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Article

Two paintings by Artemisia Gentileschi in the Potsdam collection of Frederick the Great

02/2025 | 1463 | 167

Pages: 115–125

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Author:

Windt, Franziska (Windt, Franziska)

Subjects

artists:

Gentileschi, Artemisia

buildings:

Neues Palais, Potsdam, Germany

collectors and dealers:

Frederick II, King of Prussia, 1712-1786

collectors and dealers:

Collections / Italian art / Baroque / Bathsheba / Lucretia / Attributions, former / Technical analysis

dates:

1620-1629 / 1630-1639 / 1760-1769

Illustrations

Attributed works:

1. Lucretia and Tarquinius, by Artemisia Gentileschi. Second half of the 1620s/1630. Oil on canvas, 261 by 222.5 cm. (© Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam (SPSG); photograph W. Pfauder).

Attributed works:

10. X-ray photograph of Fig.1. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).

Attributed works:

11. Detail of Fig.10, showing the head of Tarquinius. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).

Attributed works:

12. Detail of Fig.1, showing the head of Tarquinius.

Attributed works:

13. Detail of Fig.10, showing Tarquinius’ stocking. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).

Attributed works:

14. Madonna and Child, by Artemisia Gentileschi. ?1616–19. Oil on canvas, 116.5 by 86.5 cm. (Galleria Spada, Rome; MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).

Attributed works:

15. X-ray photograph of Fig.14. (MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).

Attributed works:

16. Madonna with cherries, by Artemisia Gentileschi. ?1610–12. Oil on canvas, 118 by 86 cm. (Galleria Palatina, Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).

Attributed works:

17. Suffer the little children to come unto me, by Artemisia Gentileschi. 1625–26. Oil on canvas, 134.6 by 97.7 cm. (Basilica di S. Carlo Borromeo al Corso, La Venerabile Arciconfraternita dei Santi Ambrogio e Carlo, Rome).

Attributed works:

18. Detail of Fig.17, showing the faces of the children.

Attributed works:

19. Detail of Fig.1, showing the face of Lucretia.

Attributed works:

2. Gallery of the New Palace in Sanssouci, Potsdam. Photograph, 1995. (© SPSG; photograph R. Handrick).

Attributed works:

3. Bathsheba in the bath, by Artemisia Gentileschi. Second half of the 1630s. Oil on canvas, 261 by 223 cm. (© SPSG; photograph W. Pfauder).

Attributed works:

4. Display of the paintings in the New Palace, Potsdam, since 1768. From left to right: Suicide of Lucretia, by Guido Reni; Fig.1; Judgment of Paris, by Luca Giordano; Rape of the Sabine Women, by Luca Giordano; Fig.3; and Diogenes in the barrel, attributed to Guido Reni.

Attributed works:

5. Detail of Fig.3, showing Artemisia Gentileschi’s technique with no overlaps of painted features.

Attributed works:

6. Bathsheba in the bath, by Artemisia Gentileschi. c.1635. Oil on canvas, 286 by 219 cm. (Galleria Palatina, Palazzo Pitti, Florence).

Attributed works:

7. Composition of Fig.6, shown in white lines and superimposed over Fig.3. (Drawing by B. Jackisch).

Attributed works:

8. Bathsheba in the bath, by Artemisia Gentileschi. ?.c.1640–45. Oil on canvas, 288 by 228 cm. (Private collection).

Attributed works:

9. Suicide of Lucretia, by Artemisia Gentileschi. 1620s. Oil on canvas, 92.9 by 72.7 cm. (J. Paul Getty Museum, Los Angeles).

Article

‘Upon his visit to see my paintings’: sonnets by Artemisia Gentileschi and Pietro della Valle

02/2024 | 1451 | 166

Pages: 115–125

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Author:

Barker, Sheila (Barker, Sheila)

Author:

Bianchi, Eric (Bianchi, Eric)

Subjects

artists:

Gentileschi, Artemisia / Gentileschi, Orazio / Caravaggio, Michelangelo Merisi da

dates:

1620-1629

sources:

Ripa, Cesare

subjects:

Sonnets / Poetry / Correspondence / Commissions / Patronage / Musicians

subjects:

Valle, Pietro della / Caccini, Francesca / Baroni, Caterina / Baroni, Leonora / Buonarroti the Younger, Michelangelo (1568–1647) / Loredan, Giovan Francesco

Illustrations

Attributed works:

1. Right hand of Artemisia Gentileschi holding a brush, by Pierre Dumonstier II. 1625. Black and red chalk on paper, 21.9 by 18 cm. (British Museum, London).

