By using this website you agree to our Cookie policy

Search

246 articles
Exhibition Review
Surréalisme
01/2025 | 1462 | 167
Pages: 57-61
related names
Reviewer:
Hopkins, David (Hopkins, David)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Surréalisme Centre Pompidou, Paris 4th September 2024–13th January 2025 | :
Illustrations
Attributed works:
28. Sans titre [main-coquillage] (Untitled; handshell), by Dora Maar. 1934. Gelatin silver print, 15 by 19.8 cm. (Centre Pompidou, Musée national d’art modern, Paris; Rmn-Grand Palais, Paris).
Attributed works:
29. L’ange du foyer (Le Triomphe du surréalisme), by Max Ernst. 1937. Oil on canvas, 117.5 by 149.8 cm. (© AGAGP, Paris; private collection; photograph Vincent Everarts)
Attributed works:
30. Installation view of Surréalisme at the Centre Pompidou, Paris, 2024. (Courtesy Centre Pompidou, Paris; photograph J. Rodriguez- Garcia).
Attributed works:
31. Scylla, by Ithell Colquhoun. 1938. Oil on panel, 91.4 by 61 cm. (© Noise Abatement Society, Samaritans and Spire Healthcare; Tate).
Article
Denis Wirth-Miller’s studio collection
09/2023 | 1446 | 165
Pages: 976-87
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
places:
Illustrations
Attributed works:
1 and 2. Denis Wirth-Miller’s studio, Wivenhoe. 2014. (Photographs Ben Harrison).
Attributed works:
10. Study for ‘Dog in movement’, by Denis Wirth-Miller. c.1953. Oil on canvas. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
11. Dog; walking; mastiff. Dread, by Eadweard Muybridge. (From E. Muybridge: Animal Locomotion, Philadelphia 1887, plate 704).
Attributed works:
12. Dog, by Francis Bacon. 1952. Oil on canvas, 198.1 by 137.2 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Tate Britain, London).
Attributed works:
13. Part of the floor of Francis Bacon’s studio at 7 Reece Mews, London. 1998. Photograph by Perry Ogden. (© The Estate of Francis Bacon. All rights reserved, DACS / Artimage 2023).
Attributed works:
14. Francis Bacon working material, torn-out page, folded, attached to support and inserted in plastic bag, of ‘Pugilist. Striking a blow’ from E. Muybridge: The Human Figure in Motion, London 1901 (possibly), plate 63. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Dublin City Gallery The Hugh Lane).
Attributed works:
15. Detail of Fig.14, showing the folded page and two merged frames.
Attributed works:
16. Study from the Human Body (Man Turning on Light), 1973, by Francis Bacon. 1973. Oil and alkyd paint on canvas, 200.6 by 148.4 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; private collection).
Attributed works:
3. Denis Wirth-Miller, working material, page from Maxick (Max Sick): Muscle Control or Body Development by Will-Power, London 1949, pp.93– 94, Wivenhoe 112, 22 by 13.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
4. Denis Wirth-Miller, working material, cut and mounted blackand- white photographic reproduction showing two United Nations soldiers in a trench, from S. Simmons: ‘Pusan Beach–Head’, Picture Post (5th August 1950), p.15, no.724v. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
5. Denis Wirth-Miller, working material, fragment of a page, mounted on carboard, showing a single frame from the series ‘The Walk’, ‘Some phases in the Walk of a Dog from series 14’, from E. Muybridge: Animals in Motion, London 1899, p.63, Wivenhoe 49, 15.5 by 15.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco) .
Attributed works:
6. Denis Wirth-Miller, working material, cut-out image mounted on cardboard, from ‘The Defense of Europe’, TIME: The Weekly Newsmagazine, Atlantic Overseas Edition 55:2 (April 1950), p.15, Wivenhoe 106, 25 by 18 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
7. Walking man, by Denis Wirth-Miller. c.1954. Oil on canvas, 130 by 99 cm. (© The Estate of Denis Wirth-Miller; private collection).
