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31 articles
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08/2024 | 1457 | 166
Pages: i–xii
Subjects
advertisements:
Illustrations
Attributed works:
Autoportrait, Molenbeek, by Hélène Amouzou (b.1969). 2009. Analogue black-andwhite photograph. [Busan Biennale]
Attributed works:
Did you open the door, or did you find it open for you, by Rajyashri Goody (b.1990). 2023. Paper, ink and porcelain, dimensions variable. [Busan Biennale]
Attributed works:
Diva-Goth Singers, by Kim Jipyeong (b.1976). 2023. Three-panel folding screen of mulberry paper and silk on wood, microphone, lace and tassel, dimensions variable. [Busan Biennale]
Attributed works:
Frans Floris Susanna and the Elders (detail) oil on panel,154 x 181 cm [Carlo Orsi]
Attributed works:
Hail, by Yanghee Lee (b.1976). 2020. Four-channel video and six-channel audio installation, duration 15 minutes 47 seconds. [Busan Biennale]
Attributed works:
JACOPO DAL PONTE , CALLED JACOPO BASSANO (c. 1510–1592) Portrait of a Man in Armour, c. 1560 Recently acquired by the Museo Civico di Bassano del Grappa [Robilant & Voena]
Attributed works:
Katherine Read (1723 - 1778) Oil on canvas, painted circa 1776 - 1778 (L to R): Alexander, John, Robert, and Jean Beatson, the artist’s nephews and sister [Weiss]
Attributed works:
Life and Its Double, by Nguyễn Phương Linh (b.1985) and Trương Quế Chi (b.1987). 2021. Installation and performance. [Busan Biennale]
Attributed works:
Narratives from the Hadal zone, by Kyung Hwa Kim (b.1969). 2021. Mother-of-pearl and fibre reinforced plastic, 300 by 220 by 220 cm. [Busan Biennale]
Attributed works:
Portrait of PARK Cha-jeong, by Yun Suknam (b.1939). 2020. Colour pigment on hanji paper, 210 by 94 cm.[Busan Biennale]
Attributed works:
Rape is Political, by Ashfika Rahman (b.1988). 2016–ongoing. Gold-coated albumen print on acid free paper, paint and ink, dimensions variable. [Busan Biennale]
Attributed works:
The city we imagine, by Golrokh Nafisi (b.1981) with Ahmadali Kadivar (b.1985). 2020. Performance, duration 40 minutes. [Busan Biennale]
Attributed works:
Untitled, by Ka Young Lee. 2011. Oil on canvas, 100 by 80 cm. [Busan Biennale]
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Pages: i-xii
Subjects
artists:
artists:
Illustrations
Attributed works:
Black Cross II, by Harmony Hammond (b.1944). 2020–21. Oil and mixed media on canvas, 229.6 by 183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Black Cross II, by Harmony Hammond (b.1944). 2020–21. Oil and mixed media on canvas, 229.6 by 183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Daughters: Reverance, by Rose B. Simpson (b.1983). 2024. Ceramic, twine, grout, steel, lava beads, osha root, pine, hide and leather, dimensions variable. [Whitney Biennial]
Attributed works:
Frans Pourbus the Younger (1569 - 1622) Oil on canvas: 23 1/8 x 17 1/8 in. (58.7 x 43.5 cm.) Henri IV of France (1553 - 1610) Dated, upper right: ‘ANo 1610’ [Weiss Gallery]
Attributed works:
How Many Ways Can You Disappear, by Karyn Olivier (b.1968). 2021. Potwarp, lobster traps, buoys washed ashore on Matinicus Island, and rope reproduced in salt, height 4.5.m. [Whitney Biennial]
Attributed works:
Liveness (Multi- Scalar Motion #1), by Torkwase Dyson (b.1973). 2022. Glass, graphite, acrylic, wood and steel, approximately 400 by 1400 by 880 cm. [Whitney Biennial]
Attributed works:
