
4. St Martin with the poor and Annunciation, from the Ingressarium of Fabrizio Marliani, by Cristoforo de Predis. 1476. Illumination on parchment, 57.2 by 41.2 cm. (Museo Baroffio e del Santuario del Sacro Monte sopra Varese, inv.1000, fol.1r).
Attributed works:
5. Melanthus Cycionius, Apelles, Protogenes Caunius, Quintus Pedius, Praxiteles Graecus, Mecenas, by Joachim von Sandrart. 1683. Engraving. (From J. von Sandrart and P. Killian: L’Academia todesca della architectura, scultura & pittura, oder, Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste, Nuremberg 1683, second part, first book, plate E; New York Public Library).
Attributed works:
6. Details of Figs.4, 3, 2 and 1, showing the various signatures of Cristoforo de Predis.
Book Review
Être sculpteur à Florence au temps des derniers Médicis
03/2025 | 1464 | 167
Pages: 292–4
related names
Reviewer:
Ciarlo, Nicola (Ciarlo, Nicola)
Subjects
subjects:
Reviewed Items
subjects:
Être sculpteur à Florence au temps des derniers Médicis By Kira d’Alburquerque. 320 pp. incl. 27 col. + b. & w. ills. (CTHS and INHA, Paris, 2023), €35. ISBN 978–2–7355–0964–5. | :
Illustrations
Attributed works:
4. Adoration of the shepherds, by Giovanni Battista Foggini. 1674–76. Marble, 135 by 86 cm. (State Hermitage Museum, St Petersburg).
Book Review
Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World
08/2024 | 1457 | 166
Pages: 880–81
related names
Reviewer:
Wagemakers, Wouter (Wagemakers, Wouter)
Subjects
Reviewed Items
subjects:
Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World By Leah R. Clark. 350 pp. incl. 14 col. + 46 b. & w. ills. (Cambridge University Press, Cambridge and New York, 2023), £100. ISBN 978–1–00–927621–4. | :
Exhibition Review
Six Lives: The Stories of Henry VIII’s Queens
08/2024 | 1457 | 166
Pages: 851–3
related names
Reviewer:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Reviewed Items
subjects:
Six Lives: The Stories of Henry VIII’s Queens National Portrait Gallery, London 20th June–8th September | :
Illustrations
Attributed works:
4. St Mary Magdalene reading, by the Master of the Female Half- Lengths. 1520–30. Oil on panel, 61.5 by 48.2 cm. (National Galleries of Scotland, Edinburgh; exh. National Portrait Gallery, London).
Attributed works:
5. Mary I, by the Horenbout family workshop. c.1522. Watercolour on vellum laid down on card, diameter 3.5 cm. (National Portrait Gallery, London).
Attributed works:
6. Katherine Parr, attributed to Master John. c.1547. Oil on panel, 92.3 by 71.8 cm. (Private collection, London; exh. National Portrait Gallery, London).
Attributed works:
7. Design for a table fountain with the badge of Anne Boleyn, by Hans Holbein the Younger. 1533–34. Pen and black ink over chalk on paper, 17.1 by 10 cm. (Kunstmuseum Basel; exh. National Portrait Gallery, London).
Article
Holbein in exhibitions in Frankfurt and London
02/2024 | 1451 | 166
Pages: 166–170
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
dates:
Reviewed Items
subjects:
Holbein and the Renaissance in the North, Städel Museum, Frankfurt,(2nd November 2023–18th February 2024) | :
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November 2023–14th April 2024) | :
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the Elder. c.1512. Silverpoint on prepared paper, reworked with brush and ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett; exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh. Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein (?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman Images; exh. Städel Museum, Frankfurt).
Attributed works:
4. Thomas More, by Hans Holbein the Younger. c.1527. Black and coloured chalks, pricked for transfer to a wooden panel, 39.8 by 29.9 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
5. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm. (Städel Museum, Frankfurt).