Attributed works:
8. Denis Wirth-Miller, working material, fragment of a page mounted on cardboard, from TIME: The Weekly Newspaper Atlantic Overseas Edition (13th June 1949), p.16, Wivenhoe 174, 25.5 by 20.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
9. Reconstitution of Francis Bacon’s studio at 7 Reece Mews, London, at Dublin City Gallery The Hugh Lane. (Photograph © Leonard de Selva; Bridgeman Images).
Exhibition Review
Futurism and Europe: The Aesthetics of a New World
08/2023 | 1445 | 165
Pages: 906–908
related names
Reviewer:
Kwartler, Talia (Kwartler, Talia)
Subjects
dates:
Reviewed Items
subjects:
Futurism and Europe: The Aesthetics of a New World Kröller-Müller Museum, Otterlo 29th April–3rd September | :
Illustrations
Attributed works:
19. The new city. Detail, by Antonio Sant’Elia. 1914. Pencil and ink on paper, 52.5 by 51.5 cm. (Pinacoteca Civica, Como; exh. Kröller-Müller Museum, Otterlo).
Attributed works:
20. Unique forms of continuity in space, by Umberto Boccioni. 1913, cast in 1972. Bronze, 117 by 30.5 by 87.5 cm. (Kröller- Müller Museum, Otterlo).
Attributed works:
21. Installation view of Futurism and Europe: The Aesthetics of a New World at the Kröller- Müller Museum, Otterlo, 2023. (photograph Studio Goedewaagen Fotografie).
Short Notice
The new museum in the Bibliothèque nationale, Paris
06/2023 | 1443 | 165
Pages: 630-637
related names
Reviewer:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
places:
Illustrations
Attributed works:
1. Aerial view of the Palais Mazarin, Paris, at the end of the seventeenth century. Engraving. (From L. de Laborde: De l’organisation des bibliothèques dans Paris, 4e lettre: Le palais Mazarin et les habitations de ville et de campagne au XVIIe siècle, Paris 1845, facing p.5).
Attributed works:
10. Throne from the treasury of Saint-Denis (‘Throne of Dagobert’). Late 8th–early 9th century. Copper alloy with iron, remains of gilding, height 104 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Cardinal Mazarin shown in the upper gallery of his hôtel, by Robert Nanteuil. 1659. Etching, 46.5 by 56.8 cm. (Bridgeman Images).
Attributed works:
3. The galerie Mazarin. (Bibliothèque nationale de France, Paris; photograph Guillaume Murat).
Attributed works:
4. Plan of the ground level of the Bibliothèque nationale ‘site Richelieu’. (After Atelier Bruno Gaudin).
Attributed works:
5. Plan of the first floor of the Bibliothèque nationale ‘site Richelieu’. (After Atelier Bruno Gaudin).
Attributed works:
6. The first-floor landing of the Bibliothèque national ‘site Richelieu’ and the entrance to the salle des Colonnes. (Bibliothèque nationale de France, Paris; photograph Guillaume Murat).
Attributed works:
7. The salle des Colonnes. (Bibliothèque nationale de France, Paris; photograph Guillaume Murat).
Attributed works:
8. The salle Barthélemy, the former reading room of the département des Monnaies, médailles et antiques. (Bibliothèque nationale de France, Paris; photograph Guillaume Murat).
Attributed works:
9. The salon de Louis XV, the former cabinet des Médailles (Bibliothèque nationale de France, Paris; photograph Jean-Christophe Ballot).
Editorial
The future of the RIBA Drawings Collection
06/2023 | 1443 | 165
Pages: 583
Book Review
Power and Perspective: Early Photography in China
05/2023 | 1442 | 165
Pages: 573-575
related names
Reviewer:
Roberts, Claire (Roberts, Claire)
Subjects
art literature:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Power and Perspective: Early Photography in China Edited by Karina H. Corrigan and Stephanie H. Tung with Bing Wang and Tingting Xu. 340 pp. incl. 300 col. ills. (Peabody Essex Museum, Salem, and Yale University Press, New Haven and London, 2022), £45. ISBN 978–0–300–26363–3. | :
Illustrations
Western art unattributed:
6. Yang Chang-mei. China, c.1862. Albumen print. (Peabody Essex Museum, Salem; Granger Historical Picture Archive; Alamy Stock Photo).
