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21 articles
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Article
A sartorial portrait of Ottaviano Ubaldini della Carda by Piero della Francesca
07/2023 | 1444 | 165
Pages: 720–737
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ with figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
10. Detail of the Communion of the Apostles, by Justus of Ghent, showing the donor figures. 1473–74. Oil on panel. (Galleria Nazionale delle Marche, Urbino; Scala Archives; courtesy the Ministero Beni e Attività Culturali e del Turismo).
Attributed works:
11. Horsewoman of Coins, by the workshop of Bonifacio Bembo. Before 1447. Paint and tooled gold on paper, 18.9 by 9 cm. (Beinecke Rare Book and Manuscript Library, Yale University Library, New Haven CT).
Attributed works:
12. Detail from St Gregory the Great and St Matthias, by Masolino, showing the cope of St Gregory the Great. c.1428–29. Tempera and oil on panel, transferred to fibreboard. (National Gallery, London; Bridgeman Images).
Attributed works:
2. Ottaviano Ubaldini della Carda and Federico di Montefeltro, by Ambrogio Barocci. 1470s. Cesane stone, 50 by 110 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
3. Detail of Fig.4, showing the donor figures, Guidubaldo di Montefeltro, Count Federico di Montefeltro and Ottaviano Ubaldini della Carda.
Attributed works:
4. The Lamentation of Christ, by Francesco di Giorgio. c.1473. Bronze, 85 by 58 cm. (S. Maria del Carmelo, Venice; Scala Archives).
Attributed works:
5. Medal of Duke Filippo Maria Visconti (obverse), by Pisanello. c.1441. Bronze, diameter 10.3 cm. (National Gallery of Art, Washington).
Attributed works:
6. Detail of an altar frontal with the Visconti device of the dove and motto ‘à bon droit’. Italy, c.1450–60. Red velvet with a single-height pile with a design in gold pattern wefts and silver brocaded wefts, 98 by 241 cm. (Museo Poldi Pezzoli, Milan; Scala Archive).
Attributed works:
7. Federico di Montefeltro, Duke of Urbino, and his son Guidubaldo, by Pedro Berruguete. c.1476. Oil on panel, 138 by 82.5 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
8. Luca Pacioli and Guidubaldo di Montefeltro, attributed to Jacopo de’ Barbari. 1495. Oil on panel, 99 by 120 cm. (Museo di Capodimonte, Naples; Photo Scala, Florence).
Attributed works:
9. Detail of Fig.1, showing the figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ.
Western art unattributed:
13. Detail of a cope with the Medici coat of arms and devices. Italy, 1470s or 1480s. Red velvet with single-height cut pile with a design in gold bouclé pattern wefts and allucciolato effect, 278 by 152 cm. (Museo d’arte sacra dell’Abbazia di Vallombrosa).
Western art unattributed:
14. Detail of the cope shown in Fig.13 with the motif of the Medici coat of arms covered by a roundel of St Giovanni Gualberto embroidered in silk and gold. Italy, c.1494.
Article
‘A gracious invention’: Veronese’s unfinished painting for the Mocenigo family
09/2022 | 1434 | 164
Pages: 854-863
related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Venus.
Attributed works:
10. Venus and Mercury present Eros and Anteros to Jupiter, by the studio of Paolo Veronese. 1565. Brown ink with highlights in white, and grey-brown wash with brush on paper, 31.2 by 42.7 cm. (Musée du Louvre, Paris)
Attributed works:
11. Megara, the third wife of Hercules, begging to save the life of their last son in the face of her husband’s madness, by Paolo Veronese. 1570s. Oil on canvas, 105 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
12. Detail of Fig.3, showing the Palladian building in the background.
Attributed works:
13. Palazzi Mocenigi a S. Samuele, by Luca Carlevarijs. 1703. Etching, 20.9 by 20.2 cm. (From L. Carlevaris: Le fabriche e vedute di Venetia; British Museum, London).