Sir Thomas Lawrence, P.R.A. Bristol, 1769 - London, 1830 Portrait of Anne, Viscountess Pollington, later Countess of Mexborough, with her son, John Charles, later 4th Earl of Mexborough Oil on canvas, 236.2 x 144.8 cm [Moretti]
Attributed works:
Still from In Her Time (Iris’s Version), by Diane Severin Nguyen (b.1990). 2023–24. HD video, colour, sound, 62 min 37 sec. [Whitney Biennial]
Attributed works:
Still from Mojo’q che b’ixan ri ixkanulab’/Antes de que los volcanes canten/Before the Volcanoes Sing, by Clarissa Tossin (b.1973). 2022. HD video, colour, sound, 64 mins 17 secs. [Whitney Biennial]
Attributed works:
Still from Too Bright to See (Part I), by Madeleine Hunt-Ehrlich (b.1987). 2022. 16mm film, colour, sound, 24 min. [Whitney Biennial]
Attributed works:
Talking Shit with Amaru (Wari), by Eamon Ore-Giron (b.1973). 2023. Mineral paint and Flashe on canvas, 213.4 by 152.4 cm. [Whitney Biennial]
Attributed works:
TEMPO RUBATO (STOLEN TIME), by Nikita Gale (b.1983). 2023–24. Modified player piano, audio and LED lighting system, dimensions variable. [Whitney Biennial]
Attributed works:
xhairymutantx Embedding Study 1, by Holly Herndon (b.1980) and Mat Dryhurst (b.1984). 2024. Thermal dye diffusion transfer print, 119 by 180 cm. [Whitney Biennial]
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Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
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Pages: i-xx
Subjects
Illustrations
Attributed works:
A document box (bunko), by Koda Katei (1886–1961). Showa period, 1930s–1950s. Gold makie and coloured lacquers, 41 by 33 by 14 cm. [SIMON PILLING, 8 DUKE STREET, SW1. Asian Art London]
Attributed works:
A white-eared Bulbul, by Reza Abbasi. Safavid Isfahan, Iran, c.1630. Pigments highlighted with gold on paper, 35.2 by 23 cm. CHRISTIE’S, 8 KING STREET SW1[Asian Art LOndon]
Attributed works:
Adventure in technos dystopium – dystopium infi nite triptych, by Orshi Drozdik (b.1946). 1984–95. Gelatin silver photographic print, 250 by 123 cm. [EINSPACH FINE ART AND PHOTOGRAPHY, BUDAPEST. Frieze Masters]
Attributed works:
An exceptionally fi ne saddle. Eastern Tibet or China, 15th–17th century. Iron, silver, gilding, wood and leather, 30 by 56 cm. PETER FINER, 38–39 DUKE STREET, SW1. [Asian Art London]
Attributed works:
Bartolomeo Schedoni The Beheading of St John the Baptist (detail) Oil on panel, 58 x 35 cm, 227/8 x 13¾ in. [TRINITY FINE ART]
Attributed works:
Black jug and lemon sole, by Georges Braque (1882–1963). 1942. Oil on canvas, 50 by 61 cm. [BERNARD JACOBSON GALLERY, LONDON. Frieze Masters]
Attributed works:
Buddha Amoghasiddhi. Tibet, 13th century. Distemper on cloth, 94.9 by 71.6 cm. [CARLTON ROCHELL ASIAN ART, NEW YORK. Frieze Masters]
Attributed works:
CHRISTO (AMERICAN/BULGARIAN 1935-2020) PACKAGE Est. £30,000-50,000 (+ fees). [Dreweatts]
Attributed works:
Denijs van Alsloot (before 1570 – before 1628) and Hendrick de Clerck (c. 1570–1629/30) The Judgement of Midas (detail), oil on canvas, 158.3 x 238.6 cm, Auction: 9 November 2022 [Dorotheum]
Attributed works:
Evaristo Baschenis. Still Life with Musical Instruments. [Galerie Canesso]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm. [Arte-Fact]
Attributed works:
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 [Artcurial]
Attributed works:
John Bull taking a luncheon or British cooks cramming Old Grumble-Gizzard with Bonne-Chère, by James Gillray (1756–1815). 1798. Hand-coloured etching, 25.5 by 36.2 cm. [ANDREW EDMUNDS, LONDON. Frieze Masters]
