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Burlington Contemporary Art Writing Prize
/ Sam Fogg (dealer), London, Great Britain
/ Literary Review (magazine)
/ Simiolus, Art Journal, The Netherlands
/ Francis Haskell Memorial Fund, London, Great Britain
/ The Weiss Gallery, London, Great Britain
/ Whitney Biennial
/ Morgan Library and Museum, New York, United States
/ Paul Mellon Centre for Studies in British Art, London, Great Britain
/ Princeton University Press, New Jersey, United States
/ Print Quarterly, London
/ The Art Newspaper, London, Great Britain
/ Museo Nacional del Prado, Madrid, Spain
/ Peter Finer (antique arms), London, Great Britain
/ Alessandro Cesati, Milan, Italy
/ Darnley Fine Art, London, Great Britain
/ Day and Faber, London, Great Britain
/ French and Company Art, New York, United States
/ Trinity Fine Art Ltd, London, Great Britain
/ Daniel Katz Ltd (dealers), London, Great Britain
/ Rafael Valls, London, Great Britain
/ Master Drawings (art periodical)
/ Getty Trust Publications , Great Britain
/ Moretti Fine Art, London, Great Britain
Attributed works:
Black Cross II,
by Harmony
Hammond (b.1944).
2020–21. Oil and
mixed media on
canvas, 229.6 by
183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Black Cross II,
by Harmony
Hammond (b.1944).
2020–21. Oil and
mixed media on
canvas, 229.6 by
183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Daughters: Reverance, by Rose B. Simpson (b.1983). 2024.
Ceramic, twine, grout, steel, lava beads, osha root, pine, hide and
leather, dimensions variable. [Whitney Biennial]
Attributed works:
Frans Pourbus the Younger (1569 - 1622)
Oil on canvas: 23 1/8 x 17 1/8 in. (58.7 x 43.5 cm.)
Henri IV of France (1553 - 1610)
Dated, upper right: ‘ANo 1610’ [Weiss Gallery]
Attributed works:
How Many Ways
Can You Disappear,
by Karyn Olivier
(b.1968). 2021.
Potwarp, lobster
traps, buoys washed
ashore on Matinicus
Island, and rope
reproduced in salt,
height 4.5.m. [Whitney Biennial]
Attributed works:
Liveness (Multi-
Scalar Motion #1),
by Torkwase Dyson
(b.1973). 2022.
Glass, graphite,
acrylic, wood and
steel, approximately
400 by 1400 by
880 cm. [Whitney Biennial]
Attributed works:
Sir Thomas Lawrence, P.R.A.
Bristol, 1769 - London, 1830
Portrait of Anne, Viscountess Pollington, later Countess of Mexborough,
with her son, John Charles, later 4th Earl of Mexborough
Oil on canvas, 236.2 x 144.8 cm [Moretti]
Attributed works:
Still from In Her Time (Iris’s Version), by Diane Severin Nguyen
(b.1990). 2023–24. HD video, colour, sound, 62 min 37 sec. [Whitney Biennial]
Attributed works:
Still from Mojo’q che b’ixan ri ixkanulab’/Antes de que los
volcanes canten/Before the Volcanoes Sing, by Clarissa Tossin
(b.1973). 2022. HD video, colour, sound, 64 mins 17 secs. [Whitney Biennial]
Attributed works:
Still from Too Bright to See (Part I), by Madeleine Hunt-Ehrlich
(b.1987). 2022. 16mm film, colour, sound, 24 min. [Whitney Biennial]
Attributed works:
Talking Shit with
Amaru (Wari), by
Eamon Ore-Giron
(b.1973). 2023.
Mineral paint and
Flashe on canvas,
213.4 by 152.4 cm. [Whitney Biennial]
Attributed works:
TEMPO RUBATO
(STOLEN TIME),
by Nikita Gale
(b.1983). 2023–24.
Modified player
piano, audio and
LED lighting system,
dimensions variable. [Whitney Biennial]
Attributed works:
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Embedding Study 1,
by Holly Herndon
(b.1980) and Mat
Dryhurst (b.1984).
2024. Thermal dye
diffusion transfer
print, 119 by 180 cm. [Whitney Biennial]