Attributed works:
14. The Villa Mocenigo on the Brenta. Woodcut. 1570. (From A. Palladio: I Quattro Libri, Venice 1570, II, p.66).
Attributed works:
2. Detail of Fig.3, showing Minerva, Juno and Mocenigo.
Attributed works:
3. Mocenigo deciding between the active and contemplative life, here attributed to Paolo Veronese and dated c.1572. Oil on canvas, 134 by 204.5 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
5. Charity, by Maarten Peters after Francesco Primaticcio. c.1560. Engraving, 23.9 by 16.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
6. Ars naturam adiuvans (‘Art is safe against the power of fortune’), emblem of Mercury and Fortuna. (From A. Alciati: Emblemata, Lyon 1550, no.XCVIII).
Attributed works:
7. A young patrician from the Sanudo family choosing Virtue rather than Vice, by Paolo Veronese. c.1560. Oil on canvas, 102 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
8. The choice between Virtue and Vice, by Paolo Veronese. c.1565. Oil on canvas, 219 by 169.5 cm. (Frick Collection, New York).
Attributed works:
9. Venus and Mercury present Eros and Anteros to Jupiter, by Paolo Veronese. 1565. Oil on canvas, 150 by 243 cm. (Gallerie degli Uffizi, Florence).
Western art unattributed:
4. Charity, by an artist from the School of Fontainebleau (formerly attributed to Francesco Primaticcio). c.1560. Panel transferred to canvas, 147 by 96.5 cm. (Musée du Louvre, Paris)
Exhibition Review
Vi o Reino Renovar: Arte no Tempo de D. Manuel I
04/2022 | 1429 | 164
Pages: 407-409
related names
Reviewer:
Delaforce, Angela (Delaforce, Angela)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Vi o Reino Renovar: Arte no Tempo de D. Manuel I Edited by Ana Sousa and Miguel Soromenho. 288 pp. incl. 210 col. ills. (Museu Nacional de Arte Antiga and Imprensa Nacional – Casa da Moeda, Lisbon, 2021), €35. ISBN 978–972–27– 2946–8. | :
Illustrations
Attributed works:
7. Frontispiece of Leitura Nova 31, Misticos 2, attributed to António de Holanda. 1511. Illumination on vellum, 52.7 by 39.5 (Arquivo Nacional da Torre do Tombo, Lisbon; Cód. Ref. PT/TT/LN0031).
Attributed works:
8. Arrival of the relics of St Auta, by Cristovão de Figueiredo. 1522–25. Oil on panel, 68 by 73 cm. (Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
9. Monstrance of Belém, attributed to Gil Vicente. 1506. Gold, enamels and glass, 73 by 32 by 26 cm. (Museu Nacional de Arte Antiga, Lisbon).
Article
Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance
07/2021 | 1420 | 163
Pages: 604-606
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Richard II.
Attributed works:
2. Detail of Fig.3, showing the flowers linking the broomcods in Richard II’s collar, here identified as pimpernels.
Attributed works:
3. The Wilton Diptych. Left wing: Richard II with St Edmund, St Edward the Confessor and St John the Baptist. Right wing: the Virgin and Child with angels. French or English, c.1397–99. Tempera on oak panel, each panel 53 by 37 cm. (National Gallery, London).
Attributed works:
4. Exterior of Fig.3. Left: the royal arms of England and France impaled with the arms of Edward the Confessor with a helmet, cap of maintenance and lion passant guardant; right: the white hart lying on branches of rosemary and fern. (National Gallery, London).
Exhibition Review
The Art of Power: Habsburg Women in the Renaissance. Schloss Ambras, Innsbruck
10/2018 | 1387 | 160
Pages: 852-854
related names
Reviewer:
Fössel, Amalie (Fössel, Amalie)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
4. Margaret of Austria, by Conrat Meit. c.1518. Pear wood (?), 7.7 by 7.2 by 4.6 cm. (Bayerisches Nationalmuseum, Munich; exh. Schloss Ambras, Innsbruck).