Attributed works:
Lucio Fontana Madonna and Child, 1954–57 Inscribed ‘fontana’ (lower centre-right) Registered at the Fondazione Lucio Fontana, Milan, no. 73/1 Glazed ceramic 42 x 29 x 10 cm (16 1/2 x 11 3/8 x 4 in.) [Robilant and Voena]
Attributed works:
Mitsumata Wakarenofuchi, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), by Utagawa Hiroshige (1797–1858). 1857. Woodblock print, 36.5 by 24.6 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7. Asian Art London]
Attributed works:
Mr William Shakespeares Comedies, Histories, and Tragedies. Published according to the true Originall Copies. 1632. Paper and calf leather, 32.4 by 21.9 cm. [PETER HARRINGTON RARE BOOKS, LONDON. Frieze Masters]
Attributed works:
Partition, guitare, compotier, by Pablo Picasso (1881–1973). 1924. Oil on canvas, 97.1 by 130.1 cm. [HELLY NAHMAD GALLERY, LONDON. Frieze Masters]
Attributed works:
Portrait of a Zulu, by Frans David Oerder (1867–1944). 1897. Oil on canvas, 53 by 42.9 cm. ELLIOTT FINE ART, LONDON. Frieze Masters]
Attributed works:
Sphynx, by Nikki de Saint Phalle (1930–2002). 1975. Painted polyester, 30 by 28 by 48 cm. [GALERIE MITTERAND, PARIS. Frieze Masters]
Attributed works:
Spring: peasants making merry outside a tavern; Summer: Peasants dance; and Winter: view of a village in the snow, by Pieter Brueghel the Younger (1564–1638). After 1616. Oil on wood, diameter 24.5 cm. [GALERIE DE JONCKHEERE, GENEVA. Frieze Masters]
Attributed works:
Study of the hands of the Virgin, by Jean-Auguste- Dominique Ingres (1780– 1867). c.1836. Pencil on paper, 23.3 by 14.4 cm. [STEPHEN ONGPIN, LONDON. Frieze Masters]
Attributed works:
Untitled (P.C. III), by Nicola Durvasula. 2021. Watercolour, gouache and pencil on paper. 20.5 by 30.5 cm.[ JOOST VAN DEN BERGH, 1 PRINCES PLACE, SW1. Asian Art London]
Non-western art unattributed:
A lion-shaped incense burner. Khorasan, Eastern Iran, 12th century. Cast and open-work bronze, copper alloy, 22.5 by 22.1 by 6 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4. Asian Art London]
Non-western art unattributed:
Cintimani tile. Ottoman, 16th century. Ceramic, height 29 cm. ROSEBERY’S, 12 HAY HILL, W1 (BY APPOINTMENT) [Asian Art London]
Non-western art unattributed:
Head of a man. South Arabia, 3rd century BC–1st century AD. Alabaster, height 13 cm. [ARIADNE GALLERIES, LONDON. Frieze Masters]
Non-western art unattributed:
Hexalobed box and cover. China, 18th century. Cinnabar lacquer, 17.5 by 7 cm. [J.A.N. FINE ART, 132–134 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Phoenix head ewer (fengshouhu). China, Tang Dynasty, Gongxian kilns, Henan Province, 7th–8th century. Ceramic, height 33 cm. [MARCHANT, 120 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Snuff bottle. China, Jingdezhen kilns, 1820–50. Porcelain, height 5.3 cm. [SUSAN PAGE, 15 STRATTON STREET, W1. Asian Art London]
Non-western art unattributed:
Tapir-form vessels (Xizun). Song/Ming Dynasty and 17th/18th century. Archaistic gold and silver-inlaid bronze, largest length 35.5 cm. [BONHAMS, 101 NEW BOND ST, W1. Asian Art London]
Western art unattributed:
Head of an African King, Southern France, c.1120-1150. [Sam Fogg]
Western art unattributed:
Lot 565 A fine miniature lantern clock by Fromanteel of London, 17th cent. Lot 623 A museumquality chalice, Augsburg, Johann David Saler, circa 1705. Lot 3244 A significant Franconian sword with inscription, circa 900 A.D.Lot 47 A lateantique silver casket with Christogram, incised decoration and gilding, 4th century A.D.Lot 372 A Gothic Madonna with apple, Salzburg, circa 1420. [Hermann Historica]
