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07/2024 | 1456 | 166
Pages: i-xii
Subjects
artists:
artists:
Illustrations
Attributed works:
Black Cross II, by Harmony Hammond (b.1944). 2020–21. Oil and mixed media on canvas, 229.6 by 183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Black Cross II, by Harmony Hammond (b.1944). 2020–21. Oil and mixed media on canvas, 229.6 by 183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Daughters: Reverance, by Rose B. Simpson (b.1983). 2024. Ceramic, twine, grout, steel, lava beads, osha root, pine, hide and leather, dimensions variable. [Whitney Biennial]
Attributed works:
Frans Pourbus the Younger (1569 - 1622) Oil on canvas: 23 1/8 x 17 1/8 in. (58.7 x 43.5 cm.) Henri IV of France (1553 - 1610) Dated, upper right: ‘ANo 1610’ [Weiss Gallery]
Attributed works:
How Many Ways Can You Disappear, by Karyn Olivier (b.1968). 2021. Potwarp, lobster traps, buoys washed ashore on Matinicus Island, and rope reproduced in salt, height 4.5.m. [Whitney Biennial]
Attributed works:
Liveness (Multi- Scalar Motion #1), by Torkwase Dyson (b.1973). 2022. Glass, graphite, acrylic, wood and steel, approximately 400 by 1400 by 880 cm. [Whitney Biennial]
Attributed works:
Sir Thomas Lawrence, P.R.A. Bristol, 1769 - London, 1830 Portrait of Anne, Viscountess Pollington, later Countess of Mexborough, with her son, John Charles, later 4th Earl of Mexborough Oil on canvas, 236.2 x 144.8 cm [Moretti]
Attributed works:
Still from In Her Time (Iris’s Version), by Diane Severin Nguyen (b.1990). 2023–24. HD video, colour, sound, 62 min 37 sec. [Whitney Biennial]
Attributed works:
Still from Mojo’q che b’ixan ri ixkanulab’/Antes de que los volcanes canten/Before the Volcanoes Sing, by Clarissa Tossin (b.1973). 2022. HD video, colour, sound, 64 mins 17 secs. [Whitney Biennial]
Attributed works:
Still from Too Bright to See (Part I), by Madeleine Hunt-Ehrlich (b.1987). 2022. 16mm film, colour, sound, 24 min. [Whitney Biennial]
Attributed works:
Talking Shit with Amaru (Wari), by Eamon Ore-Giron (b.1973). 2023. Mineral paint and Flashe on canvas, 213.4 by 152.4 cm. [Whitney Biennial]
Attributed works:
TEMPO RUBATO (STOLEN TIME), by Nikita Gale (b.1983). 2023–24. Modified player piano, audio and LED lighting system, dimensions variable. [Whitney Biennial]
Attributed works:
xhairymutantx Embedding Study 1, by Holly Herndon (b.1980) and Mat Dryhurst (b.1984). 2024. Thermal dye diffusion transfer print, 119 by 180 cm. [Whitney Biennial]
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07/2021 | 1420 | 163
Pages: i-vii
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02/2020 | 1403 | 162
Pages: i-xvi
Subjects
Illustrations
Attributed works:
Berthe Morisot (French, 1841 - 1895), Apollon Révélant sa Divinité à la Bergère Issé, after Francois Boucher. oil on canvas, 251/4 x 31 1/8 in. $150,000-250,000. [European and Old Master Auction February 18, 2020. Freeman's].
Attributed works:
A mountainous landscape with a herdsman and cattle, by Thomas Gainsborough (1727–88). Black and white chalk on paper, 28 by 36.8 cm. [TEFAF. LOWELL LIBSON & JOHNNY YARKER LTD, LONDON]
Attributed works:
A pair of Delftware vases, by Adrianus Kocx. 1687–1801. Tinglazed earthenware, height 47 cm. [TEFAF. ARONSON, AMSTERDAM]
Attributed works:
A still life of flowers on a table with a landscape in the background, by Ambrosius Bosschaert the Elder (1573–1621). Oil on panel, 29.2 by 19.4 cm. [TEFAF. DE JONCKHEERE, GENEVA AND PARIS]
Attributed works:
A study of three heads, by Adolph Menzel (1815–1905). 1898. Pencil with stumping, 31 by 23 cm. [TEFAF. STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail) Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. [Tate Britain: Baroque Power and Illusion exhibition]
Attributed works:
Federico Barocci (1528–1612) Tête d’un homme barbu, le regard tourné vers le bas, et étude de main Pierre noire, sanguine et craie blanche sur papier beige. – 407 x 269 mm [Fondation Custodia, Collection Frits Lugt, Paris]
Attributed works:
Joseph Colla, Étude d’arbre. Marseille, musée des Beaux-Arts © Ville de Marseille, Dist. RMN-Grand Palais / image des musées de Marseille. [Salon du Dessin]
Attributed works:
Kate Elizabeth Bunce, Musica (detail) c. 1895-7. Oil on canvas. Birmingham Museums Trust. [Yale Center for British Art, Victorian Radicals exhibition]
Attributed works:
PIETER BRUEGEL THE ELDER, MAD MEG (DETAIL), 1563, MUSEUM MAYER VAN DEN BERGH, PHOTO KIK IRPA BRUSSEL I 16489638. [Museum van den Bergh, Antwerp. Madonna meets Mad Meg exhibition]
Attributed works:
Rythme couleur no. F1248, by Sonia Delaunay (1855–1979). Gouache on paper, 58 by 78 cm. [TEFAF. GALERIE DE LA PRÉSIDENCE, PARIS]
Attributed works:
The Cornelis Wittert Cup, by Johannes du Vignon III (1660–1746). 1707. Silver, height 34 cm. [TEFAF, A. AARDEWERK, THE HAGUE]
Attributed works:
The makeup, by Louis-Léopold Boilly (1761–1845). Oil on canvas, 57 by 46 cm. [TEFAF. GALERIE ERIC COATALEM, PARIS]
Attributed works:
The mocking of Christ, by Matthias Stom (1600–50). Oil on canvas, 42, 72 cm. [TEFAF. ALTOMANI & SONS, MILAN]
Attributed works:
The school boy, by François Bonvin (1817–87). 1874. Oil on panel, 35.5 by 26.3 cm. [TEFAF. WILDENSTEIN, NEW YORK]
Attributed works:
The two majesties, by Jean-Léon Gérôme (1824–1904). Oil on canvas, 25 by 44 cm. [TEFAF. TRINITY FINE ART, LONDON]
Attributed works:
The wave, by Gustave Courbet (1819–1877). Oil on canvas, 64.5 by 81.5 cm. [TEFAF. GALLERY 19C, BEVERLY HILLS]
Attributed works:
Vanvitelli, Rome, View of the Tiber at Ripa Grande, c. 1690, oil on canvas, 97 x 171 cm. [Robilant and Voena]
Non-western art unattributed:
A Blue Laced Samurai Armour (Kiritsuke-Kozane Nimai-Do Gusoku) with a Fine and Rare 120 Plate Helmet (Suji-Bachi Kabuto) Edo period, 1615-1868. [Peter Finer]
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Pages: n.p.
Subjects
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Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Editorial
The Burlington Contemporary Art Writing Prize
12/2017 | 1377 | 159
Pages: 955