Attributed works:

10. Jael and Sisera, by Artemisia Gentileschi. 1620. Oil on canvas, 86 by 125 cm. (Museum of Fine Arts, Budapest).

Attributed works:

11. Self-portrait as the Allegory of Painting, by Artemisia Gentileschi. c.1638–39?. Oil on canvas, 96.8 by 75.2 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).

Attributed works:

12. Detail of Pittura, by Cesare Ripa. 1603. Engraving. (From the title page of D. Pietersz, ed.: Iconologia, of uytbeeldingen des verstands, Amsterdam 1644).

Attributed works:

2. Pietro della Valle, by Gilliam van der Gouwen. c.1717. Engraving, 14.6 by 18.6 cm. (Rijksmuseum, Amsterdam).

Attributed works:

3. Penitent Magdalene, by Artemisia Gentileschi. c.1617. Oil on canvas, 108 by 146.5 cm. (Pitti Palace, Florence).

Attributed works:

4. Christ with Mary and Martha, by Alessandro Allori. 1605. Oil on canvas, 125 by 118 cm. (Kunsthistorisches Museum, Vienna; Bridgeman Images).

Attributed works:

5. Allegory of Inclination, by Artemisia Gentileschi. c.1617. Oil on canvas, 152 by 61 cm. (Casa Buonarroti, Florence).

Attributed works:

6. Sitti Maani Gioerida, by Thomas Hirschmann. c.1670. Engraving, 21.9 by 17.9 cm. (Vienna Museum).

Attributed works:

7. The musicians, by Caravaggio. 1597. Oil on canvas, 92.1 by 118.4 cm. (Metropolitan Museum of Art, New York).

Attributed works:

8. St Cecilia playing a lute, by Artemisia Gentileschi. c.1614. Oil on canvas, 108 by 78.5 cm. (Galleria Spada, Rome).

Attributed works:

9. Barbara Strozzi, by Bernardo Strozzi. 1639. Oil on canvas, 125 by 99 cm. (Gemäldegalerie Alte Meister, Dresden).

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01/2024 | 1450 | 166

Pages: i-xx

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Subjects

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Mearini Fine Art, Perugia, Italy

artists:

Borman, Jan, I, d. bef. 1498 / Gentileschi, Artemisia / Delvaux, Paul / Heyden, Pieter van der / Chirico, Giorgio de / Alsloot, Denys van / Rietveld, Gerrit Thomas / Utrecht, Adriaen van / Langetti, Giovanni Battista / Ernst, Max / Giambologna / Tiepolo, Lorenzo / Klimt, Gustav / Turner, Joseph Mallord William / Picasso, Pablo / Ferri, Ciro / Burne-Jones, Edward / Veronese, Paolo / circle of / Prouvost, Laure, b. 1978

artists:

Vanni, Lippo / Blomstedt, Väinö

Illustrations

Attributed works:

A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]

Attributed works:

A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]

Attributed works:

A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]

Attributed works:

Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]

Attributed works:

Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]

Attributed works:

CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]

Attributed works:

Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]

Attributed works:

Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]

Attributed works:

Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]

Attributed works:

Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]

Attributed works:

From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).

Attributed works:

GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]

Attributed works:

Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]

Attributed works:

La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]

Attributed works:

LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]

Attributed works:

Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]

Attributed works:

Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]

Attributed works:

Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]

Attributed works:

Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]

Attributed works:

Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]

Attributed works:

The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]

Attributed works:

Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]

Attributed works:

Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]

Attributed works:

Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]

Non-western art unattributed:

A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]

Non-western art unattributed:

Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]

Western art unattributed:

A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]

Western art unattributed:

Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]

Article

Artemisia Gentileschi’s ‘Susanna and the elders’ painted for Henrietta Maria

10/2023 | 1447 | 165

Pages: 1053–73

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Author:

Izat, Adelaide (Izat, Adelaide)

Author:

Munz, Niko (Munz, Niko)

Subjects

artists:

Gentileschi, Artemisia / Gentileschi, Orazio

buildings:

Whitehall Palace, London, Great Britain

buildings:

Queen's House, London, Great Britain

dates:

1630-1639

museums and institutions:

Royal Collection, (Great Britain)

patrons:

Henrietta Maria, Queen, Consort of Charles I, King of England, 1609-1669

sources:

Inventories

sources:

Doort, Abraham van der

subjects:

Italian painting / Susannah in the Bath / Women artists / Dating / Provenance / Attributions / Patronage / Scientific analysis / Technical analysis / overpainting / Pentimenti / Conservation / Copies / Commissions

Illustrations

Attributed works:

1. The painting illustrated in Fig.3, before conservation treatment and prior to structural treatment to remove non-original additions.