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Pages: i-viii
Subjects
Illustrations
Attributed works:
A boy playing a lute, by Giovanni Battista Piazzetta (1682/83– 1754). Black chalk heightened with white on brown paper, 35 by 24 cm. [STEPHEN ONGPIN FINE ART, W1K, LAW]
Attributed works:
A capriccio on the river Wye with the Pont du Gard, by Thomas Jones (1742–1803). c.1775. Oil on panel, 34.3 by 47 cm. [MILES WYNN CATO, SW7, LAW]
Attributed works:
A young woman playing a tambourine, by Pseudo-Caroselli (active 1600–25). Oil on canvas, 99.1 by 74.3 cm. [AGNEWS, W1S, LAW]
Attributed works:
Carved walnut wood frame with glass mirror, Italian, 16th century, by Isabel Agnes Cowper. c.1891. (Victoria and Albert Museum, London). [Burlington Magazine call for paper photography]
Attributed works:
George Clavering Cowper, 3rd Earl Cowper, by Hugh Douglas Hamilton (c.1740–1808). 1785. Pastel on paper, 94 by 69 cm. [LOWELL LIBSON AND JONNY YARKER LTD, W1S, LAW]
Attributed works:
GIOVANNI DOMENICO TIEPOLO (1727-1804) The Carpenter’s Shop Pen and brown ink and wash, over an underdrawing in black chalk. Signed Domo. Tiepolo f at the lower left and numbered 56 in the upper left margin. 350 x 468 mm. (133⁄4 x 183⁄6 in.) [Ongpin LAW]
Attributed works:
Head of an angel, by Antonio Giorgetti (1635–69). c.1663. Terracotta, height 40 cm. [TRINITY FINE ART AND WALTER PADOVANI, W1S, LAW]
Attributed works:
La Loge Anglais, by Jean-Pierre Dantan (1800–69). 1834. Patinated plaster, 23.5 by 35 by 15.5 cm. [DANIEL KATZ, W1J, LAW]
Attributed works:
Nesting swans, Chartwell, by William Nicholson (1872–1949). 1934. Oil on board, 56 by 63.5 cm. [CHARLES BEDDINGTON LTD, W1S, LAW]
Attributed works:
St Mary’s Church and the Radcliffe Camera from Oriel Lane, Oxford, by J.M.W. Turner (1775–1851). Watercolour, pencil and body colour on paper, 27 by 21.5 cm. [GUY PEPPIATT, SW1Y, LAW]
Attributed works:
Virgin and Child with a bishop saint, by Francesco Marmitta (c.1464–1505). 1500–05. Oil on panel, 187 by 106 cm. [BRUN FINE ART, W1S, LAW]
Attributed works:
Wild boar after the antique, by Giovanni Francesco Susini (1585– c.1653). c.1600–50. Bronze, 17.8 by 20.3 cm. [TOMASSO, SW1Y, LAW]
Western art unattributed:
Two leaves from an Italian choirbook depicting birds. Late 15th century. Ink and gold on vellum, 51.5 by 37 cm. [SAM FOGG, W1S, LAW]
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Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
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Pages: i-xxvii
Subjects
advertisements:
Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
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Subjects
Illustrations
Attributed works:
Attributed to Antonio Rodríguez, Portrait of Moctezuma, c. 1680. Florence, Gallerie degli Uffizi. Tesoro dei Granduchi [Museo Nacional del Prado]
Attributed works:
BENEDETTO BRIOSCO (Milan ? circa 1460 – Pavia circa 1514), attributed to, Virgin and Child with Angels marble, 29 x 21 x 4 cm [CHARLES RATTON & GUY LADRIÈRE]
Attributed works:
Bust of Antonio Canova, by Raimondo Trentanove (1792– 1832). 1817. Marble, height 60.5 cm. [ROBILANT + VOENA, LONDON]
Attributed works:
Full-length portrait of Henri d’Artois, duc de Bordeaux, comte de Chambord, by Johann Dominik Mahlknecht (1793–1876). Painted and reworked plaster, height 123 cm. [TREBOSC & VAN LELYVELD, PARIS]
