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05/2025 | 1466 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Animal farm no.27, TH332, by Chou Ching-hui (b.1965). 2014. Inkjet print, 108 by 148 cm. [CHINI GALLERY, TAIPEI/Photo London]
Attributed works:
B is for Barney, by Alexander Calder (1898–1976). 1973. Steel stabile with red base, two white elements and two black elements, 30.5 by 35.6 by 15.2 cm. [BEN BROWN FINE ARTS, LONDON/TEFAF New York]
Attributed works:
Carl Reininghaus, by Egon Schiele (1890–1914). 1910. Watercolour, gouache and black crayon on paper, 44.5 by 31.8 cm. [RICHARD NAGY, LONDON/Tefaf New York]
Attributed works:
Carlo Grubacs, Venice: The Volta di Canal at Night with the Festivities in Honour of Emperor Ferdinand I of Austria, 7th October, 1838. [Charles Beddington Ltd. Classic Art London]
Attributed works:
Charles Edward Peruginin Presumed portrait of Katherine Dickens, c. 1880 Tessier - Sarrou, Auction on 20 June 2025
Attributed works:
Charleston, South Carolina, by Baldwin Lee (b.1951). 1984. Gelatin silver print, 50.8 by 40.6 cm. [DAVID HILL GALLERY, LONDON/Photo London]
Attributed works:
Ecriture No.31–75, by Park Seo-Bo (1931–2023). 1975. Pencil and oil on canvas, 129.9 by 193.4 cm. [TINA KIM GALLERY, NEW YORK/TEFAF New York]
Attributed works:
Joseph-Siffred Duplessis Portrait of Louis Dussieux. [Drouot}
Attributed works:
Kaapa Tjampitjinpa c.1926–1989 Budgerigar Dreaming 1972. [D.Lan Contemporary]
Attributed works:
Pablo Picasso at Hotel Vaste Horizon, by Dora Maar (1907–97). 1937. Original contact print, 5.5 by 5.4 cm. [AMAR GALLERY, LONDON/Photo London]
Attributed works:
Rural retreat, Virginia, by O. Winston Link (1914– 2001). 1955. Gelatin silver print, 39.4 by 49 cm. [PETER FETTERMAN GALLERY, SANTA MONICA/Photo London]
Attributed works:
Silent Anchor V, by Otobong Nkanga (b.1974). 2024. Rope, glass, ceramic, blue chamomile oil, 129 by 82 by 67 cm. [LISSON GALLERY, LONDON AND NEW YORK/Tefaf New York]
Attributed works:
Spatial concept, by Lucio Fontana (1899–1968). 1964–65. Aluminium with gashes, holes and graffi to, 65 by 98 cm. [ROBILANT + VOENA, LONDON, ROME, NEW YORK/TEFAF New York]
Attributed works:
Statues of the plain, Thebes, by Francis Frith (1822–98). 1858. Albumen print from glass negative, 38 by 48 cm. [ROBERT HERSKOWITZ LTD, LINDFIELD/Photo London] [CHINI GALLERY, TAIPEI/Photo London]
Attributed works:
The flood at Billancourt, by Charles-François Daubigny (1817–78). 1866. Oil on canvas, 49.5 by 64.8 cm. [DAVID TUNICK, NEW YORK/TEFAF New York]
Attributed works:
Untitled (S.506, hanging open form with six extensions), by Ruth Asawa (1926–2013). c.1950–59. Copper wire, 57.1 by 61 by 62.2 cm. DAVID ZWIRNER, NEW YORK, LONDON AND PARIS/TEFAF New York]
Attributed works:
Untitled, by Waldemar Cordeiro (1925–73). 1952. Enamel on plywood, 23.5 by 30.5 cm. [THE MAYOR GALLERY, LONDON/Tefaf New York]
Attributed works:
Young girl with a bouquet, by Marie Laurencin (1883– 1956). c.1925. Oil on canvas, 45.9 by 37.5 cm. [ALMINE RECH, PARIS, LONDON, NEW YORK, BRUSSELS/TEFAF New York]
Western art unattributed:
Head of a bearded god. Roman, c.2nd century CE. Marble, 20 cm. [CHARLES EDE, LONDON. TEFAF New York]
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04/2025 | 1465 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Anna Tonelli (c.1763-1846) Portrait of Honor Edgeworth, nee Sneyd (Guy Peppiatt Fine Art and the Limner Company)
Attributed works:
Henry Parsons Riviere, The Girandola at the Castel Sant'Angelo, Rome (Nonesuch Gallery)
Attributed works:
JMW Turner, Inverary Pier, Loch Fyne, Morning, c. 1845 (detail). Oil on canvas, (Yale Center for British Art, Paul Mellon Collection)
Attributed works:
JMW Turner, The Lauerzersee with the Ruins of Schwanau and the Mythens. watercolour over an underdrawing in pencil 227 x 287 mm. (Stephen Ongpin)
Attributed works:
John Smart (1741-1811) Portrait miniature of a lady. (Guy Peppiatt Fine Art & the Limner Company)
Attributed works:
Luca Cambiaso, Diana and Callisto, oil on canvas, 230 x 185.5 cm (Dorotheum)
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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
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Pages: i–viii
Subjects
Illustrations
Attributed works:
Gabriel de Saint-Aubin Allegory of the Marriages Performed by the City of Paris in Honor of the Birth of the Duc de Bourgogne (detail) Collection of Stephen A. Geiger [Master Drawings]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam). [Abbott and Holder]
Attributed works:
Tarsilia do Amaral, Lake 1928 (detail) [Royal Academy]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
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Pages: i-xii
Subjects
Illustrations
Attributed works:
Charles Wild (1781–1835), Carlton House – The Blue Velvet Room. c.1816. Watercolour. Royal Collection Trust © His Majesty King Charles III, 2024. [Attingham Trust]
Attributed works:
Claude-Joseph Vernet (French, 1714-1789) The grand cascade at Tivoli, 1753 Oil on canvas | 39 x 53 inches (99.1 x 134.6 cm) Property from the Estate of Toni Chapman Brinker, Dallas, Texas Estimate: $200,000 - $300,000 [Heritage Auctions]
Attributed works:
Ghosts, by Salman Toor (b.1984). 2023. Charcoal, ink and gouache on paper, 45.5 by 61 cm. LUHRING AUGUSTINE, NEW YORK [Art Basel Miami Beach]
Attributed works:
Giovanni Battista Benvenuti, called L’Ortolano (Ferrara c. 1487/88–c. 1525/27) The Virgin and Child Oil on panel 38.2 by 31.2 cm. Painted c.1510–20 [Agnews]
Attributed works:
Self portrait, by Émilie Charmy (1878–1974). 1921. Oil on canvas, 116 by 89 cm. GALERIE BERNARD BOUCHE, PARIS [Art Basel Miami Beach]
Attributed works:
Studio Mirror (_DSF0587), by Paul Mpagi Sepuya (b.1982). 2023. Archival pigment print, 152.4 by 114.3 cm. DOCUMENT, CHICAGO AND LISBON [Art Basel Miami Beach]
Attributed works:
Untitled, by Evgeny Antufi ev (b.1986). 2023. Bronze, patina, garnet and enamel, 50 by 32 by 32 cm. EMALIN, LONDON [Art Basel Miami Beach]
Attributed works:
Untitled, by Joanna Piotrowska (b.1985). 2022. Gelatin silver print, 130 by 160 cm. MADRAGOA, LISBON [Art Basel Miami Beach]
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11/2024 | 1460 | 166
Pages: ixx
Subjects
artists:
Illustrations
Attributed works:
An Italian pietre dure panel, representing the Harbour of Livorno, by the Grand Ducal workshops, Florence, after a design by Giuseppe Zocchi, Circa 1765-1770 (detail). [Sotheby's]
Attributed works:
And politically, by Monica Bonvicini (b.1965). 2020. Spray paint on paper mounted on aluminium, 153 by 103 cm. GALERIE KRINZINGER, VIENNA [Artissima]
Attributed works:
BERNARDO ZENALE (c. 1464–1526) Saint John the Baptist, standing full-length in a landscape, c. 1508–10 Recently acquired by the Castello Sforzesco, Milan [Robilant and Voena]
Attributed works:
Black beauty, by Koto Bolofo (b.1959). 2006. Photograph, 65 by 100 cm. IN CAMERA, PARIS [Paris Photo]
Attributed works:
Bust portrait of Elisabeth Alexandrovna Demidoff , née Countess Stroganoff (1779–1818), by Bertel Thorvaldsen (1770–1844). Probably sculpted in Rome, c.1810–12. White Carrara marble on black marble pedestal, 57 cm. with base. TREBOSC & VAN LELYVELD, PARIS [La Biennale]
Attributed works:
Dont I know you from somewhere, by Simnikiwe Buhlungu (b.1995). 2023. Handprinted silkscreen on doublesided satin, and stainless steel pole, 150 by 238 by 3 cm. ELLEN DE BRUIJNE PROJECTS, AMSTERDAM [Artissima]
Attributed works:
Europa sits on the back of the bull, by Andrea Appiani (1754–1817). 1784–86. Tempera on canvas, 190 by 135 cm. LAOCOON GALLERY, LONDON, AND W. APOLLONI, ROME [Amart]
Attributed works:
FRANCIS HARWOOD (c. 1726/1727-1783) Oliver Cromwell marble bust, signed and dated ‘F. Harwood Fecit 1759’ 24.3/4 in. (63 cm.) high, the bust Provenance: Sir Wyndham Knatchbull-Wyndham, 6th Baronet (1737-1763), Mersham-le-Hatch, Kent. [Christie's, Paris]
Attributed works:
French ‘lira oscillante’ model clock, by Mathieu le Jeune. Gilded bronze case with white marble base, 63 by 32 by 16 cm. TOP TIME MUSA, MILAN [Amart]
Attributed works:
Genealogical tree of the Ottoman dynasty with twenty-nine sultan portraits, attributed to Zenop Manas (active 19th century). Probably Vienna, reign of Sultan Mustafa IV, 1807–08. Oil on canvas, 99 by 68.5 cm. KENT ANTIQUES, LONDON [La Biennale]
Attributed works:
GIOVANNI BELLANDI (active 1608 – Milan – 1626) Allegory of Charity Terracotta. Height: 31.7 cm; Width: 37.7 cm; Depth: 4 cm [Ratton and Ladrière/La Biennale]
Attributed works:
Jacques-Edme Dumont (1761–1824) Love Showing Venus a Bee Sting Terracotta: h. 17 cm [Patricia Wengraf Ltd.]
Attributed works:
Lacquer secretary, by Adam Weisweiler (1746–1820). c.1790–95. Thuja wood, ebony, Japanese lacquer and chased-and-gilt bronze and griotte marble top, 126.5 by 70 by 34.5 cm. GALERIE LÉAGE, PARIS [La Biennale]
Attributed works:
LUIS DE MORALES Badajoz (1520–1586) PIETÀ Oil on panel, unframed: 31¾ x 22½ in. (80.8 x 57.2 cm.) Property from a Spanish Private Collection [Galeria Bernat]
Attributed works:
L’Origine des espèces, by Man Ray (1890–1976). 1935. Vintage gelatine silver print mounted on paper, 17.5 by 21.2 cm. SOPHIE SCHEIDECKER, PARIS [Paris Photo]
Attributed works:
m², by Andrea Francolino (b.1979). 2024. Earth dust and cement dust on paper on board, 115 by 115 cm. MAZZOLENI, TURIN AND LONDON [Artissima]
Attributed works:
Paysage acrobatique #5, by Claire Trotignon (b.1985). 2024. Vintage print collage and gouache on paper, 40 by 50 cm. GALERIE 8+4, PARIS [La Biennale]
Attributed works:
Penitent St Jerome, by Fiorenzo di Lorenzo (1440– c.1522). c.1490. Polychromed wood, 90 by 65 by 60 cm. MEARINI FINE ART, PERUGIA [Amart]
Attributed works:
Pierre Legros ii (Paris, 1666–1719, Rome) Danaë and the Eagle; Leda and the Swan [Daniel Katz Gallery] A pair of bronze statuettes Rome, circa 1700 26.5 and 28.5 cm high
Attributed works:
Pink curtains II, by Kourtney Roy (b.1981). 2024. Photograph, 60 by 90 cm. LES FILLES DU CALVAIRE, PARIS [Paris Photo]
Attributed works:
Portrait of a Florentine noblewoman, by Alessandro Allori (1535–1607). 16th century. Oil on panel, 59 by 45.5 cm. TORNABUONI ARTE-ARTE ANTICA, FLORENCE [Amart]
Attributed works:
Portrait of Comte Lancelot Turpin de Crissé, by Josef Anton Kuriger or Couriguer (1750–1834). c.1785. Multicoloured wax on cardboard-wood, presented in its original frame and protective case, 30.5 by 24.5 cm. DIDIER AARON, PARIS AND NEW YORK [La Biennale]
Attributed works:
Preparatory sketch for the funerary monument of the painter André-Corneille Lens, by Gilles-Lambert Godecharle (1750–1835). 1822. Cream-coloured patinated terracotta, 44 by 23 by 10 cm. JACQUES LEEGENHOEK, PARIS [La Biennale]
Attributed works:
Rhinocerus, by Albrecht Dürer (1471–1528). 1515. Woodcut, 21.1 by 29.7 cm. H. H. RUMBLER, FRANKFURT [La Biennale]
Attributed works:
Sin placa, by Jhonatan Pulido (b.1988). 2022. Oil on canvas, 51 by 41 cm. ALMA PEARL, LONDON [Artissima]
Attributed works:
Study for caryatid #001, by Mari Katayama (b.1987). 2023. Photograph, 180 by 120 cm. SUZANNE TARASIEVE, PARIS [Paris Photo]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [Burlington Magazine]
Attributed works:
White Andronicos, by Carmen Dionyse (1921–2013). 2000. Stoneware, 65 by 36 by 22 cm. RICHARD SALTOUN, LONDON, ROME AND NEW YORK [Artissima]
Attributed works:
‘Mexique’ bookcase, by Charlotte Perriand (1903–99). 1952. Enamelled aluminium and wood, 160 by 181.6 by 32.3 cm. JOUSSE ENTREPRISE, PARIS [La Biennale]
Non-western art unattributed:
Huamanga stone lion. Peru, 17th century. Andean alabaster, 13 by 19 cm. DARIO GHIO, MONACO [Amart]
Western art unattributed:
Course de roller. Angleterre. Tirage argentique d’époque. 1930. Photograph, 15 by 21 cm. LUMIÈRE DES ROSES, MONTREUIL [Paris Photo]
Western art unattributed:
FRENCH, LIMOGES, CIRCA 1210 EUCHARISTIC DOVE Gilt and champlevé enamelled copper, set with glass and rock crystal cabochons 21.5 by 26 cm. [Erik Bizet]
Western art unattributed:
Hermes de Pio- Clementino. Italy, 17th century. Wood, 130 by 40 by 40 cm. DESMET FINE ART, BRUSSELS [La Biennale]
Western art unattributed:
Roman mosaic depicting a crane in a vegetal setting, probably discovered in El Djem, Tunisia, in 1913. 3rd–4th century CE. Coloured marble tesserae, 85 by 85 cm. GALERIE DAVID GHEZELBASH, PARIS [La Biennale]
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Subjects
advertisements:
Illustrations
Attributed works:
(KJ MF MS AG FW LM AS EW) recropped landscape, by Sophie Thun (b.1985). 2022. Silver gelatin print and photogram on baryta paper in artist’s frame, 87.7 by 119.4 by 3.5 cm. [SOPHIE TAPPEINER, VIENNA/Art Basel Paris]
Attributed works:
A trial by fire, by Jenkin van Zyl (b.1993). 2024. Film, duration 10 minutes. [EDEL ASSANTI, LONDON/Frieze London]
Attributed works:
An ensign seated in a guardroom with offi cers playing cards, by acob Duck (1600– 67). Oil on canvas, 69 by 60.3 cm. [JOHNNY VAN HAEFTEN, SURREY/Frieze Masters]
Attributed works:
BALTHASAR VAN DER AST (Middelburg 1593/4 – 1657 Delft) A Still Life of Fruit in a kraak porcelain Dish, with Shells and Roses Signed, lower right, on the ledge: B. van der. Ast Oil on panel, 26⅞ x 37⅞ ins. (68.3 x 98.7 cm) Framed dimensions: 35½ x 47½ x 3⅜ ins. (90 x 120.7 x 8.5 cm) [Johnny van Haeften]
Attributed works:
Candelabre ‘night butterfly’, by Nils Alix- Tabeling (b.1991). 2023. Mixed media, 250 by 160 by 60 cm. [PUBLIC GALLERY, LONDON/Frieze London]
Attributed works:
Charles Beale, by Mary Beale (1633– 99). Late 1650s. Oil on paper, laid on panel, 31.8 by 26 cm. PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Chest of drawers, attributed to Philippe Pasquier (Master in 1760), France, last quarter of the 18th century. Mahogany, mahogany veneer, yew burl and ebony, chased and gilt bronze with grey-veined white marble, 86 by 126 by 61 cm. [GALERIE LÉAGE, PARIS/Frieze Masters]
Attributed works:
Classroom, by Andrew Cranston (b.1969). 2023. Distemper on canvas, 213.8 by 183.9 cm. [INGLEBY GALLERY, EDINBURGH/Frieze London]
Attributed works:
Do you realise there is a rainbow even if it’s night!?, by Petrit Halilaj (b.1986). 2023. Qilim carpet from Kosovo, Flokati, polyester, chenille wire, stainless steel and brass, dimensions variable. [CHERTLÜDDE, BERLIN/Frieze London]
Attributed works:
EVA GONZALÈS (1849–83) Portrait de fillette au chapeau, 1879–80. Oil on canvas, 24.5 × 19 cm. Estimate: CHF 18‘000/ 25‘000 [Gloggner]
Attributed works:
FEDE GALIZIA (1578–1630) Judith with the Head of Holofernes, c. 1620s Recently acquired by the National Museum of Western Art, Tokyo [Robilant and Voena]
Attributed works:
Flora totem pino, by Lucía Pizzani (b.1975). 2023. English black stoneware and white slip, 138 by 50 by 50 cm. [CECILIA BRUNSON PROJECTS, LONDON/Frieze London]
Attributed works:
Florence: the Bargello, by Antonietta Brandeis (1848–1926). Oil on panel, 25.4 by 14.6 cm. CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Attributed works:
Folios 13v and 14r from Hours of Isabella d’Este, Use of Rome, illuminated by Gherardo (1444/45–97) and Monte di Giovanni del Fora (1448–1533). c.1490. Illuminated manuscript on vellum, 240 leaves, 13 by 8.7 cm. [DR. JÖRN GÜNTHER RARE BOOKS, BASEL/Frieze Masters]
Attributed works:
Giovanni Battista Foggini (1652–1725) The Crucifixion (detail) 1678 Red wax model in low relief 11.1 × 25 cm [Trinity Fine Art, London]
Attributed works:
Glow’ replica (mirroir1), by David Douard (b.1983). 2024. Painting, curved metal bar with aluminium casted flowers and spherical magnets, 220 by 70 by 50 cm. GALERIE CHANTAL CROUSEL, PARIS/Art Basel Paris]
Attributed works:
Guercino, The Cumaean Sibyl with a Putto, 1651 © The National Gallery, London [Waddesdon]
Attributed works:
I don’t know why nobody told you how to unfold your love I, by Dawn Ng (b.1982). 2024. Archival pigment print, 123 by 123 cm. [KATE MACGARRY, LONDON/Frize London]
Attributed works:
Italian columns, by Ben Nicholson (1894– 1982). 1965. Pen, ink, watercolour and gouache on paper, 31.7 by 24.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Lost door, by Lubaina Himid (b.1954). 2021. Acrylic on wood, 194 by 80 by 15 cm. [HOLLYBUSH GARDENS, LONDON/Frieze London]
Attributed works:
Marchiali, by Kensuke Koike (b.1980). 2022. Vintage photograph, 23.3 by 37.2 cm., framed. [SCHOENI PROJECTS, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Attributed works:
Medicine Pocket, by Paddy Bedford (c.1922–2007). 1999. Natural earth pigments and synthetic binders on linen, 122 by 135 cm. [D’LAN CONTEMPORARY, MELBOURNE AND NEW YORK/Frieze Masters]
Attributed works:
Mephistopheles, by Jean-Jacques Feuchère (1807–52). 1833. Bronze, with rich red-brown patina, height 34 cm. BOWMAN SCULPTURE, LONDON/Frieze Masters]
Attributed works:
Open (amber), by Eva Gold (b.1994). 2024. Resin, aluminium, fibreglass and fluorescent light, 25 by 54.5 by 10 cm. [ROSE EASTON, LONDON/Frieze London]
Attributed works:
Pietro di Cristoforo Vannucci, called Perugino (1450–1523), Christ Crowned with Thorns and The Madonna, oil on panel, each 33.5 x 27.5 cm [Dorotheum]
Attributed works:
Plucked, by Hayv Kahraman (b.1981). 2024. Oil and acrylic on linen, 132.1 by 215.9 cm. [PILAR CORRIAS, LONDON/Art Basel Paris]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection)
Attributed works:
Post, by Juliana Huxtable (b.1987). 2022. Acrylic on printed canvas in artist’s frame, 138 by 267.5 by 7 cm. [PROJECT NATIVE INFORMANT, LONDON/Frieze London]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Stricture, by Louise Giovanelli (b.1993). 2023. Oil on canvas, diptych, each 240 by 170 cm. [GRIMM, AMSTERDAM, LONDON AND NEW YORK/Frieze London]
Attributed works:
Study for imaginative play I, by Caroline Walker (b.1982). 2024. Oil on paper, 47.5 by 61.5 cm. [STEPHEN FRIEDMAN GALLERY, LONDON AND NEW YORK/Frieze London]
Attributed works:
Tenno-ji Temple in Osaka (Osaka Tenno-ji), from the series Souvenirs of travel III (Tabi miyage dai sanshu), by Kawase Hasui (1883–1957). 1927. Woodblock print, 38.7 by 26.3 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Triple self-portrait, by Suzanne Fabry (1904–85). c.1934. Oil on canvas, 66 by 85 cm. [WILL ELLIOTT FINE ART, LONDON/Frieze Masters]
