Résistances à l’idée d’art moderne dans
la peinture: Paris, Londres, New York,
1848–1931
By Pierre Sérié. 449 pp. incl. 59 col. + b. & w. ills.
(Presses Universitaires Blaise-Pascal, Clermont-
Ferrand, 2023), €26. ISBN 978–2–38377–222–4. |
:
Illustrations
Attributed works:
8. Le repos à Tonnerre, by Émile
Bernard. 1904. Oil on canvas,
120 by 150 cm. (Private collection).
Book Review
Objects in Exile: Modern Art and
Design across Borders, 1930–1960
Objects in Exile: Modern Art and
Design across Borders, 1930–1960
By Robin Schuldenfrei. 352 pp. incl. 76 col. +
82 b. & w. ills. (Princeton University Press,
2024), £55. ISBN 978–0–691–23266–9. |
:
Illustrations
Attributed works:
6. Isokon long chair, by Marcel Breuer. 1936.
Bent plywood and laminated birch veneers,
77.5 by 130 by 61.5 cm. (Harvard Art Museums).
Book Review
Art and Modernism in Socialist China:
Unexplored International Encounters,
1949–1979
Art and Modernism in Socialist China:
Unexplored International Encounters,
1949–1979
Edited by Shuyu Kong, Julia F. Andrews and
Shengtian Zheng. 248 pp. incl. 19 col. + 31 b. & w.
ills. (Routledge, New York and London, 2024),
£135. ISBN 978–1–03–258529–1. |
:
Tropical Modernism:
Architecture and Independence
2nd March–22nd September
Victoria and Albert Museum,
London |
:
Illustrations
Attributed works:
21. Jane Drew
and Maxwell Fry
with a model
of one of their
buildings for
the Gold Coast
(now Cape
Coast) Education
Department,
Ghana, in
1945. (RIBA
Collections,
London).
Attributed works:
22. The model
for the High
Court, Capitol
Complex, Sector
1, Chandigarh,
by Pierre
Jeanneret.
c.1951–65.
Photograph.
(Canadian Centre
for Architecture,
Montreal)
Attributed works:
23. Detail of
the pre-cast
concrete
screening on
the veranda
of the library,
University
College, Ibadan,
designed by
Fry Drew and
Partners.
1955. (RIBA
Collections,
London).
17. Adam’s
ranunculus
(PF.1107, bouquet
from Adam Lanier
with snail), by
Ruth Asawa. 1999.
Ink on Japanese
paper, 61 by 42.9
cm. (Private
collection; exh.
Menil Drawing
Institute,
Houston).
Book Review
Totality: Abstraction and Meaning in the Art of Barnett Newman
Totality: Abstraction and Meaning
in the Art of Barnett Newman
By Michael Schreyach. 296 pp. incl. 43 col. +
22 b. & w. ills. (University of California Press,
Oakland, 2023), £34. ISBN 978–0–520–37951–0 |
:
27. La blanche et
la noire, by Félix
Vallotton. 1913.
Oil on canvas,
114 by 147 cm.
(Kunst Museum
Winterthur, Villa
Flora).
Attributed works:
28. Installation
view of Bienvenue!
Masterpieces
by Cézanne,
van Gogh and
Manet back in
Winterthur at
the Villa Flora,
Winterthur,
2024. (Courtesy
Kunst Museum
Winterthur, Villa
Flora).
Attributed works:
29. Le bateau
rouge, by Odilon
Redon. c.1910.
Oil on canvas,
54 by 73 cm.
(Kunst Museum
Winterthur, Villa
Flora).
29. Buffalo AKG
Art Museum:
from left to
right, the Jeffrey
E. Gundlach
Building, the
Albright Bridge
and the Robert
and Elizabeth
Wilmers Building.
(Photograph
Marco
Cappelletti).
Attributed works:
30. The Ralph
Wilson Town
Square at
Buffalo AKG
Art Museum,
showing Common
Sky, by Studio
Other Spaces
(Olafur Eliasson
and Sebastian
Behmann). 2022.
(Photograph
Marco
Cappelletti).
Attributed works:
31. A gallery in
the Robert and
Elizabeth Wilmers
Building at
Buffalo AKG Art
Museum with, in
the foreground,
two sculptures by
Auguste Rodin,
Eve (After the
Fall) (1881), and
The Age of Bronze
(1875–76, cast
1911). (Photograph
Marco
Cappelletti).
Attributed works:
32. Installation
view of Clyfford
Still: A Legacy
for Buffalo in
the Jeffrey
E. Gundlach
Building, Buffalo
AKG Museum
of Art, 2023.
(Photograph
Marco
Cappelletti).
Attributed works:
33. A gallery
in the Robert
and Elizabeth
Wilmers Building
at the Buffalo
AKG Museum
of Art, showing,
from left to
right, Lovers,
by Rosalyn
Drexler (1963);
Tom Thumb, by
Marisol (1997);
100 cans, by
Andy Warhol
(1962); and
Head – Red and
Yellow, by Roy
Lichtenstein
(1962).
(Photograph
Marco
Cappelletti).
Exhibition Review
Grete Ring. Dealing in Modernism: From Cézanne and Renoir to Liebermann and Kokoschka
Grete Ring. Dealing in
Modernism: From Cézanne
and Renoir to Liebermann
and Kokoschka
Liebermann Villa am Wannsee, Berlin
30th September 2023–
22nd January 2024 |
:
Illustrations
Attributed works:
28. Grete Ring
with her poodle
in British exile,
c.1942. (Private
collection; exh.
Liebermann Villa
am Wannsee,
Berlin).
Attributed works:
29. Childhood
portrait of Grete
Ring, by Dora
Hitz. c.1895. Oil
on canvas, 103 by
113.5 cm. (Private
collection; exh.
Liebermann Villa
am Wannsee,
Berlin).
Attributed works:
30. Sower, by
Leonhard Wacker
(?), c.1928. Oil on
canvas, 58.5 by
75 cm. (Private
collection; exh.
Liebermann Villa
am Wannsee,
Berlin).
Exhibition Review
Futurism and Europe: The Aesthetics of a New World
Futurism and Europe: The
Aesthetics of a New World
Kröller-Müller Museum, Otterlo
29th April–3rd September |
:
Illustrations
Attributed works:
19. The new city.
Detail, by Antonio
Sant’Elia. 1914.
Pencil and ink on
paper, 52.5 by 51.5
cm. (Pinacoteca
Civica, Como; exh.
Kröller-Müller
Museum, Otterlo).
Attributed works:
20. Unique forms
of continuity
in space, by
Umberto
Boccioni. 1913,
cast in 1972.
Bronze, 117 by
30.5 by 87.5
cm. (Kröller-
Müller Museum,
Otterlo).
Attributed works:
21. Installation
view of Futurism
and Europe:
The Aesthetics
of a New World
at the Kröller-
Müller Museum,
Otterlo, 2023.
(photograph
Studio
Goedewaagen
Fotografie).