Attributed works:

10. Infra-red reflectography of Fig.1, showing former non-original canvas extension.

Attributed works:

11. Detail of Fig.10, showing a pinnacle or water-jet and possible part of a wall.

Attributed works:

12. Detail of Fig.10, showing a scroll-like form above the satyr’s head.

Attributed works:

13. Birth of St John the Baptist, by Artemisia Gentileschi. c.1635. Oil on canvas, 184 by 258 cm. (© NPL - DeA Picture Library; G. Dagli Orti; Bridgeman Images; Museo del Prado, Madrid).

Attributed works:

14. David and Goliath, by Orazio Gentileschi. c.1610–12. Oil on canvas, 173 by 142 cm. (Palazzo Spada, Rome; Bridgeman Images).

Attributed works:

15–17: Details of Fig.8 outlined in orange, overlaid with the corresponding lines in green from Fig.3 in three positions: (Fig.15) showing the match around the shoulder and back with the orange dots following where the Royal Collection pentiment lines up with Susanna’s back in the Burghley House painting; (Fig.16) shifted to show the match of the shoulder, arm and hand; and (Fig.17) lining up the Royal Collection knee tracing over the visible pentiment (shown with green dashed lines) of Susanna’s knee in the Burghley House painting.

Attributed works:

18. Detail of Fig.19 outlined in blue overlaid with a tracing in orange from Fig.3.

Attributed works:

19. St Catherine of Alexandria, by Artemisia Gentileschi. c.1627–30?. Oil on canvas, 90 by 75.4 cm. (Nationalmuseum, Stockholm; photograph © Christie’s Images; Bridgeman Images).

Attributed works:

2. Self-portrait as the Allegory of Painting, by Artemisia Gentileschi. c.1638–39?. Oil on canvas, 96.8 by 75.2 cm. (© His Majesty King Charles III, 2023; Royal Collection Trust).

Attributed works:

20. Detail of Fig.13, showing the midwife outlined in green, overlaid with an inverted tracing in orange of the right-hand elder in Fig.3.

Attributed works:

21. Detail of Fig.3, showing Susanna’s raised foot with pentiment and early drawing line visible in the white drapery.

Attributed works:

22. Bathsheba at her bath, attributed to Artemisia Gentileschi. c.1640– 45. Oil on canvas, 288 by 228 cm. (Private collection).

Attributed works:

23. Detail of a design for a painted vertical panel with grotesque ornament, by Inigo Jones, showing Henrietta Maria’s cipher. 1630s. Pen, ink and wash on paper. (Ashmolean Museum, Oxford).

Attributed works:

24. Design for a chimneypiece and overmantel for the Queen’s House, Greenwich, by Inigo Jones. c.1637. Pen, ink and wash on paper, 19.3 by 29.5 cm. (Royal Institute of British Architects, London).

Attributed works:

25. Detail of Fig.10, showing carbon-based markings to denote positioning.

Attributed works:

26. X-radiograph of Fig.7, showing the hooded reserve left for the elders (showing dark) against the sky, similar in technique and handling to the early reserve left for the elders and visible in Fig.9.

Attributed works:

27. X-radiograph of Fig.14, showing the broad sweeping contour around the shoulder to lay in David’s form and echoing in style and technique the preliminary placing of Susanna’s outline as seen in Fig.9.

Attributed works:

28. Detail of Fig.13, showing the grid-like craquelure resulting from the relatively open weave of the canvas substrate.

Attributed works:

29. Detail of Fig.3, showing the wider craquelure resulting from the finer-woven canvas.

Attributed works:

3. Susanna and the elders, by Artemisia Gentileschi. 1638–39. Oil on canvas, 188.9 by 143.2 cm. (after structural treatment to remove non-original additions). (© His Majesty King Charles III, 2023; Royal Collection Trust).