Attributed works:
6. Anne Boleyn, by Hans Holbein the Younger. c.1532–36. Black and coloured chalks on pink prepared paper, 28.2 by 19.3 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
7. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1543? Black and coloured chalks with black and brown inks on pink prepared paper, 27.9 by 19.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Book Review
Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean
10/2023 | 1447 | 165
Pages: 1153–1154
related names
Reviewer:
Tedbury, Imogen (Tedbury, Imogen)
Subjects
places:
Reviewed Items
subjects:
Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean By Sarah K. Kozlowski. 292 pp. incl. 132 col. + 11 b. & w. ills. (Brepols, Turnhout, 2022), £115. ISBN 978–2–503–59695–2. | :
Article
A sartorial portrait of Ottaviano Ubaldini della Carda by Piero della Francesca
07/2023 | 1444 | 165
Pages: 720–737
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ with figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
10. Detail of the Communion of the Apostles, by Justus of Ghent, showing the donor figures. 1473–74. Oil on panel. (Galleria Nazionale delle Marche, Urbino; Scala Archives; courtesy the Ministero Beni e Attività Culturali e del Turismo).
Attributed works:
11. Horsewoman of Coins, by the workshop of Bonifacio Bembo. Before 1447. Paint and tooled gold on paper, 18.9 by 9 cm. (Beinecke Rare Book and Manuscript Library, Yale University Library, New Haven CT).
Attributed works:
12. Detail from St Gregory the Great and St Matthias, by Masolino, showing the cope of St Gregory the Great. c.1428–29. Tempera and oil on panel, transferred to fibreboard. (National Gallery, London; Bridgeman Images).
Attributed works:
2. Ottaviano Ubaldini della Carda and Federico di Montefeltro, by Ambrogio Barocci. 1470s. Cesane stone, 50 by 110 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
3. Detail of Fig.4, showing the donor figures, Guidubaldo di Montefeltro, Count Federico di Montefeltro and Ottaviano Ubaldini della Carda.
Attributed works:
4. The Lamentation of Christ, by Francesco di Giorgio. c.1473. Bronze, 85 by 58 cm. (S. Maria del Carmelo, Venice; Scala Archives).
Attributed works:
5. Medal of Duke Filippo Maria Visconti (obverse), by Pisanello. c.1441. Bronze, diameter 10.3 cm. (National Gallery of Art, Washington).
Attributed works:
6. Detail of an altar frontal with the Visconti device of the dove and motto ‘à bon droit’. Italy, c.1450–60. Red velvet with a single-height pile with a design in gold pattern wefts and silver brocaded wefts, 98 by 241 cm. (Museo Poldi Pezzoli, Milan; Scala Archive).
Attributed works:
7. Federico di Montefeltro, Duke of Urbino, and his son Guidubaldo, by Pedro Berruguete. c.1476. Oil on panel, 138 by 82.5 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
8. Luca Pacioli and Guidubaldo di Montefeltro, attributed to Jacopo de’ Barbari. 1495. Oil on panel, 99 by 120 cm. (Museo di Capodimonte, Naples; Photo Scala, Florence).
Attributed works:
9. Detail of Fig.1, showing the figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ.
Western art unattributed:
13. Detail of a cope with the Medici coat of arms and devices. Italy, 1470s or 1480s. Red velvet with single-height cut pile with a design in gold bouclé pattern wefts and allucciolato effect, 278 by 152 cm. (Museo d’arte sacra dell’Abbazia di Vallombrosa).
Western art unattributed:
14. Detail of the cope shown in Fig.13 with the motif of the Medici coat of arms covered by a roundel of St Giovanni Gualberto embroidered in silk and gold. Italy, c.1494.
Article
Portraits of the exiled Stuarts by Scottish painters
02/2023 | 1439 | 165
Pages: 141-152
related names
Author:
Corp, Edward (Corp, Edward)
Subjects
artists:
places:
Illustrations
Attributed works:
1. James III, by Francesco Trevisani. 1719. Oil on canvas, 97.8 by 74.6 cm. (Royal Collection Trust / © His Majesty King Charles III 2023).
Attributed works:
10. Queen Clementina, by William Mosman after Francesco Trevisani. c.1733. Oil on canvas, 72.4 by 60.8 cm. (Private collection).