Book Review
The Idea of Italy: Photography and the British Imagination, 1840–1900 In Light of Rome: Early Photography in the Capital of the Art World, 1842–1871
05/2023 | 1442 | 165
Pages: 564-565
related names
Reviewer:
Iuliano, Marco (Iuliano, Marco)
Subjects
places:
Reviewed Items
subjects:
In Light of Rome: Early Photography in the Capital of the Art World, 1842–1871 By John F. McGuigan Jr and Frank H. Goodyear III. 272 pp. incl. 135 col. ills. (Bowdoin College Museum of Art, Brunswick MA, and Pennsylvania State University Press, University Park PA, 2023), £60.95. ISBN 978–0–271–09488–5. | :
subjects:
The Idea of Italy: Photography and the British Imagination, 1840–1900 Edited by Maria Antonella Pelizzari and Scott Wilcox. 288 pp. incl. 180 col. ills. (Yale Centre for British Art, New Haven, and Yale University Press, New Haven and London, 2022), £40. ISBN 978–0–300–26383–1. | :
Illustrations
Attributed works:
1. Cloud study with Trinità dei Monti, by Carlo Baldassare Simelli. c.1860. Untrimmed albumen print from a glass negative, 23.3 by 26.1 cm. (Private collection).
Book Review
Francis Bacon – In the Mirror of Photography: Collecting, Preparatory Practice and Painting
03/2023 | 1440 | 165
Pages: 346-348
related names
Reviewer:
Hammer, Martin (Hammer, Martin)
Subjects
Reviewed Items
subjects:
Francis Bacon – In the Mirror of Photography: Collecting, Preparatory Practice and Painting By Katharina Günther. 446 pp. incl. 51 col. + 107 b. & w. ills. (De Gruyter, Berlin, 2022), £62.40. ISBN 978–3–11–072062–4. | :
Illustrations
Attributed works:
6. Figure getting out of a car, by Francis Bacon. 1944. Oil on canvas, 144 by 128.6 cm. (Courtesy Estate of Francis Bacon).
Exhibition Review
Sussex Landscape: Chalk, Wood and Water
03/2023 | 1440 | 165
Pages: 325-327
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
places:
Reviewed Items
subjects:
Sussex Landscape: Chalk, Wood and Water Pallant House Gallery, Chichester 12th November 2022–23rd April 2023 | :
Illustrations
Attributed works:
23. End of land I, by Wolfgang Tillmans. 2002. Chromogenic print, 199.4 by 134.2 cm. (Towner Eastbourne; courtesy Maureen Paley Gallery, London; exh. Pallant House Gallery, Chichester).
Attributed works:
24. Peggy Angus’s house, Furlongs, near Firle, East Sussex, by Edwin Smith. 1961. Gelatin silver print, 25 by 20 cm. (Edwin Smith and RIBA Collections; exh. Pallant House Gallery, Chichester).
Attributed works:
25. The Rye Marshes, East Sussex, by Paul Nash. 1932. Oil on canvas, 58.8 by 100.3 cm. (Ferens Art Gallery, Hull Museums; exh. Pallant House Gallery, Chichester; Bridgeman Images).
Article
The ‘visual turn’ in copyright history and its relevance to art history
12/2021 | 1425 | 163
Pages: 1148-1157
related names
Author:
Cooper, Elena (Cooper, Elena)
Subjects
Illustrations
Attributed works:
1. Photograph of Bianca by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
2. Photograph of The light of the world by William Holman Hunt accompanying the copyright application dated 20th January 1904. (National Archives, London, COPY1/211).
Attributed works:
3. Photograph of The Lady of Shalott by William Holman Hunt accompanying the copyright application dated 9th June 1905. (National Archives, London, COPY1/230).
Attributed works:
4. Photograph of The ship by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
5. Photograph of Master Hilary – the tracer by William Holman Hunt accompanying the copyright application dated 9th November 1906. (National Archives, London, COPY1/325).
Attributed works:
6. Master Hilary – the tracer, by William Holman Hunt. 1885(?), 1886–87. Oil on canvas, 122.2 by 66 cm. (Private collection; Bridgeman Images).
load more