Bauhaus and National Socialism
Klassik Stiftung Weimar
9th May–15th September |
:
Illustrations
Attributed works:
26. Cover for
Die Neue Linie,
designed by Kurt
Kranz. 1937.
Print, 36.5 by
27 cm. (Private
collection; exh.
Klassik Stiftung
Weimar).
Attributed works:
27. Advertisement
for the Association
of German-
Aryan Clothing
Manufacturers
(ADEFA), designed
by Herbert Bayer.
1936/37. Colour
lithograph, 59.9
by 41.9 cm. (Lentos
Munstmuseum,
Linz; exh. Klassik
Stiftung Weimar).
Attributed works:
28. Copy of the
entrance gate to
the Buchenwald
concentration
camp, designed
by Franz Ehrlich.
2009 (original
1938). Steel, 186
by 99 by 24 cm.
(Gedenkstätte
Buchenwald,
Weimar; exh.
Klassik Stiftung
Weimar).
Exhibition Review
Futurism and Europe: The Aesthetics of a New World
Futurism and Europe: The
Aesthetics of a New World
Kröller-Müller Museum, Otterlo
29th April–3rd September |
:
Illustrations
Attributed works:
19. The new city.
Detail, by Antonio
Sant’Elia. 1914.
Pencil and ink on
paper, 52.5 by 51.5
cm. (Pinacoteca
Civica, Como; exh.
Kröller-Müller
Museum, Otterlo).
Attributed works:
20. Unique forms
of continuity
in space, by
Umberto
Boccioni. 1913,
cast in 1972.
Bronze, 117 by
30.5 by 87.5
cm. (Kröller-
Müller Museum,
Otterlo).
Attributed works:
21. Installation
view of Futurism
and Europe:
The Aesthetics
of a New World
at the Kröller-
Müller Museum,
Otterlo, 2023.
(photograph
Studio
Goedewaagen
Fotografie).
Josef Albers: Late Modernism,
and Pedagogic Form
By Jeffrey Saletnik. 320 pp. incl. 53 col. +
87 b. & w. ills. (University of Chicago Press,
2022), £32. ISBN 978–0–226–69917–2. |
:
Illustrations
Attributed works:
6. Structural constellation: transformation
of a scheme no. 23, by Josef Albers. 1951.
Machine-engraved plastic laminate, 43.2 by
57.2 cm. (Josef and Anni Albers Foundation
and Artists Rights Society (ARS), New York).
Friedl Dicker-Brandeis: Bauhaus-
Schülerin, Avantgarde-Malerin,
Kunstpädagogin / Bauhaus
Student, Avant-Garde Painter,
Art Teacher
Edited by Hemma Schmutz and Brigitte
Reutner-Doneus. 252 pp. incl. 150 col.
ills. (Hirmer, Munich, and Lentos
Kunstmuseum Linz, 2022), €39.90.
ISBN 978–3–7774–3846–7. |
:
Illustrations
Attributed works:
15. Axonometric
drawing of the
study in an
apartment for
Stella Reymers-
Münz, Vienna, by
Friedl Dicker-
Brandeis. 1930.
Tempera and
pencil on tracing
paper, 33 by
50 cm. (Georg
Schrom Archive,
Vienna).
Attributed works:
16. The
Interrogation,
by Friedl Dicker-
Brandeis. 1934.
Gouache and
collage, 46 by 33
cm. (University
of Applied Arts
Vienna).
Attributed works:
17. Woman in a
car, by Friedl
Dicker-Brandeis.
1940. Pastel on
paper, 43.5 by
56 cm. (Jewish
Museum,
Prague).
Book Review
Luxury and Modernism: Architecture and the Object in Germany 1900–1933, R. Schuldenfrei