Attributed works:
11. Prince Charles Edward Stuart, by William Mosman. 1740. Oil on canvas, 76.2 by 63.8 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
12. James III, by Cosmo Alexander after Anton Raphael Mengs. 1752. Oil on canvas. (Private collection).
Attributed works:
13. Prince Charles Edward Stuart, by Cosmo Alexander after Maurice Quentin de La Tour. 1752. Oil on canvas, 77.5 by 74.9 cm. (Drambuie Collection, Edinburgh).
Attributed works:
14. Prince Charles Edward Stuart, by Katherine Read after Maurice Quentin de La Tour. 1748. Oil on canvas, 62.5 by 49 cm. (Private collection; © Christie’s Images; Bridgeman Images).
Attributed works:
2. Queen Clementina and Prince Charles Edward Stuart, by Girolamo Pesci. 1721. Oil on canvas, 157.6 by 116.8 cm. (Private collection).
Attributed works:
3. James III and Queen Clementina, by John Smibert after Girolamo Pesci. 1721. Oil on canvas. (Private collection).
Attributed works:
4. James III, by Antonio David after Martin van Meytens. 1730. Oil on canvas, 73.2 by 61 cm. (Pininski Foundation, Liechtenstein).
Attributed works:
5. James III, possibly by Colin Erskine. 1732 or 1733. Oil on canvas, 76 by 63.5 cm. (Drambuie Collection, Edinburgh).
Attributed works:
6. James III, by William Mosman after Francesco Trevisani. 1733. Oil on canvas, 96 by 73 cm. (Private collection).
Attributed works:
7. Queen Clementina, by William Mosman after Francesco Trevisani. 1733. Oil on canvas, 96 by 73 cm. (Pininski Foundation, Liechtenstein).
Attributed works:
8. Queen Clementina, by Francesco Bertosi after Francesco Trevisani. 1735. Oil on canvas, 98 by 73 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
9. Queen Clementina, here attributed to Antonio David. 1719 or 1720. Oil on copper, 25.8 by 19.4 cm. (Private collection).
Exhibition Review
The Tudors: Art and Majesty in Renaissance England
01/2023 | 1438 | 165
Pages: 74-76
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
dates:
Illustrations
Attributed works:
10. Angel bearing a candlestick (one of a pair), by Benedetto da Rovezzano. 1524–29. Bronze, 101 by 50 by 33 cm. (Victoria and Albert Museum, London; exh. Metropolitan Museum of Art, New York).
Attributed works:
11. Elizabeth I (Sieve Portrait), by Quentin Metsys the Younger. 1583. Oil on canvas, 124.5 by 91.5 cm. (Pinacoteca Nazionale, Siena; exh. Metropolitan Museum of Art, New York).
Attributed works:
12. Henry VIII, by Hans Holbein the Younger. c.1537. Oil on panel, 28 by 20 cm. (Museo Nacional Thyssen- Bornemisza, Madrid; exh. Metropolitan Museum of Art, New York).
Exhibition Review
Rubens a Genova. Palazzo Ducale, Genoa
12/2022 | 1437 | 164
Pages: 1275-1277
related names
Reviewer:
Martin, Gregory (Martin, Gregory)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Rubens a Genova Palazzo Ducale, Genoa 6th October 2022–22nd January 2023 | :
Illustrations
Attributed works:
15. Claudia Lomellini (?), by Guilliam van Deynen. c.1600. Oil on canvas, 204 by 120 cm. (Musei di Strada Nuova – Palazzo Bianco, Genoa; exh. Palazzo Ducale, Genoa).
Attributed works:
16. Violante Maria Spinola Serra, by Peter Paul Rubens. c.1607. Oil on canvas, 129.5 by 101.6 cm. (Buscot Park, Oxfordshire, and The Farrington Trust; exh. Palazzo Ducale, Genoa).
Attributed works:
17. Circumcision of Christ, by Peter Paul Rubens. 1604– 05. Oil on canvas applied to oak panel, 105 by 73.5 cm. (Akademie der bildenden Künste, Vienna; exh. Palazzo Ducale, Genoa).
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