Attributed works:

30. Paint cross section of Fig.3, from the area to the right of Susanna’s lower foot.

Attributed works:

31. Paint cross section of Fig.3, taken from the right edge in the elder’s green brocade .

Attributed works:

32. Paint cross section of Fig.3, from the left side of the sky; the warm red preparatory layer is absent from this sample but it shows the lower pale brown preliminary layer that was used under much of the sky area, followed by a bright blue layer containing indigo and lead white. The discoloured smalt layer lies above this.

Attributed works:

33. Paint cross section of Fig.3, from the sky area above the elder’s head.

Attributed works:

34. Paint cross section of Fig.3, taken from a shadow area of Susanna’s hip with some reflected light, showing the thick preparatory layer containing red ochre, followed by the darker brown underpaint for the flesh tones, and finally the bright, densely encrusted aggregates of lead-tin-antinomy yellow near the top.

Attributed works:

4. Detail of the reverse of Fig.3, showing ‘CR’ brand.

Attributed works:

5. The Queen’s Bedchamber, Kensington Palace, by Richard Cattermole. c.1818. Watercolour and bodycolour on paper, 20.2 by 26.3 cm. (© His Majesty King Charles III, 2023; Royal Collection Trust).

Attributed works:

6. Photograph of the painting illustrated in Fig.3, from the inventory ‘Pictures in the Royal Collections’, by Richard Redgrave (29th May 1862). (© His Majesty King Charles III, 2023; Royal Library, Royal Collection Trust).

Attributed works:

7. Susanna and the elders, by Artemisia Gentileschi. 1610. Oil on canvas, 170 by 119 cm. (Schloss Weissenstein, Pommersfelden; Scala, Florence).

Attributed works:

8. Susanna and the elders, by Artemisia Gentileschi. 1622. Oil on canvas, 162.5 by 121.9 cm. (Burghley House, Stamford; Bridgeman Images).

Attributed works:

9. X-radiography of Fig.3.

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06/2023 | 1443 | 165

Pages: i-xxxvi

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Subjects

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artists:

Cézanne, Paul / Dyck, Anthony van / Wiley, Kehinde / Giambologna / Lawrence, Thomas / Ayres, Gillian / Wicar, Jean Baptiste Joseph / Doré, Gustave / Longhi, Pietro / Monet, Claude / Moss, Marlow / Girtin, Thomas / Peake, Robert, the elder, 1551-1619 / Degas, Edgar / Angelico, Fra / Bonington, Richard Parkes / Pugin, Augustus Welby Northmore / Newton, Algernon Cecil / Dughet, Gaspard / Gros, Antoine-Jean / Puget, Pierre / Bouguereau, William-Adolphe / Lamerie, Paul de / Holsoe, Carl Vilhelm / Chadwick, Lynn / Chippendale, Thomas I, 1718-1779 / Bomberg, David / Sickert, Walter / Pichler, Luigi / Hockney, David / Gentileschi, Artemisia

artists:

Wiley, Kehinde / Böhm, Adolf Michael / Glaize, Barthelemey / Müller, Leopold Carl / Heath, Adrian / Meyer, Wilhelm Christian / Landseer, Thomas / Smith, Thomas, of Derby

Illustrations

Attributed works:

A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]

Attributed works:

A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]

Attributed works:

Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]

Attributed works:

An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]

Attributed works:

Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]

Attributed works:

Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]

Attributed works:

Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]

Attributed works:

Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]

Attributed works:

Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]

Attributed works:

Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]

Attributed works:

CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]

Attributed works:

Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]

Attributed works:

David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]

Attributed works:

Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]

Attributed works:

EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]

Attributed works:

Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]

Attributed works:

Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]

Attributed works:

GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19 in [Nonesuch Gallery]

Attributed works:

GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]

Attributed works:

Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]

Attributed works:

Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]

Attributed works:

JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]

Attributed works:

Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]

Attributed works:

MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]

Attributed works:

Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]

Attributed works:

Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]

Attributed works:

Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10 x 13 in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]

Attributed works:

Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]

Attributed works:

Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]

Attributed works:

Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]

Attributed works:

Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]

Attributed works:

Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]

Attributed works:

The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]

Attributed works:

The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]

Attributed works:

The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]

Attributed works:

The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]

Attributed works:

THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].

Attributed works:

THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].