Attributed works:
5. Tapestry with the arms of Margaret of Austria, by Henri van Lacke, Edingen. 1528. Silk and wool, 301 by 375 cm. (Museum of Applied Arts, Budapest; exh. Schloss Ambras, Innsbruck).
Non-western art unattributed:
6. Folding fan. Sri Lanka, 1542. Ivory and ebony, 43 by 33 cm. (Kunsthistorisches Museum, Vienna; exh. Schloss Ambras, Innsbruck)
Book Review
The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment. By Susanna Berger
07/2018 | 1384 | 160
Pages: 606-607
Book Review
The Emblem
06/2003 | 1203 | 145
Pages: 456-457
related names
Reviewer:
Jongh, Eddy de (Jongh, Eddy de; De Jongh, E.; Jongh, E. de; Dejongh, Eddy)
Subjects
subjects:
Reviewed Items
subjects:
The Emblem | author: Manning, John
Article
'Candor Illaesvs': The 'Impresa' of Clement VII and Other Medici Devices in the Vatican Stanze
10/1977 | 895 | 119
Pages: 676-687
related names
Author:
Perry, Marilyn (Perry, Marilyn)
Subjects
artists:
patrons:
places:
subjects:
Illustrations
Attributed works:
10. Putti with Arms of Julius II. (Stanza di Eliodoro, Vatican).
Attributed works:
11. Putti with Medici Devices. (Stanza di Eliodoro, Vatican).
Attributed works:
12. Svave Voke. Window Embrasure. (Stanza Della Segnatura, Vatican).
Attributed works:
13. Medici Devices Carved on Wooden Window Shutter. [Executed by Giovanni Barile, on Raphael's instructions.] Stanza Dell'Incendio, Vatican).
Attributed works:
14. Lothair with Medici Arms. (Stanza Dell'Incendio, Vatican).
Attributed works:
15. Svave Caryatids. (Sala di Costantino, Vatican).
Attributed works:
16. Sala di Costantino, Vatican, View of East Wall to Original Height of Ceiling.
Attributed works:
17. Candor Illaesvs Caryatids. (Sala di Costantino, Vatican).
Attributed works:
18. Clement VII's Impresa. Window Embrasure. (Sala di Costantino, Vatican).
Attributed works:
19. Medici Arms, Caryatid and Putti with Medici Devices. Window Wall. (Sala di Costantino, Vatican).
Attributed works:
2. Religion Tapestry for Papal Throne, by Felice Cettomai at San Michele a Ripa, Rome, 1787. (Vatican).
Attributed works:
20. Candor Illaesvs Impresa Dado. (Sala di Costantino Vatican).
Attributed works:
3. Religion Tapestry for Papal Throne, by Pieter von Aelst. Brussels, c.1530. (Vatican Museum).
Attributed works:
4. Central Frieze of Canopy of Religion Tapestry Illustrated in Fig.3. [by Pieter von Aelst. Brussels, c.1530. (Vatican Museum).]
Attributed works:
5. Clement VII's Impresa from Le Sententiose Imprese di Mon. Paolo Giovio, 1562.
Attributed works:
6. Impresa of Duke Lorenzo de' Medici, from Le Sententiose Imprese di Mon Paolo Giovio, 1562.
Attributed works:
7. Leo X's Impresa, from Le Sententiose Imprese di Mon. Paolo Giovio, 1562.
Attributed works:
8. Impresa of Lorenzo il Magnifico from Le sententiose Imprese di Mon. Paolo Giovio, 1562.
Attributed works:
9. Putti with Papal Shield. [Attributed to Bramantino.] Ceiling Octagon. (Stanza Della Segnatura, Vatican).
Book Review
Die Emblematischen Elemente im Werke Joris Hoefnagels
01/1974 | 850 | 116
Pages: 49-50
related names
Reviewer:
Freedberg, David (Freedberg, David)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Die Emblematischen Elemente im Werke Joris Hoefnagels | author: Vignau-Schuurman, Th. A. G. Wilberg
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