Attributed works:
Untitled (still life), by Richard Aldrich (b.1975). 2024. Oil and wax on panel, 52.1 by 33.3 cm. [DÉPENDANCE, BRUSSELS/Art Basel Paris]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. GALERIE LELONG & CO., NEW YORK AND PARIS/Frieze London]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. [GALERIE LELONG & CO., NEW YORK AND PARIS/Art Basel Paris]
Non-western art unattributed:
Hilt of a tulwar. India, mid-to-late 17th century. Jawhar steel, total length 92.5 cm. [RUNJEET SINGH, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Non-western art unattributed:
Large underglaze blue and copper red porcelain jar (guan). Yuan dynasty, c.1320–52. Porcelain, height 33 cm. [ESKENAZI LTD, 10 CLIFFORD ST, W1S/Asian Art London]
Non-western art unattributed:
Ming dynasty censer. China, c.1600. Bronze, 17.5 by 29 cm. [MICHAEL GOEDHUIS, LONDON AND YANWORTH/Frieze Masters]
Non-western art unattributed:
Model of a horse. China, Han Dynasty (206 BCE–220 AD). Bronze, height 33.5 cm. [CHRISTIE’S, KING ST, SW1Y/Asian Art London]
Western art unattributed:
Cycladic female figure. Greek, early Cycladic II, c.2600– 2500 BCE. Marble, height 17.1 cm. ARIADNE, GREENWICH CT AND LONDON/Frieze Masters]
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Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
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Pages: i–xii
Subjects
advertisements:
Illustrations
Attributed works:
Autoportrait, Molenbeek, by Hélène Amouzou (b.1969). 2009. Analogue black-andwhite photograph. [Busan Biennale]
Attributed works:
Did you open the door, or did you find it open for you, by Rajyashri Goody (b.1990). 2023. Paper, ink and porcelain, dimensions variable. [Busan Biennale]
Attributed works:
Diva-Goth Singers, by Kim Jipyeong (b.1976). 2023. Three-panel folding screen of mulberry paper and silk on wood, microphone, lace and tassel, dimensions variable. [Busan Biennale]
Attributed works:
Frans Floris Susanna and the Elders (detail) oil on panel,154 x 181 cm [Carlo Orsi]
Attributed works:
Hail, by Yanghee Lee (b.1976). 2020. Four-channel video and six-channel audio installation, duration 15 minutes 47 seconds. [Busan Biennale]
Attributed works:
JACOPO DAL PONTE , CALLED JACOPO BASSANO (c. 1510–1592) Portrait of a Man in Armour, c. 1560 Recently acquired by the Museo Civico di Bassano del Grappa [Robilant & Voena]
Attributed works:
Katherine Read (1723 - 1778) Oil on canvas, painted circa 1776 - 1778 (L to R): Alexander, John, Robert, and Jean Beatson, the artist’s nephews and sister [Weiss]
Attributed works:
Life and Its Double, by Nguyễn Phương Linh (b.1985) and Trương Quế Chi (b.1987). 2021. Installation and performance. [Busan Biennale]
Attributed works:
Narratives from the Hadal zone, by Kyung Hwa Kim (b.1969). 2021. Mother-of-pearl and fibre reinforced plastic, 300 by 220 by 220 cm. [Busan Biennale]
Attributed works:
Portrait of PARK Cha-jeong, by Yun Suknam (b.1939). 2020. Colour pigment on hanji paper, 210 by 94 cm.[Busan Biennale]
Attributed works:
Rape is Political, by Ashfika Rahman (b.1988). 2016–ongoing. Gold-coated albumen print on acid free paper, paint and ink, dimensions variable. [Busan Biennale]
Attributed works:
The city we imagine, by Golrokh Nafisi (b.1981) with Ahmadali Kadivar (b.1985). 2020. Performance, duration 40 minutes. [Busan Biennale]
Attributed works:
Untitled, by Ka Young Lee. 2011. Oil on canvas, 100 by 80 cm. [Busan Biennale]
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