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44 articles
Exhibition Review
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain
05/2025 | 1466 | 167
Pages: 494–7
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
Reviewed Items
subjects:
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain Estorick Collection, London 15th January–11th May | :
Illustrations
Attributed works:
13. Madrigale veneziano (Venetian madrigal) from Aeromusiche d’alfabeto in libertà: Marinetti Crali Cenisi, by Tullio Crali. 1944. (Private collection; exh. Estorick Collection, London).
Attributed works:
14. ishtar’s descent, by Dom Sylvester Houédard. 1971. Typed page 29.7 x 21 cm. (Courtest Lisson Gallery, London; exh. Estorick Collection, London).
Attributed works:
15. Untitled, by Dom Sylvester Houédard. 1967. Newspaper cuttings, fabric and PVC plastic, 35.7 by 33.7 cm. (Courtesy Lisson Gallery, London; exh. Estorick Collection, London).
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
related names
Author:
Lomas, David (Lomas, David)
Subjects
dates:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
Exhibition Review
Futurism and Europe: The Aesthetics of a New World
08/2023 | 1445 | 165
Pages: 906–908
related names
Reviewer:
Kwartler, Talia (Kwartler, Talia)
Subjects
dates:
Reviewed Items
subjects:
Futurism and Europe: The Aesthetics of a New World Kröller-Müller Museum, Otterlo 29th April–3rd September | :
Illustrations
Attributed works:
19. The new city. Detail, by Antonio Sant’Elia. 1914. Pencil and ink on paper, 52.5 by 51.5 cm. (Pinacoteca Civica, Como; exh. Kröller-Müller Museum, Otterlo).
Attributed works:
20. Unique forms of continuity in space, by Umberto Boccioni. 1913, cast in 1972. Bronze, 117 by 30.5 by 87.5 cm. (Kröller- Müller Museum, Otterlo).
Attributed works:
21. Installation view of Futurism and Europe: The Aesthetics of a New World at the Kröller- Müller Museum, Otterlo, 2023. (photograph Studio Goedewaagen Fotografie).
Exhibition Review
Archipenko and the Italian Avant Garde
08/2022 | 1433 | 164
Pages: 809-811
related names
Reviewer:
Corbett, Cathy (Corbett, Cathy)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Archipenko and the Italian Avant Garde Estorick Collection of Modern Italian Art, London 4th May–4th September | :
Illustrations
Attributed works:
27. Title unknown [walking], by Alexander Archipenko. c.1919. Pencil and white crayon on grey paper, 57 by 47 cm. (Private collection; exh. Estorick Collection of Modern Italian Art, London).
Attributed works:
28. Form on blue background, by Alexander Archipenko. Inscribed ‘Archipenko 1913/1962’, executed in 1962. Gouache and coloured pencil on blue poster board, 83.8 by 68.6 cm. (Private collection; exh. Estorick Collection of Modern Italian Art, London).
Short Notice
A continuous line in Boccioni drawings at the Metropolitan Museum of Art, New York
03/2020 | 1404 | 162
Pages: 219-224
related names
Author:
McKever, Rosalind (McKever, Rosalind)
Subjects
dates:
styles:
subjects:
Illustrations
Attributed works:
10. Seated woman, by Umberto Boccioni. c.1908–9. Graphite on paper, 38.1 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Seated male nude, by Umberto Boccioni. c.1908–09. Graphite on paper, 38.1 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Study for ‘The dream – Paolo and Francesca’, by Umberto Boccioni. 1908–10. Graphite, charcoal, colored pencil, and wash on paper, 23.2 by 46.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Study for ‘The city rises’, by Umberto Boccioni. 1910. Graphite on paper, 14 by 21 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Study for ‘Female figure’, by Umberto Boccioni. 1911. Graphite on paper, 61 by 48.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Female figure, by Umberto Boccioni. 1911. Oil on canvas, 135 by 93 cm. (Museo del Novecento, Milan; Bridgeman Images).
Attributed works:
8. Study for ‘States of mind: The farewells’, by Umberto Boccioni. 1911. Graphite on paper, 48.6 by 61 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. The dream – Paolo and Francesca, by Umberto Boccioni. 1908–09. Oil on canvas, 140 by 130 cm. (Private collection).
Exhibition Review
Natalia Goncharova. Tate Modern, London
09/2019 | 1398 | 161
Pages: 765-769
related names
Reviewer:
Milner, John (Milner, John)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
17. Peasants picking apples, by Natalia Goncharova. 1911. Oil on canvas, 104.5 by 98 cm. (State Tretyakov Gallery, Moscow; exh. Tate Modern, London).
Attributed works:
18. Theatre costume for ‘Sadko’, by Natalia Goncharova. 1916. 185 by 85 by 65 cm. (Victoria and Albert Museum, London; exh. Tate Modern, London).
Attributed works:
19. Installation photograph of Natalia Goncharova at Tate Modern, London, 2019, showing Harvest (1911). (Photograph Matt Greenwood; Tate Modern, London).
Attributed works:
20. Linen, by Natalia Goncharova. 1913. Oil on canvas, 95.6 by 83.8 cm. (Tate Modern, London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Exhibition Review
Magic Realism
04/2018 | 1381 | 160
Pages: 338-340
related names
Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
art literature:
dates:
media:
Illustrations
Attributed works:
19. The daughters of Lot, by Carlo Carrà. 1919. Canvas, 110 by 80 cm. (MART, Rovereto).
Attributed works:
20. The pupils, by Felice Casorati. 1927–28. Panel, 169 by 151 cm. (Galleria d’Arte Moderna ‘Empedocle Restivo’, Palermo; exh. MART, Rovereto).
Attributed works:
21. The juggler, by Antonio Donghi. 1936. Canvas, 114 by 86.5 cm. (Unicredit Art Collection; exh. MART, Rovereto).
Book Review
Explodity: Sound, Image, and Word in Russian Futurist Book Art. By Nancy Perloff & Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War. By Erika Wolf & Communist Posters. Edited by Mary Ginsberg
03/2018 | 1380 | 160
Pages: 260-261
related names
Reviewer:
Collier, Marie (Collier, Marie)
Subjects
dates:
places:
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