Attributed works:

Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]

Attributed works:

Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]

Attributed works:

Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]

Attributed works:

VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]

Attributed works:

William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]

Attributed works:

‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]

Non-western art unattributed:

A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]

Non-western art unattributed:

Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]

Non-western art unattributed:

Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]

Non-western art unattributed:

Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]

Western art unattributed:

Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]

Western art unattributed:

Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]

Western art unattributed:

Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]

Western art unattributed:

Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]

Exhibition Review

Artemisia Gentileschi in Naples

03/2023 | 1440 | 165

Pages: 317-320

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related names

Reviewer:

Morselli, Raffaella (Morselli, Raffaella)

Subjects

artists:

Gentileschi, Artemisia

dates:

2020-2030

museums and institutions:

Gallerie d'Italia, Naples, Italy

places:

Naples

subjects:

Italian art / Women artists / Commissions / Patronage / Attributions / Dating

subjects:

Exhibition catalogues

Reviewed Items

subjects:

Artemisia Gentileschi in Naples Gallerie d’Italia, Naples 3rd December 2022–19th March 2023 | :

Illustrations

Attributed works:

13. St Gennaro and companions, thrown into the amphitheatre, tame the beasts, by Artemisia Gentileschi. Oil on canvas, 308 by 200 cm. (Pozzuoli Cathedral; exh. Gallerie d’Italia, Naples).

Attributed works:

14. Judith and her maid with the head of Holofernes, by Artemisia Gentileschi. Oil on canvas, 73 by 93 cm. (Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo; exh. Gallerie d’Italia, Naples).

Attributed works:

15. Susannah and the elders, by Artemisia Gentileschi. Oil on canvas, 200.5 by 225.5 cm. (Pinacoteca Nazionale, Bologna; exh. Gallerie d’Italia, Naples).

Book Review

Artemisia Gentileschi

01/2023 | 1438 | 165

Pages: 90-91

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related names

Reviewer:

Garrard, Mary D. (Garrard, Mary D.)

Subjects

artists:

Gentileschi, Artemisia

subjects:

Italian art / Women artists / Feminism / Gender

Reviewed Items

subjects:

Artemisia Gentileschi By Sheila Barker. 144 pp. incl. 80 col. ills. (Lund Humphries, London, 2022), £30. ISBN 978–1–84822–454–4. | :

Illustrations

Attributed works:

1. Judith beheading Holofernes, by Artemisia Gentileschi. c.1620. Oil on canvas, 146.5 by 108 cm. (Gallerie degli Uffizi, Florence; Bridgeman Images).

Book Review

Artemisia Gentileschi and Feminism in Early Modern Europe

01/2023 | 1438 | 165

Pages: 92-93

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related names

Reviewer:

Bohn, Babette (Bohn, Babette)

Subjects

artists:

Gentileschi, Artemisia

subjects:

Italian art / Women / Women artists / Feminism / Self-portraits / Literature

Reviewed Items

subjects:

Artemisia Gentileschi and Feminism in Early Modern Europe By Mary D. Garrard. 320 pp. incl. 65 col. + 4 b. & w. ills. (Reaktion Books, London, 2020), £15.95. ISBN 978–1–78914–202–0. | :

Illustrations

Attributed works:

2. Self-portrait as a lute player, by Artemisia Gentileschi. c.1615–18. Oil on canvas, 77.5 by 71.8 cm. (Wadsworth Atheneum Museum of Art, Hartford; Bridgeman Images).

Exhibition Review

Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento

02/2022 | 1427 | 164

Pages: 192-195

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related names

Reviewer:

Christiansen, Keith (Christiansen, Keith; Christiansen, K.)

Subjects

artists:

Caravaggio, Michelangelo Merisi da / Gentileschi, Artemisia / Gentileschi, Orazio / Foschi, Pier Francesco / Tintoretto, Jacopo / Boulogne, Valentin de / Bigot, Trophime / Liss, Johann / Cagnacci, Guido / Preti, Mattia

dates:

2020-2030

museums and institutions:

Palazzo Barberini, Rome, Italy

subjects:

Judith / Holofernes / Italian painting / Baroque

Reviewed Items

subjects:

Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento Palazzo Barberini, Rome 26th November 2021– 27th March 2022 | :

Illustrations

Attributed works:

11. Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. c.1621–24. Oil on canvas, 136 by 159 cm. (Wadsworth Atheneum Museum of Art, Hartford CT; exh. Palazzo Barberini, Rome).

Attributed works:

12. Judith beheading Holofernes, by Artemisia Gentileschi. c.1612. Oil on canvas, 159 by 126 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Palazzo Barberini, Rome).

Attributed works:

13. Installation view of Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento at Palazzo Barberini, Rome, 2021–22. (Photograph Alberto Novelli).

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