Attributed works:
Harmony of materials, by Alfred Reth (1884–1966). 1960. Oil, sand, sawdust and glued paper, 61 by 50 cm. [GALERIE ORSAY, PARIS]
Attributed works:
Jean-Joseph Weerts, Portrait of Dominique Jean-Baptiste Hugues in his Studio, 1890 [Robilant and Voena]
Attributed works:
Lucas Faydeherbe, attributed to 1617 – Mechelen – 1697 Jupiter Terracotta, painted to resemble bronze: h. 68 x w. 52 x d. 31 cm [Patricia Wengraf]
Attributed works:
Nicolas Poussin (French, 1594-1665) The Rest on the Flight to Egypt, with the youthful Saint John the Baptist, circa 1626 (detail) Oil on canvas | 50 x 60-3/4 inches From the Estates of Ramon Osuna and Robert Lennon, Washington, D.C. Estimate: $700,000 - $1,000,000 [Heritage Auctions]
Attributed works:
St Sebastian, by Louis Finson (1580–1617). Oil on canvas, 113 by 79 cm. [GALERIE ENRICO FRASCIONE, FLORENCE]
Attributed works:
Study of a horse, by Edgar Degas (1834–1917). Pencil on paper, 36 by 22 cm. [GALERIE CHAPTAL, PARIS]
Attributed works:
The sculptor Frédéric Hexamer modelling a vase, by Édouard Dantan (1848–97). 1883. Oil on panel, 15 by 13.5 cm. [GALERIE TERRADES, PARIS]
Attributed works:
The young erudite mother, by Marguerite Gérard (1761–1837). Oil on canvas, 55.1 by 45.6 cm. [GALERIE ERIC COATALEM, PARIS]
Attributed works:
Tivoli, by Carlo Labruzzi (1748–1817). Oil on canvas, 152 by 196 cm. [CHARLES BEDDINGTON, LONDON]
Attributed works:
Young Breton, by Carl Moser (1873– 1939). 1929. Woodcut print, 19.5 by 25.5 cm. [PAUL PROUTÉ, PARIS]
Non-western art unattributed:
Lot 623 An extremely rare cup (tanzhan) with the inscription “Jinlu Dajiao Tan Yong”, probably Jiajing period (1522-66) [Hermann Historica]
Western art unattributed:
attributed to Master Guglielmo, also known as Guillielmus Active in Tuscany, c.1158–65 Romanesque Corbel in the form of a lion Marble 36 cm high [Daniel Katz]
Western art unattributed:
Lot 724 An impressive Elamite golden necklace, 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
Lot 771 A Greek archaic funerary stele of a warrior, 1st half - mid-6th century B.C. [Hermann Historica]
Western art unattributed:
Lot 809 A rare and charming Roman marble pyxis, 1st century B.C. - 1st century A.D. [Hermann Historica]
Western art unattributed:
Pair of Atlanteans, attributed to Giacomo Piazzetta (1640–1705). Carved walnut, height 160 cm. [GALERIE RATTON LADRIÈRE, PARIS]
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Pages: i-xii
Subjects
Illustrations
Attributed works:
Attributed to Matthäus Gundelach (1566? – 1653/4 Augsburg) ca. 1600, oil on copper, H 40 x W 31 cm [Kollenburg Antiquairs].
Attributed works:
FRANCESCO CAPORALE, KNOWN AS IL SONCINO (active 1606 – c. 1635) (Attributed to) Rome, early 17th century Portrait Bust of a Nobleman dressed all’antica Carrara marble, on a bigio morato marble socle 78 cm high, including socle. PROVENANCE Frederick Howard, 5th Earl of Carlisle (1748–1825), Castle Howard, North Yorkshire, United Kingdom or possibly his father Henry Howard, 4th Earl of Carlisle (1694–1758), Castle Howard, North Yorkshire, United Kingdom; thence by descent [Tomasso Brothers].
Attributed works:
The Master of the Unruly Children River God terracotta 26 x 33 x 21 cm, 101/4 x 13 x 81/4 in [Trinity Fine Art]
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Pages: i-vii
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